Steve Buscemi - Ahead of the premier for the fifth and final series of HBO’s ‘Boardwalk Empire’ at the Ziegfeld Theatre in New York City, stars of the show and some other HBO stars were photographed on the Red Carpet. - Thursday 4th September 2014
Pixar revisits the characters from 2001's Monsters, Inc. for a frat-house prequel. Which is kind of an odd setting for a kids' movie. The comedy is more focussed on action sequences than characters this time, so it's not nearly as satisfying. But it's still a lot of fun, thanks to a constant barrage of sharp verbal and visual gags.
When he was just a child, Mike (Crystal) dreamed about becoming a scarer, capturing the screams of human children to provide power to Monstropolis. So he's thrilled when he enters Monsters University, and takes his studies very seriously. By contrast, his roommate Randy (Buscemi) is more interested in partying, while classmate Sulley (Goodman) is lazily coasting on the legacy of his famed scarer dad. Then Mike and Sulley end up on the wrong side of Dean Hardscrabble (Mirren), who gives them one chance to stay in school: they have to win the Scare Games. But the only frat-house that needs them is made up of unscary misfits: nice-guy Dan (Murray), two-headed dimwit Terry/Terri (Hayes/Foley), naive five-eyed Squishy (Sohn) and furry philosopher Art (Day).
We never really doubt where this is going, but the filmmakers have a lot of fun along the way, and the story does take some surprising twists. Essentially, it's the same premise as Glee, with nerdy outcasts banding together to draw on their personal talents and show the cool kids that they're not losers. The script never really develops any of the side characters beyond one key personality trait, but the relationship between Mike and Sulley has a real kick of emotional resonance, superbly well-voiced by Crystal and Goodman. And the bromance between these two is even more enjoyable than all the colourful mayhem and snappy joking around.
Continue reading: Monsters University Review
'Monsters University' has remained at No.1 in the weekend box office. Responses to the two new releases: 'The Heat' and 'White House Down' have differed greatly. 'Superman: Man of Steel' remains stoically in the top 5.
Monsters University spent its second week at No.1 in the US Weekend Box Office grossing $46.2 million. The sequel of Monsters Inc. follows the early, not so jovial, relationship of Sulley and Mike as they attend college. Monsters University includes some big names from the acting community including Billy Crystal, John Goodman, Steve Buscemi and Dame Helen Mirren.
Billy Crystal with ‘Mike Wazowski’, the character he voices in Monsters Inc. and Monsters University.
Disney Pixar’s animation has fended off competition from Sandra Bullock and Melissa McCarthy’s cop comedy The Heat. The comedy has received favourable reviews and the weekend box office reflects this, grossing since its release on Friday $40 million.
Continue reading: 'Monsters University' Fends Off 'The Heat': Still No.1 In US Box Office
Alec Baldwin launch into a rant on his Twitter when 'The Daily Mail' accused his wife Hilaria of using her phone during James Gandolfini's funeral yesterday (27th June).
A British tabloid claimed that Alec Baldwin's wife Hilaria Baldwin tweeted during the funeral of Soprano's star James Gandolfini. When Alec Baldwin heard about the article in The Daily Mail he launched into an irate and homophobic tirade on Twitter.
Baldwin's pregnant wife, Hilaria, did tweet about the funeral and addressed one of her posts to James Gandolfini or as she referred to him 'Jimmy'. As The Mail pointed out this post was between two considerably chirpier ones including discussing recipes and asking advice from her followers about anniversary presents.
Unfortunately, as the time is recorded on Twitter, The Mail does have a point, evidently upon arriving at the funeral or even during the course of it Hilaria was on her phone.
James Gandolfini's funeral was held today in New York. 'The Sopranos' star died of a heart attack last week whilst holidaying in Italy with his son. He was just 51-years-old.
The funeral of Soprano's star James Gandolfini was held today (27th June 2013) at St John the Divine Catholic Church in New York. A private wake was held yesterday (Wednesday 26th June) in New Jersey for family members and close friends.
Representing the cast and crew of The Sopranos was actress Aida Turturra and creator David Chase, who gave a eulogy. Gandolfini's widow Deborah Lin Gandolfini and two close family friends also spoke.
The late James Gandolfini, pictured here attending the 8th Starlit Benefit Gala, New York, 10th June 2013
Continue reading: James Gandolfini's Funeral - Who Was In Attendance?
'Monsters University' has made $82.4 million in its opening weekend, outdoing 'World War Z' and 'Superman: Man of Steel'.
Monsters University, the prequel to Monsters Inc., has done extremely well during its first weekend of release. The Disney Pixar animation has made $82.4 million, placing it ahead of World War Z and Superman: Man of Steel in the box office charts.
The animation has outdone its predecessor, Monsters Inc. which, released in 2001, made $65.5 million during its opening weekend. In Monsters Inc. we saw the monster's world powered by the terror of children scared by Mike and Sulley during their night-time adventures into the human world. The two best friends overcome adversity to ensure a predictable happy ending in true Disney style.
Monsters University follows the relationship between Mike (the green Cyclops) and Sulley (the fluffy blue one) as they attend university. As it turns out the pair were not always as close as they were in Monsters Inc.
Continue reading: Monsters University Earns $82.4 Million On Its Opening Weekend
Vampire Weekend held off stiff competition from Demi Lovato to land their second Billboard 200 No.1.
Indie rockers Vampire Weekend have topped the Billboard 200 chart with their latest record 'Modern Vampires of the City,' besting commercial efforts from the likes of X-Factor judge Demi Lovato, Lady Antebellum and the Great Gatsby soundtrack featuring music from Jay-Z and Florence and the Machine.
The New York outfit's album sold 134,000 in its first week of sales, according to figures compiled by Nielsen SoundScan. It was also the first independently distributed album to debut at No.1 on the chart since country singer Jason Aldean's 'Night Train' in November last year. It was another country star - George Strait - who finished in second place this week with sales of 120,000, while Lovato's 'Demi' sold 110,000 copies to take No.3. Last week's No.1, 'Golden' by Lady Antebellum fell to No.5 while the soundtrack to Gatsby dropped to No.4 from No.2.
Meanwhile, on Billboard's Digital Songs chart, rapper and producer team Macklemore & Ryan Lewis held the top spot with 231,000 downloads of their hit 'Can't Hold Us.' Robin Thicke's Blurred Lines, featuring rapper T.I. and Pharrell Williams took second, ahead of Pink.
Continue reading: Vampire Weekend's Billboard No.1 Is A Triumph For Independent Music
Steve Buscemi met Vampire Weekend for the first time, hilarity ensued.
Boardwalk Empire actor Steve Buscemi met New York band Vampire Weekend for the first time, to discuss their upcoming collaboration for American Express' Upstaged concerts. Buscemi will direct a live stream of the quartet's upcoming show in NYC, taking place at the Roseland Ballroom on Sunday April 28, 2013.
Clearly, it made sense for Buscemi and the band to meet ahead of the show, to discuss their plans, however, things went a little weird when the actor told the bewildered rockers that he didn't understand the songs. "I think what you guys do is really smart and it's very catchy, which I like, but I don't always understand the songs, to be honest," Buscemi tells the band in just one of several awkward exchanges. "And I'm wondering, is this something that you talk about, like, 'Let's try and write a song that people can understand'?"
While not the laugh riot it could have been, this comedy consistently amuses us with its pastiche characters and silly gags. It threatens to get bogged down in sentiment at a few points along the way, but manages to veer back into something witty just in time. And while none of the characters are quite as classic as Anchorman's Ron Burgundy, it's an entertaining addition to the affectionate-spoof genre, which includes Blades of Glory and Talladega Nights.
The events take place in the sequin-filled world of Las Vegas magicians, where childhood pals Burt and Anton (Carell and Buscemi) have packed out their theatre for 10 years. But their new assistant Jane (Wilde) is surprised to see that it's now performance by numbers for them, and they can barely stand the sight of each other. Meanwhile, the egomaniac Burt won't consider freshening the act even when faced with competition from attention-seeking street magician Steve (Carrey), who's stealing their audience. But the hotel owner (Gandolfini) urges them to try a big stunt themselves. Or maybe they should return to their roots with their old-school mentor Rance (Arkin).
Carell creates a remarkably believable idiot in Burt Wonderstone, an arrogant womaniser who clearly needs to be brought down a peg or two. What's impressive is how likeable he is, even opposite Buscemi's more sympathetic (but less interesting) Anton. Arkin delivers his usual dryly hilarious supporting turn, while Wilde and Gandolfini do little more than play gently with their usual images. By contrast, Carrey's performance is much more broadly comical. He's funny but far too clownish to ever be taken as a serious threat.
Continue reading: The Incredible Burt Wonderstone Review
Ten of the best close-up magic tricks ever captured on film.
Magic tricks are a touchy subject among most grown adults nowadays, with it being literally one of those things where you either love it or you absolutely despise it. But there have been a few street magicians who've really transferred it into youth culture; the likes of West Yorkshire's Steven Frayne, more commonly known as Dynamo, being one obvious example as well as A&E Network star Criss Angel who's known for his cool, rocker style and his superhuman mind-reading skills.
We also thought, what with the release of Steve Carell's new comedy 'The Incredible Burt Wonderstone', also starring Steve Buscemi and Jim Carrey, it might be a good idea to put together our favourite close-up magic tricks to whet your appetite for its UK cinematic release, ranging from the old classics to the hip street stuff that has quickly risen in popularity. Of course, these ten magic mavens put Wonderstone to shame with some of the sleekest sleight-of-hand tricks on record.
Dynamo: The Vanishing And Re-Appearing Coin Trick
Steve Carell, Steve Buscemi and Jim Carrey are among arrivals at the LA premiere for 'The Incredible Burt Wonderstone'.
The LA premiere for 'The Incredible Burt Wonderstone' took place on Monday (March 11th 2013) and as well as the starring cast, saw many other famous faces.
As well as leading stars Steve Carell and Steve Buscemi, who play the title character and his partner Anton Marvelton respectively, we see their magic rival Steve Gray played by Jim Carrey as well as their beautiful assistant Jane played by Olivia Wilde on the red carpet. Primetime Emmy winning director of the movie Don Scardino, who has previously worked on American comedy series '30 Rock', made his appearance at the premiere held at the TCL Chinese Theatre alongside screenwriters John Francis Daley and Jonathan M. Goldstein who have worked together on a variety of projects including 'Horrible Bosses', an episode of 'Bones' and a short film called 'Audio Tour'. Legendary illusionist David Copperfield was also spotted on the red carpet; he makes a cameo appearance on the movie and was also a key figure in developing some of the visual trickery performed by the onscreen magicians. Young versions of main characters Burt Wonderstone and Anton Marvelton were also snapped, played by Mason Cook and Luke Vanek respectively, as well as their character's biggest hero Rance Holloway played by Alan Arkin.
At last, that animation we’ve all been waiting for: Monsters University. This is the prequel to the 2001 movie Monsters Inc. (yes, it has been that long…) and with Pixar mainstay Dan Scanlon in the director’s seat, the movie also stars John Goodman, Billy Crystal and Steve Buscemi, providing some of the main characters’ voices.
Continue reading: Scare Tactics: Monsters University Trailer Hits The Net (Video)
Mike and Sulley haven't always been the best of friends that we know they were working at Monsters Inc. When they were amateurs and roommates both majoring in 'scaring' at the Monsters University, there was constant competition between the pair as Mike struggled to keep up with Sulley's natural big, hairy monster persona; Mike and his small physique and rather unscary retainer made him the favourite subject of mockery by Sulley and his friends despite their being in the same fraternity. It soon becomes clear, however, that they are better off together than alone while Mike has the brains and Sulley has the brawn.
Continue: Monsters University Trailer
Burt Wonderstone wanted to be a superstar magician ever since he was a young boy watching his idol Rance Holloway perform tricks on TV. Enlisting his best friend Anton Marvelton as his partner, the pair became stars beyond their wildest dreams wowing audiences in Las Vegas for the best part of 30 years. However, after a while being the biggest magic stars in America, ticket sales begin to drop and the pair find themselves drifting apart from each other. It doesn't help that a young, charismatic new street magician called Steve Gray has arrived on the scene becoming a massive hit among young magic fans. After Burt and Anton embark on a new stunt, attempting to stay suspended in a box with each other, they realise that their friendship is long forgotten and Anton moves abroad. Burt must meet with his hero Rance and reconnect with what made him love magic in the first place in order to reunite with his friend once more.
'The Incredible Burt Wonderstone' is a hilarious new comedy directed by Don Scardino ('30 Rock') and written by John Francis Daley and Jonathan M. Goldstein ('Horrible Bosses'), and Chad Kultgen ('Southern Discomfort', 'Waiting to Die'). It is set for release in UK cinemas from March 15th 2013.
Starring: Steve Carell, Jim Carrey, Olivia Wilde, Steve Buscemi, Alan Arkin, James Gandolfini, Gillian Jacobs, Zachary Gordon, Brad Garrett, Melissa Ordway, Jay Mohr, John Lewis, Freedom, David Copperfield, Mark Engelhardt, TJ Myers,
Continue: The Incredible Burt Wonderstone Trailer
Despite the skill behind and in front of the camera, a badly constructed script flattens this film version of Jack Kerouac's iconic 1957 novel. It's beautifully shot and sharply played by the starry ensemble cast, but the repetitive structure leaves the film with no forward momentum. Instead of a voyage of discovery, it feels like a lot of random, pointless wandering.
Thinly autobiographical, the story centres on the young New York writer Sal (Riley). He's drawn to the charismatic Dean (Moriarty), a charming rogue who's married to 16-year-old Marylou (Stewart) but is having an affair with Camille (Dunst) while seducing every other woman he meets. And quite a few men as well, including Sal's friend Carlo (Sturridge). All of them are writers and artists, hanging out in clouds of hash smoke as they drive back and forth across America in search of something to write about.
Of course, Sal finds this in Dean as their friendship ebbs and flows over several years. Since this is essentially Sal's story, it's rather odd that the film abandons him from time to time to follow someone else, leaping jarringly into another situation, often marked by Dean's sudden reappearance after yet another bit of roaming. So while we understand how everyone is held in Dean's magnetic orbit, we can't quite see the point of it all. Sal may be obsessed with his thoughts of Dean, but he seems strangely willing to abandon him time and time again. There isn't nearly enough of the scene-stealing costars like Mortensen, Adams and Buscemi. And frankly, it should be a crime to waste Moss (of Mad Men fame) in such a fragmented role.
Continue reading: On The Road Review
Eye-catching animation and non-stop jokes make this animated monster movie a lot more fun than we expect. It's packed with gross-out gags that will keep kids laughing, plus clever character-based humour for the grown-ups. And it also features one of the funniest performances in recent memory from Sandler, perhaps because we can't see him on-screen.
He provides the voice for Dracula who, after his wife died, built a secret hotel where monsters could escape from human contact. But a century later his daughter Mavis (Gomez) is about to turn 118 and wants to go out and explore the world, even though Dracula has always warned her that humans are evil. As the family friends gather for her birthday, human backpacker Jonathan (Samberg) haplessly wanders into the hotel. And since Dracula doesn't want anyone to think he's been lying about humans all this time, he has to think fast, passing Jonathan off as a member of the Frankenstein family who's here to plan Mavis' party. But in talking with Jonathan, Mavis becomes even more intrigued by the world outside the castle.
The film's tone is hugely livened up by the guests at this party, including Frankenstein (James), Wayne (Buscemi) the wolf, Griffin (Spade) the invisible man and Murray (Green) the mummy. Each of them has marriage and family issues of their own that stir into the general mayhem, adding throwaway sight-gags and rude one-liners in every scene. With so much coming at us, some things are bound to make us laugh. And while the kids will love the poo and fart jokes, older audiences will enjoy a witty jab at Twilight and a hilariously grim bingo game.
Continue reading: Hotel Transylvania Review
Zeebox - the fully interactive, social TV guide launches in the U.S today (September 27th), and it does so with Comcast, HBO and NBC on its side, reports The Los Angeles Times.
The small screen giants have all gone into partnership with the British technology, which is designed to give the viewer more in depth viewing experience. But what does that actually mean? Well, let's say you were watching HBO's prohibition drama, Boardwalk Empire, and you wanted to find out more about Steve Buscemi's character: Nucky Thompson, you can. You just have to flick through character bios on the Zeebox app. Another aspect of the software lets you connect socially with the show, seeing what others are tweeting, and having your say. "Today, as you sit in front of the TV, millions are watching the same show you're watching, but you're watching in isolation," said Anthony Rose, Zeebox's co-founder and chief technology officer. "In the future, you will watch TV -- but virtually, with other people."
Zeebox's 'next generation' TV guide features plenty of interactive tools, like a buzz metre, which tells you how many people are talking about a show, and another section which allows you to see what you're friends are watching, have watched, or are planning to watch. "We've had a lot of people here at NBC who were developing really good second screen apps," Page Thompson, NBC's executive vice president of strategic integration said. "Zeebox brings together all of these different elements in a beautiful interface that someone can have on a tablet in front of them."
Professional 'scarers' at Monsters Inc., Mike Wazowski and James P. Sullivan (nicknamed Mike and Sulley) haven't always been so scary. 'Monsters University' tells the story of the duo's time at the University of Fear, about ten years previous, where they took their education in scaring children and often practised on each other with various college pranks that obviously united them in the end.
Continue: Monsters University Trailer
Dave (Harrelson) is struggling to hold his fractured family together while covering up his dodgy activities as a cop in L.A.'s rough Rampart district. He lives with his two ex-wives (Heche and Nixon) and two daughters (Larson and Boyarsky), while developing a tentative relationship with a lawyer (Wright).
But his vigilante-style approach to his job leaves him with few friends, while his addiction to prescription drugs is sending him into a downward spiral. And now he's being harassed by the D.A. (Weaver) and her investigator (Ice Cube).
Continue reading: Rampart Review
In the midst of the 1990's Rampart Scandal, Dave Brown works for the LAPD and is the most corrupt cop you're ever likely to meet. He is racist, homophobic and chauvinistic and that's just the tip of the iceberg. In his mind, he thinks he is an action hero and he has dedicated himself to doing 'the people's dirty work'. In his personal life, he has two ex-wives - both of them sisters - and has fathered two daughters between them.
Continue: Rampart Trailer
Hollywood actor Steve Buscemi went unnoticed by his date until she saw a film poster at his apartment.
'Boardwalk Empire' star Steve Buscemi's wife supposedly didn't realise he was her movie star crush when they first met - it took until the couple went back to Buscemi's apartment and she saw one of his film posters, not long after they stared dating.
Jo Andres, an artist, knew from a very early age that she wanted to "snag" the 'Reservoir Dogs' actor after she saw a poster of him. When she met the 'Fargo' star for the first time, she had no idea who he actually was and failed to recognise him as the Hollywood star he was.
Continue reading: Steve Buscemi's Wife Didn't Know Who He Was When They First Met
Nick Twisp (Cera) is a 16-year-old who feels out of sync with the world. He has a summer job in a caravan park, where he instantly falls in love with Sheeni (Doubleday), the fiercely protected daughter of religious nutcases (Walsh and Place). Sheeni is like a female version of him, only sexy and smarter, and he creates an imaginary alter ego named Francois Dillinger to give him the confidence to seduce her. But of course things go wrong from the start.
Continue reading: Youth In Revolt Review
So, one day Chuck Levine (Sandler) and Larry Valentine (James) decide to get hitched. The reason is simple: Larry doesn't want to fill-out an insurance form, so he gets Chuck to pose as his "life partner," thus allowing any pension money to go directly to Larry's two kids, a tomboy daughter and a showtune-singing son. Larry still can't get over his saintly wife's death and Chuck has more than likely contracted more STDs than the leather upholstery in Tommy Lee's Jaguar; they're a match made in heaven.
Continue reading: I Now Pronounce You Chuck And Larry Review
Not only that, but it's assembled using all of Bruckheimer's tried and tested techniques: Mix movie stars and indie heroes into an eclectic, slumming cast and have them act in a ludicrously high-concept scenario. (Here it is: The worst criminals in the country team up to hijack their prison transport plane! And it's up to one man to stop them!) Then spend lots of money but indulge in a cynical jokiness, and hire a director who will shoot the whole thing like it's a music video or a commercial (preferably for itself).
Continue reading: Con Air Review
Every perfect and picturesque neighborhood - at least in the movies - has one: that creepy old house that fuels the nightmares and serves as the centerpiece of the double-dog dares for the local kids.
DJ (Mitchel Musso) has made the house his mission. He's set his bedroom up as home base to watch old Mr. Nebbercracker across the street, an irate curmudgeon (voiced by Steve Buscemi) who steals any balls or bikes that find their way into his yard, chases after kids to keep off his lawn, and, presumably, thinks the music kids listen to today is nothing but noise. Within an hour of DJ's parents leaving for the weekend, Nebbercracker is dead (from a heart attack during an apoplectic moment at finding DJ on his lawn) and DJ is finding out that the old coot might not have been the most dangerous part of the creepy old house, because the house itself is starting to... eat people.
Continue reading: Monster House Review
Jarmusch enlists a diverse cast of indie stars and former colleagues for this modest ensemble, but his uncharacteristically wheezy writing frequently undermines the film's wry humor. Cate Blanchett, in a dual performance, plays an arrogant version of herself as well as her skuzzy, jealous cousin, but the piece's portrait of jealousy and resentment loses steam after you become accustomed to seeing the actress talk to herself. Similarly, The White Stripes' Meg and Jack White provide a brief lesson on inventor Nikola Tesla's Tesla Coil, but save for the creepy, Mao Tse-tung-inspired portrait of Lee Marvin hanging on the wall behind them, the skit is nothing more than an overly long non sequitur. And even a brief appearance by Steve Buscemi can't rescue an insipid bit about two argumentative African-American twins talking racial politics in a Memphis diner.
Continue reading: Coffee And Cigarettes Review
And though Artisan is issuing a two-disc DVD release of the film, don't expect it to find much more of a cult audience 14 years after its original release.
Continue reading: King Of New York Review
I am serious. And while The Island isn't exactly a great film, the case for Johansson as action starlet has been made, handily.
Continue reading: The Island Review
An obvious John Travolta vehicle, it features the healthy-looking, tanned, hit-or-miss star as Frank Morrison, a loving but divorced father who is earthy enough to build wooden boats for a living, and honest enough to not charge a profitable fee. He's nice. He loves his young son Danny (a natural Matthew O'Leary), and is dealing with his ex-wife's (Meet the Parents' Teri Polo) marriage to rich investor Rick Barnes (a stale Vince Vaughn, playing a whole other kind of psycho).
Continue reading: Domestic Disturbance Review
Tom DiCillo wrote and directed this new low-budget story of making a film-within-a-film, and it comes off superbly better than most of its predecessor "movies about movies." DiCillo has assembled the most perfectly matched cast I've come across in ages, featuring Steve Buscemi as Nick, a film director for whom nothing will work out, Catherine Keener as a much too sensitive leading lady, Dermot Mulroney as a leather-clad cinematographer, and James LeGros as an unbelievably shallow leading man--possibly his best role ever.
Continue reading: Living In Oblivion Review
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