The bonus material for the 10th anniversary of the release of ‘Twilight’ sees the characters’ genders reversed.
Stephenie Meyer has created a new story as part of the bonus material for the 10th anniversary edition of Twilight. The 41-year-old author has swapped the genders of her main protagonists. In her original books, Edward is a vampire who falls in love with a female teenage mortal, Bella. In her new story, Meyer has made the female character (Edythe) the vampire and her love interest a teenage male (Beau).
Stephenie Meyer at the L.A. premiere of Austenland in August 2013.
Stephanie Meyer and Kristen Stewart - Women In Film 2015 Crystal + Lucy Awards - Show at the Hyatt Regency Century Plaza at Hyatt Regency Century Plaza - Los Angeles, California, United States - Tuesday 16th June 2015
Lionsgate is pulling a Harry Potter with its Twilight spinoffs, but they have a good idea behind it.
The Twilight Saga is set to return with five short films this year. No, no, no, don’t click away just yet, we promise this will be worth it. The films, set to premiere on Facebook, will be a collaborative project between Lionsgate and Facebook, giving five aspiring female filmmakers the chance to create the films.
Kristen Stewart will be among the panelists, charged with selecting the five best filmmkers.
Entertainment Weekly reports that the five creators will be selected by a panel, which includes the films' star Kristen Stewart, The Twilight Saga author Stephenie Meyer, Kate Winslet, Octavia Spencer, Julie Bowen, Twilight director Catherine Hardwicke, producer Cathy Schulman and Frozen co-director Jennifer Lee – so all in all, a group of cool women, who know a lot about film.
Fans of romantic fiction may enjoy this gimmicky comedy, which cleverly plays around with Jane Austen's fiction but kind of misses its own joke. The screenwriters seem to think they're combining sudsy fantasy with darker realism. But actually everything on screen is plainly ridiculous, only livened up by a couple of the actors.
The story starts in America, where Jane (Russell) is so obsessed with Austen's novels that she's sure Mr Darcy is coming for her any day now. So she spends her savings on a holiday at Austenland in England, where Mrs Wattlesbrook (Seymour) lets her clients live as if they're in a 19th century novel. Jane's only fellow guests are Elizabeth and Amelia (Coolidge and King), both of whom flirt shamelessly with Nobley, Andrews and East (Feild, Callis and Whittle), the actors on hand to play dashing bachelors. But Jane is more interested in sexy stable boy Martin (McKenzie).
As the script strains to layer romance and fantasy into this goofy set-up, there are a few snappy one-liners that get us laughing, thanks mainly to the expert improvisation skills of Coolidge, who can make anything funny. By contrast, Russell is annoyingly naive and sulky, while King tips the opposite way into broad farce. The men are more interesting because we occasionally get to see them as the actors they really are, but none of them are very complex, and we can guess where the story is going from the start.
Continue reading: Austenland Review
The book-selling giant take another step towards literary domination
What’s that? A giant global corporation has ignored the creative integrity of the people it profits from in order to maximize gross income, potentially alienating future authors and jeopardizing their commerce? That’s right, Amazon is all-aboard the fan fiction train, next stop: avoiding tax on the profit it makes from it!
This means a fan of a book, like Twilight for instance, could write a story with Bella, Edward and Jacob, and sell it back to readers via the Kindle store. That is, if Stephenie Meyer signs up to it, which, considering the size of the brand, she probably won’t. It also means the latent homoerotic relationship between Star Trek’s Kirk and Spock, exhibited so often by completely normal fan fiction writers, can now be a nice little earner for them. Nice that.
It’s surprising just how many authors are signing up to let their work be taken by a fan and moulded into something else. Amazon reckon the "Kindle Worlds" project is a good thing for writers, as it is "an entirely new way to monetise their valuable franchises [and] it allows them to extend their worlds with new stories and characters and more deeply engage with existing fans".
Continue reading: Amazon Thinks Profits And Sanctions Fan Fiction Marketplace
While the premise of this sci-fi thriller feels like yet another of Stephenie Meyer's two-boys-one-girl fantasies, a superior writer-director and cast make this is a stronger film than Twilight. The plot may be rather contrived, but the actors bring out some sharp intelligence in the script to make it surprisingly involving.
It's set in a future time after aliens have snatched the bodies of 90 percent of humanity, eliminating hunger, crime and the environmental crisis. But secret pockets of rebels have avoided being possessed by these white mini-jellyfish beings, and are seeking ways to fight back. So when the alien being Wanderer is implanted in the resistance leader Melanie (Ronan), the head Seeker (Kruger) hopes to infiltrate her memories and find out where they're hiding. But Melanie is stronger than anyone thinks, managing to remain conscious alongside Wanderer, winning her to the rebel cause. She heads to the human's secret desert hideout, where Uncle Jeb (Hurt) renames her Wanda and accepts her into the fold. But some humans aren't so sure, and the Seeker is hot on her trail.
It's deep in this maze of rather too-sophisticated caves that the crinkled romance develops, as Melanie is reunited with her boyfriend Jared (Irons), but doesn't want him kissing her when Wanda is in control of her body. Then Wanda falls for Ian (Abel), and their kissing makes Melanie even more furious. Yes, like Twilight, this film seems to think that kissing is the ultimate expression of human connection, giving this film a quirky four-sided love triangle at its centre. Meanwhile, the more thriller-like plotline builds as the Seeker gets ever closer. All of this is played out very seriously, with almost no offhanded humour or humanity, but the emotions are intriguingly resonant.
Continue reading: The Host Review
Fans expecting more Twilight will be disappointed
The Host had its red carpet premiere in Los Angeles last night (March 19, 2013) and the writer of the books that are being turned into the movies, Stephanie Meyer, has been talking it up, explaining that it will be quite a different turn of direction from the previous series she was responsible for – Twilight.
Saiorse Ronan is the 18 year-old star of The Host
Yep, of course Meyer is the writer behind the Twilight books which went on to make a bucket load at the box office, but she insisted last night in LA that this was going to be a different turn for her, telling Reuters "If (fans) go into it wanting a repeat of Twilight they probably will not be thrilled, because it is not. It is a very different kind of story. I think if they are willing to go on a new ride with me and try out something a little different than I think they will really like it."
Continue reading: Stephanie Meyer Talks New Direction At The Host's LA Premiere
Stephenie Meyer talks 50 Shades
Stephenie Meyer – author of the hugely popular Twilight series - has not read 50 Shades of Grey, and it doesn’t look like she’s going to, either.
The 39-year-old has made comments about the raunchy franchise before. Talking to The Guardian, Meyer said: "Erotica is not something I read. I don't even read traditional romance. It's too smutty. There's a reason why my books have a lot of innocence." This is probably due to the fact she’s a committed Mormon, and married her husband when she was 21. She said her idea of true love "is different than what a lot of other people do," adding: "There's nothing selfish about true love. It's not about what you want. It's about what makes them happy." Meyer has been rather outspoken about the books by E.L James, but that’s probably because people compare it to her vampire novels, calling 50 Shades the ‘Twilight for adults’. "I haven't read it. I mean, that's really not my genre, not my thing," she said to MTV back in the summer of 2012. "I've heard about it; I haven't really gotten into it that much. Good on her — she's doing well. That's great!"
Meyer holds her new book: The Host
The Sundance Film Festival is almost over and so far it has been an eventful time. Here's a quick recap and review of this year's proceedings.
While the festival is held in high regard as a celebration of film and filmmakers, quite a few deals have also been struck at this year’s event. Notably, Daniel Radcliffe’s most recent flick Kill Your Darling, portraying the life of poet Alan Ginsberg, which received almost unanamously glowing reviews at the festival, has been picked up by Sony Pictures Classic for about $2 million. Austenland, Stephanie Meyer’s baby, went to Sony as well, for about $4 million, whilst the highly anticipated Don Jon’s Addiction, written, directed and starring Joseph Gordon-Levitt, went to Relativity Media, again for $4 million, with a reported $25 million promotional commitment.
A lot of other expected releases found a home during Sundance as well, and considering the success of certain Sundance films from last year (Beasts of the Southern Wild comes to mind), we probably have quite a few quality releases to look forward to in 2013. Other notable films that have been introduced (and subsequently sold) at the festival have been Prince Avalanche (to Magnolia Pictures), Lovelace (to RADiUS - TWC) and The Way, Way Back (to Fox Searchlight). All information provided by CNN.
Much has happened at the Sundance Film Festival this year, but then again, isn’t that always the case?
An unlikely winner of the audience’s attention was Austenland, a fantasy-and-reality-clash flick about a fictional resort, whose patrons get to live out their dream of living in a Jane Austen novels. And what’s not to like here? The film offers a love story, set in modern times, but also gets to play around with indulgent costumes and period speak – all good fun. What may come as a surprise to some is that one of the brains behind the operation is none other than Stephanie Meyer – yes, she of Twilight infamy. Well, if there’s anything her writing has shown, it’s that romance is like a drug to a particular demographic of young women (and some men), so it’s a small wonder that she is involved in this particular project. The reviews of Austenland are quite mixed at the moment, but the synopsis, at least, suggests that this one might be worth seeing.
Some other highlights of Sundance Festival included, of course, the premiere of May in the Summer on the very first night of the festival and of course, the documentary Anita: Speaking Truth to Power, focusing on the life of Anita Hill, a prominent advocate for women’s rights and against sexual harassment.
With a flurry of bonkers action and cross-species bonding, The Twilight Saga surges to a howling conclusion that has more attitude in it than all four previous films put together. There's no time for moping now, as things build to a crescendo of girly emotion, portentous pronouncements and more decapitations than you can count. Even the plot itself gets rather playful.
We pick things up immediately after Part 1 ended: Bella (Kristen) is getting used to her heightened vampire senses and intense lovemaking prowess with her new husband Edward (Pattinson), while their daughter Renesmee (Foy) ages alarmingly from infancy to about 10 in just a few weeks, overseen by soulmate-protector wolf-boy Jacob (Lautner). But the ruling Volturi boss (Sheen) has been misinformed that Renesmee is a feared immortal child, rather than a rare but apparently harmless human-vampire hybrid. As the Volturi army heads to Seattle to obliterate Edward and the Cullen clan (including Facinelli, Reaser, Greene and Lutz), the Cullens draft in an army of their own from around the world.
Essentially the film is a long build-up to a big showdown, as everyone jostles for position. This makes the film feel much pacier than the earlier chapters, as we jump from scene to scene while the Cullens prepare for the onslaught. Many scenes involve the introduction of the vampires who support their effort, and like X-men many have some sort of supernatural ability that can aid the fight. Thankfully, director Condon refuses to take this nonsense seriously, and has quite a lot of fun with the various story elements. He also gleefully ramps up the tetchy interaction between Jacob and Edward, and even makes a joke about the fact that actors playing vampires must wear red contact lenses.
Continue reading: The Twilight Saga: Breaking Dawn Part 2 Review