Such is the sorry story of Assault on Precinct 13, a reimagining of John Carpenter's 1976 genre gem (which, in turn, was modeled after Howard Hawks' Rio Bravo) about cops and criminals trapped in an old police station who are forced to work together to fend off a horde of murderous invaders. Directed by Jean-François Richet, the new film holds to that fundamental premise, though it tweaks virtually every important aspect of Carpenter's thriller for maximum vapidity. Now set in snow-bound Detroit on New Year's Eve (rather than in arid California), Richet's Assault switches the skin color of its leads - the police sergeant (Ethan Hawke's Jake Roenick) is now white, while the head criminal (Laurence Fishburne's mythic Marion Bishop) is black - and abandons Carpenter's astute portrait of uneasy, ready-to-explode racial tensions. In this version, the cops are Caucasian (including Brian Dennehy's Irish racist, who tellingly refers to the inmates as "those people"), the bad guys are African-American and Hispanic, and any friction generated from such divisions is swept under the rug in favor of ratcheting up the ho-hum action.
Continue reading: Assault On Precinct 13 (2005) Review
The live album is set for released in November.
The movie begins filming in the UK.
Time to learn what Kathy Bates' character has to do with all of this.