Stephen Garrett

Stephen Garrett

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Stephen Garrett, Simon Cornwell , Stephen Cornwell - The premiere of AMC's 'The Night Manager' at the DGA Theater - Arrivals - Los Angeles, California, United States - Tuesday 5th April 2016

Stephen Garrett, Simon Cornwell and Stephen Cornwell

Spooks: The Greater Good Review


OK

The British espionage TV series arrives on the big screen without the same mega-budget as something like Mission: Impossible, which wouldn't be an issue if the script weren't so simplistic. While it's lacking in the character and story complexity needed to make it something special, it at least has an enjoyably twisty plot that plays with some very current themes, and the cast is thoroughly watchable. It's just a shame that the film never manages to surprise us.

It opens as the global terrorist Qasim (Elyes Gabel) is sprung from custody while he's being transferred in East London from Britain's MI5 to America's CIA. Clearly there was a leak, so MI5 boss Harry (Peter Firth) goes rogue to sort out the mess and recapture Qasim. Meanwhile, British intelligence officials (including Jennifer Ehle and Tim McInnerny) recall ex-agent Will (Kit Harington), because he has a relationship with Harry. Working with another agent, June (Tuppence Middleton), Will secretly locates Harry and begins to work with him to defuse the situation, all while there's a significant threat of a major terrorist attack on London. Meanwhile, there are hints that all of this is meant to destabilise MI5 so the CIA can take over.

Describing the plot makes it sound like it's operating on several levels, but director Bharat Nalluri keeps everything extremely straightforward. Wrinkles in the story feel oddly matter-of-fact, so the film's momentum never really fluctuates: it just continues on a steady pace forward, exactly like an extended episode of a television series. There are the usual chase scenes, international settings, explosions, ambushes and revelations, but it's more like a checklist of elements that need to be included than a proper trajectory for a story. And the characters never seem to have a life outside the events depicted on screen, which leaves them strangely uninvolving.

Continue reading: Spooks: The Greater Good Review

Miss Pettigrew Lives For A Day Review


Good
Some film types die out because audiences no longer support them. Others disappear because no one has the talent or skill to successfully resurrect them. The witty, wacky screwball comedies of the '30s and '40s were really nothing more than cultural clashes, the weird and eccentric meshing with the calm and conservative for some humor based class/gender warfare. The new film Miss Pettigrew Lives for a Day harkens back to those days of ditzy heiresses, silly playboys, and suave leading men. And for the most part, it succeeds.

For Miss Pettigrew (Frances McDormand), London before the war is a cruel and heartless place. Fired from her most recent governess job, she's homeless and penniless. Without a single prospect in sight, her life looks fairly bleak indeed. An overheard referral at an employment agency has her rushing off to the apartment of American actress Delysia Lafosse (Amy Adams). When Miss Pettigrew inadvertently helps the bubble headed girl balance the three men in her life -- nightclub owner Nick (Mark Strong), novice producer Phil (Tom Payne), and sensitive pianist Michael (Lee Pace) -- she's hired as a social secretary. Desperate for a part in a West End musical, Delysia will stop at nothing to get her way. During her adventures, Miss Pettigrew meets noted designer Edythe Dubarry (Shirley Henderson). A shared secret between the two will have our heroine trying to patch things up with the fashion maven's boyfriend (Ciaran Hinds) before the day is over.

Continue reading: Miss Pettigrew Lives For A Day Review

Among Giants Review


Bad
I'm not going to try and pretend I know what director Sam Miller was going for with this movie, a perversely asinine look at an off-the-books hiring of Pete Postlethwaite and crew to paint the power line towers in a rural section of England. Featuring scenes like Postlethwaite and Rachel Griffiths running around naked under the dripping water inside a silo are only one of the things that make Among Giants not only a silly attempt at filmmaking but also an utter bore.
Stephen Garrett

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Stephen Garrett Movies

Spooks: The Greater Good Movie Review

Spooks: The Greater Good Movie Review

The British espionage TV series arrives on the big screen without the same mega-budget as...

Miss Pettigrew Lives for a Day Movie Review

Miss Pettigrew Lives for a Day Movie Review

Some film types die out because audiences no longer support them. Others disappear because no...

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