Stacy Martin - Shots from a party ahead of the EE and InStyle British Academy of Film and Television Awards which was attended by a variety of stars and held at the Ace hotel in London, United Kingdom - Monday 2nd February 2015
Lars von Trier's new film has been a rumour-fest since it first began production, we take a look at the mythological development of the controversial 'Nymphomaniac'.
Lars Von Trier’s latest film Nymphomaniac has been getting everyone hot under the collar since before any actual filming even began. Written and directed by the controversial von Trier, who is renowned for his avant-garde approach to filmmaking, the film stars Stellan Skarsgard, Stacy Martin, Charlotte Gainsbourg, Shia LeBeouf, Christian Slater, Jamie Bell, Uma Thurman and Willem Dafoe...how’s that for a star-studded cast?
Shia LaBeouf plays one of Joe's lovers in Nymphomaniac
There may be loads of mainstream actors on board, but the concept behind Nymphomaniac is anything but commercial. Charting the sexual history of Joe, a self-diagnosed nymphomaniac, the plot sees her recount her erotic experiences to Seligman, a bachelor who took her in after finding her having been beaten up in an alley. Divided into two separate films, or “volumes”, and eight chapters, the first volume of Nymphomaniac tells the story of Joe when she was young (played by Stacy Martin) while volume two is concerned with the older Joe.
Continue reading: The Mythological Production of Lars von Trier's 'Nymphomaniac'
Joe is a fiercely determined 50-year-old woman whose sexual drive has taken over her entire life. Her story of how she ended up injured in an alleyway and subsequently being nursed back to health by the curious Seligman deepens and darkens in this half of the story, as she relays tales of how her sexuality has caused so much damage. In a bid to somehow recover from her nymphomania, she attends a therapy group, but she also can't resist meeting a therapist of a different kind as she finds new and more dangerous ways to challenge herself and her sexuality. Her pleasure through pain has led her to a potential job with a group of criminals who are looking for somebody to inflict pain on their victims. But with such instable people around her, just how close is she to landing in some serious trouble?
Continue: Nymphomaniac: Volume II Trailer
Joe has always known she's been completely obsessed with sex ever since she was a young girl. Her excessive desires would see her meet man after man after man, eventually with little ability to remember who was who. Her fantasies were extreme; she wanted to rebel against the idea of love by allowing herself to be used by men as if she were an object. When she finds herself lying in an alleyway in her fifties having been badly beaten by an as yet unknown perpetrator, she is rescued by a charming older man named Seligman who takes her to his home and offers her a pick-me-up and a bed for the night. It's there she uncovers her entire sexual history, though with none of the joy it brought her as a young woman. Instead, she is despondent and filled with a heart-breaking self-hatred as Seligman tries to offer some wise words of comfort.
Continue: Nymphomaniac: Volume 1 Trailer
At four hours long, this drama is as confrontational as anything we've seen by Lars von Trier (Melancholia), but it's also perhaps his most humane and hopeful film yet. This is a challenging, complex exploration of human sexuality, but it's told with a surprisingly light touch, allowing humour and warmth to seep in around the edges. So even if it's darkly haunting and occasionally shocking, violent or sexually explicit, it's so recognisably honest that we can't help but be moved.
This is the story of Joe (played as a teen by Martin and as an adult by Gainsbourg), who is found near death in an alleyway and nursed back to health by the kindly Seligman (Skarsgard). While she recovers from her injuries, she tells him about her life, which has been defined by sex since she was 2 years old. She loses her virginity as a teen to the greasy biker Jerome (LaBeouf), who will re-enter her life two more times over the following decades. Through the years she struggles to understand love, which she sees as lust plus jealousy. Then when she suspects that love might be the secret ingredient for good sex, her subsequent experiences take her down an unexpected road.
Flashbacks to Joe's life are sequential, so as she narrates her story we experience it along with her. This includes her riotous teen years preying on men as a game, protesting with her friends against a love-fixated society. Getting sex is easy, but making sense of it is something else. She tries being randomly cruel to men, and having a master (Bell) physically abuse her. She experiences love and motherhood, and eventually finds a career as an enforcer for a loan shark (Dafoe). Along the way, Martin and Gainsbourg deliver unflinching performances that let us see Joe's soul. And Skarsgard takes our breath away in an unusually introspective, wrenching role.
Continue reading: Nymphomaniac Review
[NSFW] Lars Von Trier is at it again.
The full-length trailer has finally been released for the Lars Von Trier two-part erotic drama, Nymphomaniac. The Danish director has teased for months with promotional posters for the movie showing cast members' faces in the throes of sexual pleasure.
Written and directed by the somewhat infamously controversial Von Trier ('Antichrist,' 'Melancholia'), the film stars Charlotte Gainsbourg as Joe, a woman found beaten in an alley by Stellan Skarsgard's Seligman. Joe attends group therapy sessions after self-diagnosing as a nymphomaniac; a sex addict. Seligman looks after Joe and she tells him her life story, including her sexual experiences.
Check out the candid posters below.
Sex. Sex sex sex. It doesn’t matter how many times we say it, it’s still going to make the headlines. And that’s partly why Nymphomaniac – Lars Von Trier’s upcoming film – has been such hot news: it delves into the risqué subject with alacrity and gusto.
The film has also made the news due to the fact that Von Trier is a bit weird.