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The Wrecking Crew Trailer


The 1960s was an incredible decade for music, with the likes of Beach Boys, Frank Sinatra, Sonny & Cher, The Monkees and many, many others producing timeless hits that remain in the world's consciousness to this day. However, little do people know the reason for all these genius hits, for the catchy melodies and iconic hooks; behind every great artist of the day was a band unlike any other. The Wrecking Crew were probably the most sought after session musicians of the era, producing beats for all areas of the West Coast Sound, winning Grammys and become just as rich as the people they were supporting - and yet the general public remained widely oblivious to the music industry's secret weapon. They may have been ever-evolving, but these LA artists were still top choice for the biggest stars, namely Phil Spector who dubbed them 'The Phil Spector Wall of Sound Orchestra'.

Continue: The Wrecking Crew Trailer

The Wrecking Crew - Featurette And Clips


Through the 1960s, a collection of Los Angeles musicians worked together in order to support acts like The Beach Boys and Frank Sinatra. This group was called The Wrecking Crew, and they created some of the greatest and most influential songs, without receiving any of the credit for it. Beach Boys co-founder, Bryan Wilson, described how they were the most important part of that period in music. A documentary 12 years in the making, sheds some light on some of the unsung heroes of the musical industry in the 1960s.

Continue: The Wrecking Crew - Featurette And Clips

Hairspray (1988) Review


Good
Some 34 years after the Supreme Court ended segregation, John Waters made Hairspray, probably his most wholesome film ever (it's rated PG), to relive his Baltimore youth among the regulars of his local American Bandstand-esque dance show. Hairspray's The Corny Collins Show was indeed based on a real Baltimore show called The Buddy Deane Show, and Waters' skewering of the young Elvises and their high-hair girls is dead-on.

Set in 1963, Baltimore was still fighting integration by refusing to let black youths participate in shows like these. The minority finds an unlikely champion, though, in Tracy Turnblad (Ricki Lake) an enormous girl who only wants to dance! As the pretty kids push against the rising popularity of the fat girl, a convenient analogue to racial discrimination develops.

Continue reading: Hairspray (1988) Review

Hairspray Review


Good
Some 34 years after the Supreme Court ended segregation, John Waters made Hairspray, probably his most wholesome film ever (it's rated PG), to relive his Baltimore youth among the regulars of his local American Bandstand-esque dance show. Hairspray's The Corny Collins Show was indeed based on a real Baltimore show called The Buddy Deane Show, and Waters' skewering of the young Elvises and their high-hair girls is dead-on.

Set in 1963, Baltimore was still fighting integration by refusing to let black youths participate in shows like these. The minority finds an unlikely champion, though, in Tracy Turnblad (Ricki Lake) an enormous girl who only wants to dance! As the pretty kids push against the rising popularity of the fat girl, a convenient analogue to racial discrimination develops.

Continue reading: Hairspray Review

Waco: The Rules of Engagement Review


Weak
For someone who lived 60 miles away from Waco during the time the whole Koresh thing went down, this is a pretty tepid and dry treatment of the incident, heavily biased toward the Branch Davidians, who kept an arsenal that would keep Kosovo alive another year inside a compound in rural Texas. Interesting for documentarians and conspiracy theorists, probably too dry and ultimately too pedantic for everyone else. Then again, as history has since shown, maybe all those conspiracy hounds had a point. Too bad it wasn't presented in a more interesting and forceful fashion.
Sonny Bono

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