Strong characters and a vivid sense of life in frontier America give this film a kick of authentic energy that makes it a gripping journey. While it may be a little too serious for its own good, the movie is strikingly shot and played to bring out the gritty tenacity of people who dare to live in such a foreboding place. And a couple of shocking twists in the tale keep us on our toes.
In the Nebraska Territory in 1853, life was so difficult that three women (Grace Gummer, Miranda Otto and Sonja Richter) in a small community are driven mad by the isolation, desperation and harsh weather. Their husbands are too busy surviving to do anything about it, so the local pastor (John Lithgow) arranges for the strong-willed spinster farmer Mary Bee (Hilary Swank) to escort them back east to civilisation. She needs a "homesman" to help make the arduous five-week journey, so she drafts in drunken scoundrel George (Tommy Lee Jones). During their long trek across the plains, they have a series of potentially life-threatening encounters with the likes of well-armed Native Americans, an interfering opportunist (Tim Blake Nelson) and a cruelly dismissive hotel owner (James Spader).
The characters are strikingly feisty, starting with Swank's fiercely no-nonsense, self-sufficient Mary Bee, who one local observes is as good as any man around. She's also rather annoyingly holier-than-thou, which explains why she's has so much trouble finding a husband to help her. And these three women really push her to the breaking point: Gummer's Bella is consumed by grief, Otto's Theoline moans day and night, and Richter's Gro is a delusional menace. So it's a good thing that Jones provides some comic relief as the rapscallion George, a snarky realist who's the only likeable person on-screen.He also emerges along the way as the true protagonist of the tale.
Continue reading: The Homesman Review
Like the first episode of a finely crafted TV series you won't want to miss, this sharply involving Danish thriller introduces us to the mystery-solving duo of Department Q. A second film has been shot, and a third is in the works, and it's well worth jumping on board with this seriously complex franchise-opener, a combination of fascinating characters and a riveting story.
It opens with detective Carl (The Killing's Nikolaj Lie Kaas), who's reeling after a routine stakeout goes horribly wrong, leaving his partner dead and his best friend (Troels Lyby) paralysed in hospital. His tough-minded boss (Soren Pilmark) reassigns him to work in the basement, cleaning out the unsolved files piling up in Department Q. His new partner is the rookie Assad (Zero Dark Thirty's Fares Fares), and the first case that catches Carl's eye involves young politician Merete (Sonja Richter), who apparently leapt to her death from a ferry. But her body was never found, and Carl doesn't think she would have left her mentally impaired brother Uffe (Mikkel Boe Folsgaard) to fend for himself on the ship. When Carl and Fared start re-interviewing witnesses, they clearly strike a nerve, as their boss and the original cop (Michael Brostrup) on the case repeatedly tell them to drop it.
It's great to see a story like this given the chance to play out so cinematically, instead of being forced into a one-hour TV slot. Not only does director Mikkel Norgaard make terrific use of big-screen imagery, but the script by Nikolaj Arcel (who wrote the original Girl With the Dragon Tattoo film) is a beautifully structured blend of flashbacks and parallel timelines that build maximum tension as things come to a boil. The film is also packed with smaller scenes that offering gripping wrinkles both in the plot and in the characters' personalities. One of the most fascinating elements is Assad's patient friendship with Uffe after Carl's abrasive approach alienates him. It's just one of the details that make Kaas and Fares a terrific on-screen partnership.
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George Briggs is a claim jumper who has only ever known a dishonest life. When he finds himself in serious trouble (sat astride an impatient horse with his hands bound behind his back and a noose around his neck tied to a branch), he starts to think this could finally be the end for him. That is until he is found by a lone woman with a wagon named Mary Bee Cuddy who agrees to free him from his plight in exchange for a favour. Living alone, she is struggling to carry out an important personal mission; she wants to take three insane women from Nebraska to Iowa now that their husbands can now longer cope with them. Thus, she asks Briggs to help her on the dangerous five week journey and, despite his serious reservations, he agrees to act as her aide and protector against the brutalities they may face along the way.
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Carl Morck is a police detective who is forced to work in Department Q after an incident during a routine practise. Department Q is where they keep the files for years old cold cases and he and his partner Assad must band together to solve some of the police department's biggest unsolved mysteries. They are looking at the case of missing politician Merete Lynggaard who disappeared without a trace five years ago; the chances of them solving the case and finding Lynggaard alive or dead are looking slim, but little do they realise just how dark this case will get as snippets of the truth begin to leak out.
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The relationship between beautiful, sexy Cecilie (Sonja Richter) and her lover Joachim (Nikolaj Lie Kaas) is fun and endearing and we soon care about these people whose bond is expressed by the playful manner in which Joachim asks Cecilie to marry him and how she responds in the affirmative. The following morning, Cecilie drops Joachim off for a planned trip and, as he springs from the car on the traffic side, is hit by a car. Suddenly, what seemed so sure and positive is wrenched into another dimension.
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Newly engaged and adorably adoring of her rock-climber beau, a pretty young Copenhagen woman's life is thrown into despair and chaos when her lover is crushed under a speeding Volvo just as she kisses him goodbye for a weekend climbing expedition.
Emotionally bewildered in a way that transcends the screen (through director Susanne Bier's penetrating, low-key, handheld photography), Cecilie (Sonja Richter) sits all alone in the hospital waiting to hear if and how her man will survive. But her aching disorientation really takes hold in this Danish minimalist film "Open Hearts" after Cecilie finds herself spurned by the now-paralyzed Joachim (Nikolaj Lie Kaas) -- who is lashing out at the world in anger and bitterness.
Soon she falls into an affair with a doctor (Mads Mikkelsen) at the hospital -- a doctor who feels responsible for her well-being because it had been his wife (Paprika Steen) behind the wheel of the Volvo.
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Date of birth
4th January, 1974
It's Monday morning and my bones hurt. I'm tired, hung-over, and there's a slight ringing in my ears.