Now released on DVD (which includes a commentary from Luhrmann and his crew), it's easier to track Luhrmann's transition from Ballroom to Romeo + Juliet to the masterful Moulin Rouge -- and his road to greatness is an impressive one. Ballroom belies Luhrmann's love for the stage (beginning, Rouge-style, with a red curtain opening) and for gaudiness, but the tale is beyond his budget and sadly lacking in grandeur. Rouge took the ideas here -- from music to costuming to the idealistic hero -- and kicked it up about 20 notches. And in the process, Luhrmann learned how to make dialogue more thrilling and how to better develop his characters.
Continue reading: Strictly Ballroom Review
Famed for performing one of her own songs as her opening gambit on The X Factor, Lucy Spraggan rocked up at the Booking Hall as part of her UK and...
After nearly thirty years since his first solo record Mark Lanegan has just released one of his very best and there's not many artists who can claim...
Listen to their new single 'People Change'.
For the first, and almost certainly last, time Cambridge indie rockers Mallory Knox performed at The Booking Hall in Dover.
'Devour You' is a fantastic follow up to Starcrawler's debut album and represents a move on in terms of sound and, in part, direction.
Salvation Jayne's third birthday bash was a riot of colour and a celebration of a band very much enjoying what they do.
We're feeling the nostalgia this month.
American Thighs was released on this day in 1994.