Lil' Cease - BET Networks 2013 New York Upfront held at Jazz at Lincoln Center - new york, NY, United States - Tuesday 16th April 2013
After writing and starring in the funny homeboys-and-hemp comedies "Friday" and "Next Friday," rapper-actor Ice Cube isn't quite out of ripe screwball ideas, but "Friday After Next" spreads them pretty thin. In fact, the "Pink Panther"-styled cartoon opening credits are the biggest laugh in the movie.
Story proper begins with slapstick cousins Craig (Cube) and Day-Day (Mike Epps) back in Compton after spending the last film in the suburbs. Desperate for rent money after a "ghetto Santa" breaks into their apartment at Christmas time, swiping presents and cash, the guys take seasonal security jobs at a dilapidated strip mall where their grumpy, squabbling dads (John Witherspoon and Don "D.C." Curry) have a barbecue joint.
Armed with nothing but a second-hand uniform and a whistle, thickwit Day-Day thinks he's suddenly a supercop, rousting church-lady carolers for loitering, but running away from gangbangers when he rubs them the wrong way. Meanwhile Craig has his eye on a drop-dead gorgeous salesgirl (K.D. Aubert) at the strip's new clothing outlet, Pimps & Hos. (Other stores include Holy Moly Donuts, check cashing, liquor and 94-cent stores, and Toyz in the Hood.)
Continue reading: Friday After Next Review
It may be crude, it may be lewd, it's certainly slapdash and stupid, but the steadily and readily hilarious "Soul Plane" stays in the air on nothing but a jet-powered fuel of out-loud laughs from very lowbrow comedy.
The flick takes place onboard the maiden flight of NWA, the first black-owned airline, started by an obnoxious layabout (the forgettable Kevin Hart) who trots out a sob story and wins an excessive $100 million award in a lawsuit against another air carrier after getting stuck in 747 toilet. (Well, that and a luggage compartment depressurized in flight, sucking his checked dog into an engine.)
It's a plotless premise on which to hang a string of largely unrelated gags, but with such a traffic jam of ribald cultural raillery, the movie actually is at its worst when newbie director Jessy Terrero tries to shoehorn in an off-the-shelf romantic subplot between the jokes.
Continue reading: Soul Plane Review
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