Murakami's superior refuses the resignation he proffers, and the hunt is on. In this Murakami is assisted by the older, wiser detective Sato (Kurosawa regular Takashi Shimura), a cop with a less impetuous style. (Any Danny Glover/Mel Gibson correlation you might wish to make here would only cheapen Stray Dog while elevating an undeserving Lethal Weapon series.) The plot is thickened when Murakami's gun (the "stray dog" of the title) is used in brutal assaults on an ever-growing number of innocent female victims.
Continue reading: Stray Dog Review
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