Leon Ichaso's El Cantante, a frenzied and paper-thin attempt to lionize beloved salsa singer Hector Lavoe (played by Marc Anthony), convinced me it's time to put the musical-biopic genre on the shelf for a few years.
Continue reading: El Cantante Review
The story of Serendipity is simple. Two people, John Trager (John Cusack) and Sara Thomas (Kate Beckinsale, looking ever so hot), have a chance encounter over a pair of gloves -- with Buck Henry smack dab in the middle. Charmed beyond repair, these two knuckleheads grab a sundae together at a café called Serendipity, talk about that irresponsible thing called fate and the avenues it leads people down, and spend a few hours at the local ice skating rink. But with each of them already involved with other parties, Sara has John write his name and number on a $5 bill and she writes her name and number on a copy of Love in the Time of Cholera. Sara declares that if this "thing" -- let's just call it love -- is destined to happen, fate will bring them together in the future.
Continue reading: Serendipity Review
Gere plays Chicago lawyer John Clark, a man in a rut. Day after depressing day, it's the same routine of drawing up a few wills, running a couple miles on the treadmill, and returning home to apathetic wife Beverly (Susan Sarandon) and their two teenage children. The only highlight of his day is the fleeting moment when the "L" train passes by the beautiful but solemn looking woman in the window of Miss Mitzi's Dance School. Drawn to her, John impulsively jumps off the train and into the dance studio where he's confident that lessons will bring happiness back to his life.
Continue reading: Shall We Dance? (2004) Review
Long mired in rewrites, delays, and dismal test screenings, it's easy to see why the studio gods postponed delivery of this stinking mess until the dumping grounds of spring, just before the big summer releases. We get two strong actors -- Warren Beatty and Diane Keaton -- mixed together with a few lesser actors -- Goldie Hawn, Garry Shandling, and Andie McDowell -- and they all get to wade through an aimless script (polished up by Buck Henry!) about infidelity, homosexuality, and dysfunctional family affairs. It would have been better served heading straight to video.
Continue reading: Town & Country Review
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