Simon Baker and Rebecca Rigg - Simon Baker, star of the CBS television series 'The Mentalist' arrives at Los Angeles International Airport (LAX) with his wife Rebecca Rigg at LAX - Los Angeles, California, United States - Monday 2nd February 2015
Simon Baker - Photographs of a variety of stars as they arrived for the Premiere of the biographical drama 'Wild' at the Samuel Goldwyn Theater at AMPAS in Beverly Hills, California, United States - Thursday 20th November 2014
CBS has renewed 'The Mentalist' for a seventh season.
CBS is the latest network to make tough calls for its 2014/2015 season, picking up six new shows, scrapping one high profile comedy and standing by one of its signature dramas. The good news is The Mentalist will continue into its seventh season. The drama has struggled to pick up the ratings on Sunday nights but it oozes class and CBS is willing to stand by the show.
Simon Baker Stars in 'The Mentalist'
It wasn't such good news for Robin Williams' freshman comedy The Crazy Ones, which was axed from Thursday nights. The show - also starring Sarah Michelle Gellar - was considered the comedy with the most chance of returning owing to its big name stars, but CBS executives have been ruthless and decided to cut the wage bill.
Continue reading: CBS Stands By 'The Mentalist' - But What's The Show All About?
22 comedies and science fiction shows have fallen victim to cancellation by their various networks this week including CBS’ ‘The Crazy Ones’, Fox’s ‘Rake’ and NBC’s ‘Dracula’.
22 shows from five different television networks have been cut over the last week. Whilst it is bad news for fans of Robin William’s and Sarah Michelle Gellar’s The Crazy Ones but Simon Baker will return as Patrick Jane in The Mentalist.
Robin Williams' comedy The Crazy Ones has been cancelled after one season.
CBS’ The Mentalist has been struggling recently, with a decline in ratings evident. However, it was announced on Saturday (10th May) the crime drama would be continuing for a seventh season. It’s one of the shows which were under review by executives, as EW reports.
Not so much a rom-com as an anti-romance comedy, this brightly amusing British film makes us laugh fairly consistently, although the story itself is pretty grim. It's also a problem that the plot and characters are contrived and inconsistent. Even so, there's enough jaggedly hilarious humour in here to make it worth a look, complete with a superior cast that knows how to make the very most of even the smallest role.
The film opens with the lavish wedding of Josh and Nat (Spall and Byrne), although their friends and family not-so-secretly wonder if the marriage will last. Over the coming months, Josh's best mate Danny (Merchant) tries to distract them with inappropriate jokes, but the tension between relatives Naomi and Hugh (Driver and Flemyng) only reminds them how much work marriages require. After nine months, they begin seeing a therapist (Colman) who encourages them to try to make it to their first anniversary. But Josh is thinking about rekindling romance with an ex (Faris), while Nat is falling for the charms of a sexy client (Baker).
Essentially a collection of comedy set-pieces, the plot lurches around in search of ways to lampoon relationships, often in the rudest way possible as people say the worst things at the wrong times. Along the way there are some hilarious sequences, such as a humiliating game of charades or a ridiculous attempt at a threesome. Each set-up is are seized upon by expert improvisors like Merchant and Key (as a pessimistic insurance salesman). And the funniest moments in the film belong to Colman, who makes the most of every scene-stealing opportunity, and Driver, who expertly delivers a constant stream of withering insults.
Continue reading: I Give It a Year Review
When risk-assessment expert Eric (Tucci) is sacked in a wave of downsizing, he gives a file to his employee Peter (Quinto) with the words "be careful". Sure enough, this document suggests an impending apocalypse for the company. So Peter calls in his colleague Seth (Badgley) and they take it to their boss (Bettany), who escalates it upwards over one long night to his boss (Spacey), the top executives (Baker and Moore) and the company owner (Irons). And they make a decision to do something unthinkable.
Continue reading: Margin Call Review
Indeed, Winterbottom keeps Thompson's bleakness intact, leaving us little to engage with. But the film has an earth beauty and is a haunting look at the dark side of being human.
Lou Ford (Affleck) is a small-town deputy in 1950s West Texas, where he's still struggling with childhood demons and feelings of inadequacy. Even though he has an adoring girlfriend (Hudson), he starts a torrid fling with a prostitute (Alba) who lives on the edge of town. And as he sets in motion an elaborate revenge plot, we discover that underneath his nice guy exterior Lou is a sadistic murderer. And he's only barely staying one step ahead of the investigators (including Bower, Koteas and Baker).
Continue reading: The Killer Inside Me Review
Waters dropped out of Hollywood for nearly a decade before reviving himself to write and direct the largely forgotten Happy Campers. After another six year hiatus he returned again with Sex and Death 101, which has the distinction of reuniting Waters with Heathers star Winona Ryder... who's been through her own travails, as well.
Continue reading: Sex and Death 101 Review
So why is scripter Kriss Turner, a veteran of generic sitcom writing, attempting to blow the dust off the concept for newfound laughs? Turner's treatment for Sanaa Hamri's Something New pits races against each other to tell the often-turbulent courtship of Kenya (Sanaa Lathan), a black accountant, and Brian (Simon Baker), her white landscape architect. Color colors everything for this duo as they try to make a relationship work, and New overplays the racial chip on its shoulder to the detriment of the romantic date movie that's buried at its core.
Continue reading: Something New Review
Land of the Dead is Romero's fourth zombie picture, a sequel of sorts to his last "...of the Dead" picture, Day of the Dead. It all began, of course, with the infamous '60s shocker Night of the Living Dead - now a denizen of the public domain and released by every fly-by-night DVD company around - which combined social commentary and, at the time, shocking gore. It was a combo that inspired a whole genre, the zombie-athon, and countless imitators, very few of which are as inspired as any of Romero's. (The engaging and referential Shaun of the Dead comes closest.)
Continue reading: Land of the Dead Review
Perhaps the problem is director Charles Shyer, a guy known for his comedic streak, both as the man behind the Father of the Bride movies, and as a writer working with wife Nancy Meyers (The Parent Trap, Baby Boom). With Shyer's swing over to drama, it's tough to tell if parts of The Affair of the Necklace are supposed to be funny.
Continue reading: The Affair of the Necklace Review