Simon Baker and Rebecca Rigg - Simon Baker, star of the CBS television series 'The Mentalist' arrives at Los Angeles International Airport (LAX) with his wife Rebecca Rigg at LAX - Los Angeles, California, United States - Monday 2nd February 2015
CBS has renewed 'The Mentalist' for a seventh season.
CBS is the latest network to make tough calls for its 2014/2015 season, picking up six new shows, scrapping one high profile comedy and standing by one of its signature dramas. The good news is The Mentalist will continue into its seventh season. The drama has struggled to pick up the ratings on Sunday nights but it oozes class and CBS is willing to stand by the show.
Simon Baker Stars in 'The Mentalist'
It wasn't such good news for Robin Williams' freshman comedy The Crazy Ones, which was axed from Thursday nights. The show - also starring Sarah Michelle Gellar - was considered the comedy with the most chance of returning owing to its big name stars, but CBS executives have been ruthless and decided to cut the wage bill.
Continue reading: CBS Stands By 'The Mentalist' - But What's The Show All About?
22 comedies and science fiction shows have fallen victim to cancellation by their various networks this week including CBS’ ‘The Crazy Ones’, Fox’s ‘Rake’ and NBC’s ‘Dracula’.
22 shows from five different television networks have been cut over the last week. Whilst it is bad news for fans of Robin William’s and Sarah Michelle Gellar’s The Crazy Ones but Simon Baker will return as Patrick Jane in The Mentalist.
Robin Williams' comedy The Crazy Ones has been cancelled after one season.
CBS’ The Mentalist has been struggling recently, with a decline in ratings evident. However, it was announced on Saturday (10th May) the crime drama would be continuing for a seventh season. It’s one of the shows which were under review by executives, as EW reports.
Not so much a rom-com as an anti-romance comedy, this brightly amusing British film makes us laugh fairly consistently, although the story itself is pretty grim. It's also a problem that the plot and characters are contrived and inconsistent. Even so, there's enough jaggedly hilarious humour in here to make it worth a look, complete with a superior cast that knows how to make the very most of even the smallest role.
The film opens with the lavish wedding of Josh and Nat (Spall and Byrne), although their friends and family not-so-secretly wonder if the marriage will last. Over the coming months, Josh's best mate Danny (Merchant) tries to distract them with inappropriate jokes, but the tension between relatives Naomi and Hugh (Driver and Flemyng) only reminds them how much work marriages require. After nine months, they begin seeing a therapist (Colman) who encourages them to try to make it to their first anniversary. But Josh is thinking about rekindling romance with an ex (Faris), while Nat is falling for the charms of a sexy client (Baker).
Essentially a collection of comedy set-pieces, the plot lurches around in search of ways to lampoon relationships, often in the rudest way possible as people say the worst things at the wrong times. Along the way there are some hilarious sequences, such as a humiliating game of charades or a ridiculous attempt at a threesome. Each set-up is are seized upon by expert improvisors like Merchant and Key (as a pessimistic insurance salesman). And the funniest moments in the film belong to Colman, who makes the most of every scene-stealing opportunity, and Driver, who expertly delivers a constant stream of withering insults.
Continue reading: I Give It A Year Review
Josh and Nat thought they had the most perfect relationship and made no hesitation in getting married despite their family and friends doubting their longevity. In their first year of being hitched, cracks begin to show and they don't feel as connected as they once were; while before they were very much emphatically in love, now they don't feel like they know each other at all. For one thing, they are polar opposites: Nat is a successful working woman, but Josh is struggling in his career as a novel writer. Before long, Josh's stunning ex-girlfriend Chloe floats into the picture flaunting her enviable figure, while at the same time a handsome new client, Guy, enters Nat's life tempting the newlyweds away from each other. As much as they try and convince themselves that they are happily married, they flounder against their friends' adulterous encouragements.
From the writer of 'Ali G Indahouse' and 'Bruno', Dan Mazer has taken up new project 'I Give It A Year' which he has also directed. It's a brilliantly funny British comedy with many nail bitingly awkward moments and one with a message to make us question true love and happiness. It is set for release on February 8th 2013.
Director: Dan Mazer
Continue: I Give It A Year Trailer
Lou Ford leads -what looks to be a pretty unremarkable existence, he's the deputy Sheriff of a small town but has two girlfriends one who works as a schoolteacher and the other a prostitute. When murders start happening in the sleepy West Texas town, no one is quite sure who's committing the murders. As investigators lean toward Lou as their prime suspect, he finds himself in a spiral of death as he struggles to clear his name. Things are never as they seem, the unassuming person the townsfolk thought they knew in Lou soon unravels and it becomes clear that all they were seeing was a facade.
Continue: The Killer Inside Me Trailer
Waters dropped out of Hollywood for nearly a decade before reviving himself to write and direct the largely forgotten Happy Campers. After another six year hiatus he returned again with Sex and Death 101, which has the distinction of reuniting Waters with Heathers star Winona Ryder... who's been through her own travails, as well.
Continue reading: Sex And Death 101 Review
Perhaps the problem is director Charles Shyer, a guy known for his comedic streak, both as the man behind the Father of the Bride movies, and as a writer working with wife Nancy Meyers (The Parent Trap, Baby Boom). With Shyer's swing over to drama, it's tough to tell if parts of The Affair of the Necklace are supposed to be funny.
Continue reading: The Affair Of The Necklace Review
Our protagonist is the restaurant's bartender, Chris Calloway (Adrien Brody - Summer of Sam, Six Ways to Sunday), a struggling playwright weaving his real life problems into his first play -- a work in progress that he can't seem to finish. When he meets the newest waitress Jeanine (Elise Neal - Mission to Mars) and they hit it off, he's faced with his second interracial relationship (the first being Lauryn Hill, who we see mostly as a picture on the refrigerator). Chris can't figure out why he likes black women so much, especially after his Italian father raised him to be a bigot. This dilemma is portrayed in his unfinished play, which is the story of a white man that can't deal with the external pressures of having a black girlfriend, even though he's madly in love. As he tries to make sense of his feelings, he gets caught up in the past when his ex (Hill) shows up at a friend's wedding. Because his relationship with her ended on such a bizarre note, he can't put it behind him, which prevents him from devoting his heart to Jeanine, and finally, thwarts him from finishing the play. Whew!
Continue reading: Restaurant Review
Book of Love is strangely, simultaneously obvious and moving. Happy couple Elaine (Frances O'Connor) and David (Simon Baker) are getting along just fine, when for some reason they take an interest in 16-year-old Chet (Gregory Smith), who's a local swimmer and soda jerk at their favorite drug store. Chet is obviously smitten with Elaine, and it isn't long before one drunken night when she submits to his tentative advances.
Continue reading: Book Of Love (2004) Review
The fourth picture in Romero's "Dead" series,it takes place in a decimated world where a handful of rich elitists livein a self-contained, weakly defended luxury skyscraper and a lower classof humanity scrapes by in the streets behind protective walls and electricfences. But unbeknownst to all of them, the zombies in the wasteland outsidehave begun to think and organize.
This sounds like a fantastic -- and wholly original --concept that could take the genre to a scarier new level. But "Landof the Dead" fails to exploit the refreshing plot point any furtherthan is necessary to bring the undead through the city's pathetic ramparts,led by the moaning-groaning influence of a single zombie who has developeda primitive ability to reason.
The movie has nothing new to offer, although it is madea tad more watchable by something old -- Romero's simple, straightforwardcinematography that makes all the action (especially the mediocre scares)much clearer and eerily more immediate than the shake-shake, chop-chopstyle applied to most modern horror flicks. Its other great asset is thebody-decay makeup on the legions of walking corpses and the dead staresand lumbering gaits of some of the key zombie actors.
Continue reading: Land Of The Dead Review
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