Simon Baker and Rebecca Rigg at the 2017 Australian Academy of Cinema and Television Arts (AACTA) International Awards held at The Avalon Hollywood, Los Angeles, California, United States - Friday 6th January 2017
CBS has renewed 'The Mentalist' for a seventh season.
CBS is the latest network to make tough calls for its 2014/2015 season, picking up six new shows, scrapping one high profile comedy and standing by one of its signature dramas. The good news is The Mentalist will continue into its seventh season. The drama has struggled to pick up the ratings on Sunday nights but it oozes class and CBS is willing to stand by the show.
Simon Baker Stars in 'The Mentalist'
It wasn't such good news for Robin Williams' freshman comedy The Crazy Ones, which was axed from Thursday nights. The show - also starring Sarah Michelle Gellar - was considered the comedy with the most chance of returning owing to its big name stars, but CBS executives have been ruthless and decided to cut the wage bill.
Continue reading: CBS Stands By 'The Mentalist' - But What's The Show All About?
22 comedies and science fiction shows have fallen victim to cancellation by their various networks this week including CBS’ ‘The Crazy Ones’, Fox’s ‘Rake’ and NBC’s ‘Dracula’.
22 shows from five different television networks have been cut over the last week. Whilst it is bad news for fans of Robin William’s and Sarah Michelle Gellar’s The Crazy Ones but Simon Baker will return as Patrick Jane in The Mentalist.
Robin Williams' comedy The Crazy Ones has been cancelled after one season.
CBS’ The Mentalist has been struggling recently, with a decline in ratings evident. However, it was announced on Saturday (10th May) the crime drama would be continuing for a seventh season. It’s one of the shows which were under review by executives, as EW reports.
Simon Baker, Rebecca Rigg, Stella Breeze Baker, Claude Blue Baker and Harry Friday Baker - Simon Baker is honoured with a star on the Hollywood Walk of Fame at Hollywood Boulevard - Los Angeles, California, United States - Thursday 14th February 2013
Not so much a rom-com as an anti-romance comedy, this brightly amusing British film makes us laugh fairly consistently, although the story itself is pretty grim. It's also a problem that the plot and characters are contrived and inconsistent. Even so, there's enough jaggedly hilarious humour in here to make it worth a look, complete with a superior cast that knows how to make the very most of even the smallest role.
The film opens with the lavish wedding of Josh and Nat (Spall and Byrne), although their friends and family not-so-secretly wonder if the marriage will last. Over the coming months, Josh's best mate Danny (Merchant) tries to distract them with inappropriate jokes, but the tension between relatives Naomi and Hugh (Driver and Flemyng) only reminds them how much work marriages require. After nine months, they begin seeing a therapist (Colman) who encourages them to try to make it to their first anniversary. But Josh is thinking about rekindling romance with an ex (Faris), while Nat is falling for the charms of a sexy client (Baker).
Essentially a collection of comedy set-pieces, the plot lurches around in search of ways to lampoon relationships, often in the rudest way possible as people say the worst things at the wrong times. Along the way there are some hilarious sequences, such as a humiliating game of charades or a ridiculous attempt at a threesome. Each set-up is are seized upon by expert improvisors like Merchant and Key (as a pessimistic insurance salesman). And the funniest moments in the film belong to Colman, who makes the most of every scene-stealing opportunity, and Driver, who expertly delivers a constant stream of withering insults.
Continue reading: I Give It A Year Review
Josh and Nat thought they had the most perfect relationship and made no hesitation in getting married despite their family and friends doubting their longevity. In their first year of being hitched, cracks begin to show and they don't feel as connected as they once were; while before they were very much emphatically in love, now they don't feel like they know each other at all. For one thing, they are polar opposites: Nat is a successful working woman, but Josh is struggling in his career as a novel writer. Before long, Josh's stunning ex-girlfriend Chloe floats into the picture flaunting her enviable figure, while at the same time a handsome new client, Guy, enters Nat's life tempting the newlyweds away from each other. As much as they try and convince themselves that they are happily married, they flounder against their friends' adulterous encouragements.
From the writer of 'Ali G Indahouse' and 'Bruno', Dan Mazer has taken up new project 'I Give It A Year' which he has also directed. It's a brilliantly funny British comedy with many nail bitingly awkward moments and one with a message to make us question true love and happiness. It is set for release on February 8th 2013.
Director: Dan Mazer
Continue: I Give It A Year Trailer
Lou Ford leads -what looks to be a pretty unremarkable existence, he's the deputy Sheriff of a small town but has two girlfriends one who works as a schoolteacher and the other a prostitute. When murders start happening in the sleepy West Texas town, no one is quite sure who's committing the murders. As investigators lean toward Lou as their prime suspect, he finds himself in a spiral of death as he struggles to clear his name. Things are never as they seem, the unassuming person the townsfolk thought they knew in Lou soon unravels and it becomes clear that all they were seeing was a facade.
Continue: The Killer Inside Me Trailer
Our protagonist is the restaurant's bartender, Chris Calloway (Adrien Brody - Summer of Sam, Six Ways to Sunday), a struggling playwright weaving his real life problems into his first play -- a work in progress that he can't seem to finish. When he meets the newest waitress Jeanine (Elise Neal - Mission to Mars) and they hit it off, he's faced with his second interracial relationship (the first being Lauryn Hill, who we see mostly as a picture on the refrigerator). Chris can't figure out why he likes black women so much, especially after his Italian father raised him to be a bigot. This dilemma is portrayed in his unfinished play, which is the story of a white man that can't deal with the external pressures of having a black girlfriend, even though he's madly in love. As he tries to make sense of his feelings, he gets caught up in the past when his ex (Hill) shows up at a friend's wedding. Because his relationship with her ended on such a bizarre note, he can't put it behind him, which prevents him from devoting his heart to Jeanine, and finally, thwarts him from finishing the play. Whew!
Continue reading: Restaurant Review
The fourth picture in Romero's "Dead" series,it takes place in a decimated world where a handful of rich elitists livein a self-contained, weakly defended luxury skyscraper and a lower classof humanity scrapes by in the streets behind protective walls and electricfences. But unbeknownst to all of them, the zombies in the wasteland outsidehave begun to think and organize.
This sounds like a fantastic -- and wholly original --concept that could take the genre to a scarier new level. But "Landof the Dead" fails to exploit the refreshing plot point any furtherthan is necessary to bring the undead through the city's pathetic ramparts,led by the moaning-groaning influence of a single zombie who has developeda primitive ability to reason.
The movie has nothing new to offer, although it is madea tad more watchable by something old -- Romero's simple, straightforwardcinematography that makes all the action (especially the mediocre scares)much clearer and eerily more immediate than the shake-shake, chop-chopstyle applied to most modern horror flicks. Its other great asset is thebody-decay makeup on the legions of walking corpses and the dead staresand lumbering gaits of some of the key zombie actors.
Continue reading: Land Of The Dead Review
As Civil War dramas go, the unromanticized anti-epic "Ride With the Devil" is the polar opposite of "Gone With the Wind."
Bleak, deceptively simple and realistic, the battles are dirty, bloody and unwieldy, the heroes are reluctant young soldiers, fighting only because they feel compelled to do so.
It's a story of a handful of provisional soldiers in a part of the Civil War fought on the Western frontier of Missouri -- hundreds of miles from the definitive action -- where, in the absence of official battalions from the North or the South, neighbors have taken up arms against each other in hit-and-run guerrilla skirmishes that will ultimately decide nothing.
Continue reading: Ride With The Devil Review
Not so much a rom-com as an anti-romance comedy, this brightly amusing British film makes...
Josh and Nat thought they had the most perfect relationship and made no hesitation in...
This lucid drama about the start of the current economical collapse is gripping, even if...
Being based on the Jim Thompson novel, this could never be a cheery romp. Indeed,...
Lou Ford leads -what looks to be a pretty unremarkable existence, he's the deputy Sheriff...
Watch the trailer for Women In Trouble Given Sebastian Gutierrez's previous work (including Snakes On...
Daniel Waters has one of Hollywood's most intriguing resumes. After writing his first film, Heathers,...
More than 30 years ago, close-minded sitcom character George Jefferson dogged neighbors Helen and Tom...
George Romero inhabits a peculiar realm in American cinema. He is both a political provocateur,...
There are inherent risks in making a costume drama -- giving everything too much weight,...
One approaches the release of Red Planet with a singular, desperate thought: There is...
It's a rule: Horror films always come with sequels. Why the official screenwriter's handbook deems...