Sienna Guillory - Private dinner at Sexy Fish hosted by Creme de la Mer to celebrate the launch of Genaissance de la Mer the Serum Essence, available exclusively at Harrods - London, United Kingdom - Thursday 21st January 2016
Sienna Guillory - BFI London Film Festival - High Rise - Festival Gala and Premiere at the Odeon Leicester Square - Arrivals at leicester sq, Odeon Leicester Square - London, United Kingdom - Friday 9th October 2015
Fans of Lee can expect the 10 part series to hit screens next year.
Stan Lee is set to bring his creative talents to the British small screen for the first time, as the legendary comic book writer is penning a new drama for UK television. ‘Lucky Man’, which will star James Nesbitt, has already begun filming and will air on Sky One next year, the channel has confirmed.
Stan Lee is bringing 'Lucky Man' to Sky One next year.
Nesbitt stars as DI Harry Clayton, a gambler and policeman in London who is given a charm by a mysterious woman which appears to enable him to make his own luck. Once he has the charm Clayton, whose wife and child had left him thanks to his gambling, begins to see his fortunes change for the better.
International pharmaceutical company The Umbrella Corporation's deadly T-virus - initially designed to dramatically alter living and recently dead organisms - continues its rapid spread throughout the world, turning everyone in its path to flesh eating zombies, after it was released from the company's underground base near Raccoon City.
Continue: Resident Evil: Retribution Trailer
I could have written a similar book (though perhaps not when I was fifteen) but I never guessed that the Tolkien estate and Lucasfilm would have given permission to use all of their ideas. As one of Paolini's characters says, forgiveness is easier than permission, and everyone seems to have forgiven Paolini (up to a point -- we''ll see how well the movie does). That's good, because every major plot point in Eragon is ripped off from The Lord of the Rings or the Star Wars series (with occasional ripoffs, probably subconscious, from other sources, like The Wizard of Oz). In fact, Eragon is so derivative it's surprising that it even got published. Or it would be, if publishing houses still had standards.
Continue reading: Eragon Review
That little inconsistency is only the first of hundreds you'll find in this virtually unseen flick, which features some engaging characters and performances but blows it all with a script that alternates between illogical and just plain dumb.
Continue reading: Late Night Shopping Review
But while I'll admit that I felt that twinge (since I am an old fan of the games), I can't say that this equally lame sequel does anything to prolong that twinge into real enjoyment. Resident Evil: Apocalypse rots - as badly as its zombie costars. It has a few cheap violent thrills, but none of the true suspense or chills that you'll crave.
Continue reading: Resident Evil: Apocalypse Review
In an era of resurgent zombie-flick creativity that has seen the likes of "28 Days Later" and this year's "Dawn of the Dead" remake, the leaden mindlessness of "Resident Evil: Apocalypse" is nothing short of pathetic.
Having burned through most vague ties to its videogame roots in the unwatchable first "Resident Evil" -- an inept, logic-impaired, plotless wonder of unmitigated noise, cheap scares and endless ammunition -- this sequel begins with the biggest opening-scene cliché in all zombiedom: a quiet day in the suburbs where chaos will soon reign.
Underneath this blissful berg (which returning writer Paul W.S. Anderson seems to have forgotten he showed destroyed in Part One) is the lab where the global-evil Umbrella Corporation's virus experiments went so very wrong back in 2002. Foolishly re-opened to learn "what went on down there," out pours an army of the undead, and apparently there are only two people who really know how to fight them -- slinky, half-naked, heavily-armed 105-lb. hotties Milla Jovovich (the original movie's survivor) and Sienna Guillory ("Love Actually").
Continue reading: Resident Evil 2: Apocalypse Review
In 1960, director George Pal created a rather quaint film version of H.G. Wells' "The Time Machine" which was such a product of its day that now its doom-saying 20th Century nuclear war and its 800th Century society of idyllic, primitive blonde imbeciles seem far more like silly cinematic nostalgia than legitimate futurism.
Hollywood style de jour strikes again in this year's equally time-stamped yet curiously engaging remake, starring Guy Pearce ("Memento") as Alexander Hartdegen, Wells' late-19th Century intellectual aristocratic who travels through time in a handsome Victorian-era Rube Goldberg contraption of brass, glass and spinning dials.
Directed by Wells' great-grandson Simon Wells, the 2002 "Time Machine" opens with a modern movie motivational gimmick: It seems the murder of his true love drives our hero's desire to fiddle with temporal physics. After an obligatory failed attempt to turn back the clock and save her, Alexander heads into the future, hoping to somehow understand why he can't change the past.
Continue reading: The Time MacHine Review