Sid Haig

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Bone Tomahawk Trailer


Life is quite sedentary in the small town of Bright Hope, the people rely on the support of Sheriff Franklin Hunt and as such he and his deputies keep things in order. When a beaten up man arrives in the town, he's soon asked many questions by the town Sheriff Hunt though is given few answers. The man who gives his name as Buddy is injured and the local doctors assistant tends to his wounds.

That night the town is attacked by unknown vigilantes and a person is murdered. When Sheriff Hunt returns to the Sheriff station he finds his deputy, the prisoner and Samantha (the doctors assistant) all missing. With few clues to work with, Hunt retrieves an arrow from the crime scene and seeks assistance from a native American who informs him where the arrow has come from.

The Sheriff and a small group of towns folk set out into the desert to find the kidnappers but they're far from prepared to deal with the brutal and cannibalistic methods of the troglodyte clan. For the future of their small town and to save the captures prisoners, the men of Bright Hope must out maneuverer the cannibals.

Sid Haig - 'Hatchet 3' premiere at the Egyptian Theatre - Hollywood, CA, United States - Tuesday 11th June 2013

Sid Haig Friday 23rd September 2011 Universal Studios Hollywood 'Halloween Horror Nights' Eyegore Awards - Arrivals Universal City, California

Sid Haig
Sid Haig
Sid Haig

Danny Trejo, Monica Staggs, Sydney Tamiia Poitier and Sid Haig - Danny Trejo, Monica Staggs, Sydney Tamiia Poitier and Sid Haig Los Angeles, California - Spike TV presents the second annual 'Scream 2007' held at the Greek Theater - Pressroom Friday 19th October 2007

Danny Trejo, Monica Staggs, Sydney Tamiia Poitier and Sid Haig
Danny Trejo, Monica Staggs, Sydney Tamiia Poitier and Sid Haig
Danny Trejo

Sid Haig - Sid Haig and guest Los Angeles, California - Spike TV presents the second annual 'Scream 2007' held at the Greek Theater Friday 19th October 2007

Sid Haig
Sid Haig
Sid Haig
Sid Haig

Sid Haig Thursday 23rd August 2007 'Halloween' premiere held at Mann's Chinese Theater - Arrivals Hollywood, California

Sid Haig
Sid Haig
Sid Haig

The Devil's Rejects Review


Excellent
House of 1000 Corpses, the last song on Rob Zombie's 2001 album The Sinister Urge, also served as the title track to the metal frontman-turned-filmmaker's 2003 directorial debut, but the cut's country twang-inflected ghoulishness would have made a more apt musical accompaniment for Zombie's The Devil's Rejects. Less a sequel than a spiritual follow-up, the director's latest revisits House's serial-killing Firefly clan as they're cast into the backwater dustbowls of rural America by a sheriff (William Forsythe) intent on exacting vigilante revenge for the murder of his brother. A gritty Western-via-grindhouse modern exploitation flick imbued with the ferocity of independent '70s horror, Zombie's splatterfest wisely alters virtually everything (narratively, stylistically, thematically) that characterized his campy, cartoonish and awkward first film. And from its coarse, graphic visual aesthetic, profusion of classic Southern rock tunes, and portrait of unrepentant mayhem, his film reverentially exults in the deranged spirit and impulsive, unpredictable energy of seminal genre masterpieces The Texas Chain Saw Massacre and The Hills Have Eyes.

The Devil's Rejects diverges from its predecessor beginning with its opening frames, in which the depiction of the Firefly residence - no longer a remote, forest-shrouded funhouse of horrors but, rather, a dilapidated structure situated in a stretch of open land - speaks to the film's rejection of atmospheric claustrophobia in favor of wide-open anarchy. A fascination with rampant disorder certainly fuels the tour de force intro sequence, a bullet-strewn siege on the Firefly home by Sheriff Wydell (Forsythe) and an army of police officers heightened by Zombie's sly use of freeze frames, Sergio Leone-esque close-ups, and The Allman Brothers' "Midnight Rider." Exhibiting a directorial maturity devoid of his former MTV-ish gimmickry (no hyper-edited montages with varying film stocks or bludgeoning industrial heavy metal here), the director orchestrates the chaotic events with feverish abandon, his shaky handheld camera set-ups and scraggly, sun-bleached cinematography (courtesy of Phil Parmet) placing us directly inside the carnage. By the time murderous siblings Otis (Bill Moseley) and Baby (Sheri Moon) escape their now overrun home to seek shelter in the rotting, blindingly white desert, Zombie has demonstrated a newfound adeptness at lacing nasty action with a breakneck thrust and vicious wit.

Continue reading: The Devil's Rejects Review

Foxy Brown Review


Good
Pam Grier's most notorious role as the title character in Foxy Brown is a cult classic that's best enjoyed with your tongue firmly in cheek and your political correctness gene locked out in the backyard. Stilted acting, absurd sexual shenanigans, and enough hair and wardrobe changes to keep a dozen costumers busy all combine to create a memorable and quite silly moviegoing experience. Plot is minimal: Foxy is looking for revenge when her boyfriend gets shot. And what Foxy wants, she gets. Meanwhile, we get a "whole lotta woman," and not much else.
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Jason Statham Loves The Mechanic's Complicated Action

Jason Statham Loves The Mechanic's Complicated Action

Five years after his first stint as hitman Arthur Bishop in The Mechanic, Jason Statham has returned to the role for Mechanic: Resurrection.

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John Krasinski Used His Experience To Make The Hollars

John Krasinski Used His Experience To Make The Hollars

In a busy year that has seen John Krasinski star in movies and TV shows, he somehow managed to find the time to direct, produce and star in the new...

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Sid Haig Movies

Bone Tomahawk Trailer

Bone Tomahawk Trailer

Life is quite sedentary in the small town of Bright Hope, the people rely on...

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