Jamie and Leanne are the best of friends and the two girls find themselves constantly being caught up in trouble including the London riots which saw hundreds of police try and stop the chaos happening in the city. Neither have anyone to rely on and their lives have offered them little in the way of love and affection all these things makes their bond of friendship that much stronger.
Both the teenage girls live in a group home called Alpha House which homes some of society's most at risk kids. Jamie finds herself taken on by a new case worker who's called Kate; the in-house worker has a caring heart and reads about how Jamie lost her mother to a heroin overdose.
One day as Kate's walking the halls, she heard Jamie singing to herself in her bedroom, Kate encourages Jamie by telling her about her good vocal skills but the conversation is soon cut short of Leanne and her continually snappy demeanor.
Continue: Urban Hymn Trailer
As it's been 12 years since the last Bridget Jones movie, expectations aren't too high for this sequel. So it's a very nice surprise that this film stands on its own as a charming and often very funny romantic comedy while rounding off the trilogy in style. The cast is terrific, and the script bristles with snappy dialogue and witty characters that lead the audience down an unpredictable route to a complicated happy ending.
On her 43rd birthday, Bridget (Renee Zellweger) is finally content with her single life. Although her romantic past continues to torment her, especially when she runs into former flame Mark Darcy (Colin Firth) at a funeral. With a corporate shake-up underway at the TV news programme she produces, presenter Miranda (Sara Solemani) suggests that Bridget needs some sex to liven up her life, whisking her off to a music festival. There she has a cute, hot encounter with the dishy Jack (Patrick Dempsey). And a week later, she rekindles her romance with Mark when she learns that his marriage has ended. So when she discovers that she's pregnant, Bridget hasn't a clue which man is the father.
This premise offers plenty of scope for both thematic meaning and awkward plot turns, and the screenplay merrily dives right into all of it, mixing some silly slapstick with darker emotions as director Sharon Maguire maintains a breezy-comical tone. This kind of balance is difficult to get right, but the film feels effortlessly engaging.
Continue reading: Bridget Jones's Baby Review
Bridget has always known how to get herself into a muddle - catastrophic muddles at that - even though she's been separated from her last love, Mark, for five years it appears their journey together hasn't come to an end as yet.
After taking advice from one of her colleagues, Bridget decides that it's time to get back on the dating scene and after deciding that the likes of Tinder aren't for her, Bridget finds herself being set up with Jack Qwant who she sees in the news room studio.
The pair get on remarkably well and soon find themselves spending the night together. A little fun is just what Bridget needed. When she finds herself at the christening of one of her friends little girls, her and Mark are forced to be amicable towards one another but the pair fall into old habits and Bridget and he also spend the night together.
Continue: Bridget Jones's Baby Trailer
Happily ever after wasn't always the way fairy tales turned out. Sometimes Princesses, Kings, Queens and their pretenders need to be careful what they wish for. The Queen of Longtrellis, The King of Highhills and The King of Strongcliff are three such people who would do anything to make their biggest dreams come true.
For the Queen of Longtrellis, all she's ever wanted is a child of her own but the king and queen haven't been able to conceive. Not willing to wait any longer, the queen consults a sorcerer who is able to grant the Queens wish at any price the enchanter wishes.
The King of Highhills was never blessed with a son, his daughter is his only living heir and invites his citizens to take part in a challenge to win the hand of his daughter. When a brute of a ogre wins his challenge, the princess is given away and begins a lonesome life with him in the mountains. However, despite the ogre abusing the slight girl, as each day passes, she becomes stronger and bides her time before the day that she can become the leader her Kingdom needs.
Continue: Tale Of Tales Trailer
New York - the 1950s. A young and aspiring American poet, John Malcolm Brinnin (Elijah Wood), takes it upon himself to wrangle his favourite poet and bring him back for a performance in the United States. The poet in question, is a lyrically powerful, yet over-the-top hell raising Dylan Thomas (Celyn Jones). As Brinnin battles against the powerful and abrasive Thomas, his idolisation for the man falters. That is, until he steadily starts to understand what is truly going on inside the head of the poet. When the two men are finally on the same page, everything begins to become clearer for Brinnin; despite his ordinary world being totally shaken up by this new addition.
Continue: Set Fire To The Stars Trailer
Filmmaker Charlie Stratton takes a rather obvious approach to Emile Zola's iconic 1867 novel Therese Raquin, ramping up the melodrama while drenching everything in shadowy doom and gloom. It's such a bleak film that it sometimes feels like a spoof, pushing every emotional story element to the breaking point. But the resilient premise still has something to say.
In deeply repressed 19th century French society, Therese (Elizabeth Olsen) is an orphan raised by her over-involved aunt (Jessica Lange), sharing a bed with her sickly cousin Camille (Tom Felton). When she comes of age, Therese is simply expected to marry Camille, after which all three move to Paris to open a shop. Soon Therese meets Camille's old pal Laurent (Oscar Isaac), who sparks her lust in ways the wheezy Camille never could. And as they begin a torrid affair, Therese and Laurent know that they can only be together after Camille is dead. So they hatch a nefarious plan, but life doesn't play out quite as they expect it to.
Writer-director Stratton makes everything so stylised that it can't help feeling stagey, with streets, sets and costumes that are relentlessly drab. The main colour scheme is dark greys and browns, and everything is swamped in murky shadows as the characters swap anguished glances. The actors do what they can with this. Olsen and Isaac manage to generate some sweaty chemistry, which transforms into something very different in the final act. Felton finds some humanity underneath Camille's obnoxious exterior. Lange merrily chomps the scenery as the glowering, over-reacting matriarch. And casting Matt Lucas, Mackenzie Crook and Shirley Henderson in key supporting roles can't help but add some unexpected comedy ("I have a touch of the vapours!").
Continue reading: In Secret Review
The BAFTA TV Awards 2014 nominations have been announced - is your favourite show in there somewhere?
The nominations have been announced for this year's BAFTA TV Awards, which will be held on Sunday 18th May. After an outstanding year in television, this year's awards will make for gripping viewing with nominations covering all categories of TV talent. Channel 4's comedy series, The IT Crowd, leads the way with four nominations alongside the broadcaster's chilling crime drama, Southcliffe, according to BAFTA.
Actor Richard Ayoade & Comedy 'The IT Crowd' Could Clean Up At The 2014 TV BAFTAs.
The IT Crowd dominates the best performance in a comedy categories as Richard Ayoade and Chris O'Dowd are each nominated whilst their co-star Katherine Parkinson has been nominated for best female in a comedy and the show's final episode is up for best sitcom.
Therese Raquin is a young woman living with her aunt and cousin Camille. One day Madame Raquin informs her that she and Camille are to be married after which they will settle in Paris. Though it was not a pairing of her choosing, Therese tries to attract some interest from her rather unpleasant cousin who appears to be shrugging away her every advance, even on their wedding night. In Paris, Camille meets his childhood friend Laurent, a painter, who they invite to stay. Intrigued, Therese soon finds herself engaging in an illicit and passionate affair with him behind her husband and aunt's back. As their relationship deepens, their yearning for one another becomes stronger and they began to plot a way to get Camille out of the picture which ends in his murder on a boat trip. Far from gaining peace, the couple find themselves racked with guilt and highly suspected by Madame Raquin.
'In Secret' is the tense romance thriller written and directed by Charlie Stratton ('Faux Baby'). It is based on the 1867 classic novel 'Therese Raquin' written by Emile Zola and is also the subject of a play by Neal Bell. It is set to be released in US theatres on February 21st 2014.
As another full-on Irvine Welsh adaptation Trainspotting did in 1996, this bracingly original movie puts a new filmmaker on the map. Not only is this a loud blast of both style and substance, but it refuses to water down its subject matter, taking us through a shockingly profane story in a way that's both visually inventive and emotionally resonant.
This is the story of Bruce (McAvoy), an Edinburgh detective who's determined to beat his colleagues to a promotion. He's also a relentless womaniser, sexist, racist and drug addict. And he'll do anything to get ahead, hiding the sordid details of his private life from his boss (Sessions) while undermining the other cops at any chance while pretending to be their friends. In quick succession, he gets young Ray (Bell) addicted to cocaine, flirts continually with Amanda (Poots), has a fling with the kinky wife (Dickie) of fellow officer Gus (Lewis), torments Peter (Elliott) about his sexuality, and takes Bladesey (Marsan) on a sex-tourism holiday while making obscene calls to his needy wife (Henderson). All of this happens while Bruce leads the investigation into a grisly murder.
McAvoy dives so far into this role that we barely recognise him in there. Bruce is so amoral that we are taken aback by each degrading moment. And yet McAvoy somehow manages to hold our sympathy due to the film's blackly hilarious tone and a startling undercurrent of real emotion. Even though he's a monster, we see his boyish fragility, especially in surreal sequences involving his therapist (Broadbent), which merge with his fantasies, hallucinations and nightmares.
Continue reading: Filth Review
This trailer is only suitable for persons aged 18 or over.
Bruce Robertson is a vile, devious and emotionally disturbed individual who also happens to be a Detective Sergeant. Off duty, he lives a life of debauchery; snorting line after line of cocaine and indulging in sordid sexual encounters with numerous women while trying to control his unpredictable bipolar personality. On duty, he does everything within his power to trick, deceive and ruin the lives of his colleagues with whom he competes to achieve a promotion to detective inspector. He does nothing to hide his radical views on race and women as he attempts to solve a grisly murder that seems to have more to it than he initially thought. With the web of lies he weaves throughout his life, will he be able to sort out truths from the untruths in order to maintain his sanity as his deteriorating mental health threatens to cripple him? And will he ever be reunited with the wife he is so desperate to resolve things with?
Adapted from the novel by Irvine Welsh, 'Filth' has been directed and written by Jon S. Baird ('Cass') and sees an intense star-studded cast convert to screen an compelling story of insanity, romance and deceit. This shocking 18-rated crime drama is set to hit UK cinemas in September 2013.
Jamie and Leanne are the best of friends and the two girls find themselves constantly...
As it's been 12 years since the last Bridget Jones movie, expectations aren't too high...
Bridget has always known how to get herself into a muddle - catastrophic muddles at...
Happily ever after wasn't always the way fairy tales turned out. Sometimes Princesses, Kings, Queens...
New York - the 1950s. A young and aspiring American poet, John Malcolm Brinnin (Elijah...
Filmmaker Charlie Stratton takes a rather obvious approach to Emile Zola's iconic 1867 novel Therese...
Therese Raquin is a young woman living with her aunt and cousin Camille. One day...
As another full-on Irvine Welsh adaptation Trainspotting did in 1996, this bracingly original movie puts...
This trailer is only suitable for persons aged 18 or over.Bruce Robertson is a vile,...
An impressive cinematic experiment, this film is worth seeing for its big concept and documentary...
Reichardt turns her focus on the old West with this evocative drama based on true...
Solondz takes a sideways approach to this sequel to his 1998 hit Happiness. With an...