Father Sebastião Rodrigues (Andrew Garfield) and Father Francisco Garrpe (Adam Driver) are Portuguese Jesuit priests who set out on a dangerous mission to Japan in a bid to find their mentor Father Cristóvão Ferreira (Liam Neeson) who has been missing for sometime. It's the seventeenth century, and despite what the Bible might say about the importance of spreading the Christian word of God throughout the world, there are just some places on this Earth that brutally forbid it. Needless to say, Ferreira has been ousted from the church to which he belongs after publicly denouncing his faith to save his own life. Rodgrigues and Garrpe are about to discover just how violent the world can be towards everything that they've ever worked for when they arrive in Japan. Surely there is no test of faith that can match the journey that lies ahead for them.
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Takashi Miike is no stranger to producing disturbing, genre-busting, and gut-wrenching cinematic treats like the Dead or Alive series, Audition, and Visitor Q. Watching a Miike film is akin to tossing the works of Billy Wilder, John Ford, Werner Fassbinder, Clive Barker, and David Cronenberg into a blender on puree mode. Then throw the mix against the wall, wipe it up with a sponge, and squeeze it onto fresh celluloid.
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Goda (Shinya Tsukamoto), a mild-tempered Tokyo ad executive, has lost his love. While he was busy building his career, she was busy building a double life in the dark underbelly of the urban gangland of drugs, violence, and prostitution. And as Goda's career was on the rise, his girlfriend's life slipped beyond his grasp. Confused and alone, the ad exec drops out of his comfortable world on an obsessive search for the same fate.
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Tetsuo begins with a metal fetishist (director Tsukamoto) cutting open his thigh and inserting a cable into the gaping wound. The fetishist is then promptly run over by an office worker (Tomorowo Taguchi) heading home for the day. The next morning, the office finds several metal whiskers growing from his cheek. Soon his entire body is wrapped in a metal flesh and it draws him towards an apocalyptic showdown with the metal fetishist, who is now, like the office worker, a giant ambulatory pile of rusted metal.
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It starts with a demure Japanese woman who receives a letter in the mail, inscribed "Secrets of your husband." Inside are photographs of her in a tart outfit and -- gasp -- wearing makeup. Hubby wouldn't approved, so when the blackmailer calls on her cell phone, ordering her to go buy a vibrator and lock herself in a bathroom stall with it, she obliges.
Continue reading: A Snake Of June Review
The singer introduced "the next generation" in Iceland.
Jack Antonoff hears a ''female voice'' in his head when he writes music.
The show will be seen by everybody at the same time.