From the 90-minute Abercrombie and Fitch ad that was 2003's Texas Chainsaw Massacre to the abysmal The Hills Have Eyes in 2006, classic horror films have been turned into exploitive, empty filler for the benefit of the box office. Zombie, on the other hand, explores the mythology of the original Halloween by psychologically deconstructing Michael Myers, instead of exploiting the original idea of "The Shape" -- the personified evil of the original. Zombie's film opens with the Myers family; of course, this is a Zombie film, so they are a white trash, long haired clan whose cursing would put sailors to shame. In this Halloween outing, we see Myers' transformation into the infamous serial killer.
Continue reading: Halloween (2007) Review
The Devil's Rejects diverges from its predecessor beginning with its opening frames, in which the depiction of the Firefly residence - no longer a remote, forest-shrouded funhouse of horrors but, rather, a dilapidated structure situated in a stretch of open land - speaks to the film's rejection of atmospheric claustrophobia in favor of wide-open anarchy. A fascination with rampant disorder certainly fuels the tour de force intro sequence, a bullet-strewn siege on the Firefly home by Sheriff Wydell (Forsythe) and an army of police officers heightened by Zombie's sly use of freeze frames, Sergio Leone-esque close-ups, and The Allman Brothers' "Midnight Rider." Exhibiting a directorial maturity devoid of his former MTV-ish gimmickry (no hyper-edited montages with varying film stocks or bludgeoning industrial heavy metal here), the director orchestrates the chaotic events with feverish abandon, his shaky handheld camera set-ups and scraggly, sun-bleached cinematography (courtesy of Phil Parmet) placing us directly inside the carnage. By the time murderous siblings Otis (Bill Moseley) and Baby (Sheri Moon) escape their now overrun home to seek shelter in the rotting, blindingly white desert, Zombie has demonstrated a newfound adeptness at lacing nasty action with a breakneck thrust and vicious wit.
Continue reading: The Devil's Rejects Review
The film is almost half an hour longer than 'The Force Awakens'.
The film is expected to continue without Mendes' involvement.