Shelagh Fraser

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Star Wars: A New Hope Trailer


The galaxy is in turmoil. A Rebel Alliance is rising up against the villainous Galactic Empire but they are still marginalised and easily defeated. The Empire has a secret weapon, something that will ensure their continued hold on the galaxy: The Death Star. The giant space station has the ability to destroy an entire planet, although the Rebel Alliance have successfully stolen the secret plans for it. When Princess Leia Organa of Alderan (Carry Fisher) is captured on her way to deliver the plans to the Alliance, she is forced to send them inside a droid to the closest planet - Tatooine. There, a young moisture farmer, Luke Skywalker (Mark Hamill), who dreams of something greater for himself, is about to embark on the adventure of a lifetime, and save the galaxy along the way.

Continue: Star Wars: A New Hope Trailer

Star Wars: Episode IV - A New Hope Review


Extraordinary
When the first Star Wars films came along, they filled a collective need. Movies had gotten too serious -- too much realism, not enough escapism. It was a time when audiences wanted to escape from the headlines -- as we still do -- and return to moral, and cinematic, simplicity. George Lucas delivered the goods.

Watching the first two installments in the series again (Star Wars and The Empire Strikes Back, also the two best films in the series), the most noticeable thing about them is all the ideas that went into them. Lightsaber duels, the Force, model spaceships, Darth Vader's heavy breathing, droids that deliver annoying repartee, aliens that look like Sasquatch and giant frogs, and wisecracking antiheroes like Harrison Ford's Han Solo -- all these things have entered our cultural consciousness. But the makers of the original Star Wars had to think up all these things (or borrow them from non-sci-fi genres).

Continue reading: Star Wars: Episode IV - A New Hope Review

Star Wars: Episode IV - A New Hope Review


Extraordinary
When the first Star Wars films came along, they filled a collective need. Movies had gotten too serious -- too much realism, not enough escapism. It was a time when audiences wanted to escape from the headlines -- as we still do -- and return to moral, and cinematic, simplicity. George Lucas delivered the goods.

Watching the first two installments in the series again (Star Wars and The Empire Strikes Back, also the two best films in the series), the most noticeable thing about them is all the ideas that went into them. Lightsaber duels, the Force, model spaceships, Darth Vader's heavy breathing, droids that deliver annoying repartee, aliens that look like Sasquatch and giant frogs, and wisecracking antiheroes like Harrison Ford's Han Solo -- all these things have entered our cultural consciousness. But the makers of the original Star Wars had to think up all these things (or borrow them from non-sci-fi genres).

Continue reading: Star Wars: Episode IV - A New Hope Review

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Star Wars: A New Hope Trailer

Star Wars: A New Hope Trailer

The galaxy is in turmoil. A Rebel Alliance is rising up against the villainous Galactic...

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