Actress Molly Gordon, actor Jake Weary, actor Scott Speedman, actress Ellen Barkin, actor Shawn Hatosy, actress Daniella Alonso, actor Finn Cole , actor Ben Robson - Premiere of TNT's 'Animal Kingdom' at The Rose Room - Arrivals - Los Angeles, California, United States - Wednesday 8th June 2016
Detective Terence McDonagh (Cage) has been promoted to lieutenant in the wake of his heroic actions during Hurricane Katrina. Even though he's a coke-snorting, evidence-tampering, gambling-addict rapist with a hooker (Mendes) for a girlfriend. Now he's investigating the grisly murder of a family. He knows that local gangster Big Fate (Joiner) is to blame, but he has no proof beyond a nervous 15-year-old witness (Whitaker). As his entire world squeezes in on him, he merely turns to more drugs, violence and sex to worm his way out.
Continue reading: The Bad Lieutenant - Port Of Call: New Orleans Review
Terrence McDonagh is a cop who's not really known for his courageous acts but when he sees a man drowning in a cell, he jumps to save him. His act of bravery might have won him a promotion to lieutenant but it's also left him with a bad back injury.
As his back becomes more of a problem McDonagh develops a serious drug problem, turning to any dark alley to find relief. Bribery and stealing drugs put into evidence become part of the norm for him, the most stability in his life comes from a relationship he has with a prostitute called Frankie but when he finds her beaten by a client, he takes matters into his own hands. Working in a drug induced state becomes more of an issue for McDonagh. Whilst trying to solve the murders of six Senegal immigrants it appears his personal life and current case will cross paths.
Directed by: Werner Herzog
Starring: Nicolas Cage, Eva Mendes, Val Kilmer, Xzibit, Brad Dourif, Fairuza Balk, Shawn Hatosy, Jennifer Coolidge, Tom Bower, Vondie Curtis-Hall, Denzel Whitaker, Michael Shannon
But so many filmed biographies cram from childhood to old age, resulting in filmed Cliff Notes, or a mini-series at twice the speed and half the scenes. That Factory Girl doesn't have to cover an Edie Sedgwick comeback -- that she dies young and off-camera -- is a perverse relief. George Hickenlooper's brief, sometimes impressionistic film is most illuminating when showing both the allure and the casualties of Warhol's free but detached Factory scene.
Continue reading: Factory Girl Review
The pugilistic script is based on one of those fascinatingly ugly crime stories that come rocketing out of Southern California every now and again, to much clucking of tongues over wayward and rudderless youth. Following the sad state of events that leads a drug dealer to kidnap the younger brother of a client who owes him money, as a means of extracting said payment, the film traces how the kidnapped teenager (a momma's boy who yearns for rebellion) develops a horribly overwrought case of Stockholm Syndrome, earnestly believing he's just having a good time with the dealer's hard-partying friends. In fact, while the kids party like it's 1999 (the year the kidnapping actually took place), imbibing copious amounts of drugs and alcohol, the dealer, Johnny (Emile Hirsch, like an evil version of Turtle from Entourage) is panicking, having realized what he's gotten himself into.
Continue reading: Alpha Dog Review
Easily the biggest problem with this movie is in the marketing. I can only imagine how pissed off Williamson, Rodriguez, and everyone else involved in the movie must have been to see the film marketed as just another schlocky entry into the horror genre, which generally takes the words aliens; teenagers; battle; suspicious; killer; small town; etc. and jumble them up to come up with a concept (to wit, this time: suspicious small town teenagers battle killer aliens). Now if you are already a big 80s horror fan, just skip this review, because you already saw the movie, but this review is for people who are highly suspicious of shelling out eight bucks to see a horror flick. The only reason I actually saw The Faculty was because my little sister begged me to. But now I'm trying to convince you to.
Continue reading: The Faculty Review
Thanks to his heavy involvement in IRA-related activities, the film opens with Brendan (Shawn Hatosy, Anywhere But Here, John Q) in jail in East Anglia, England. Among the prison-camp personalities that the overwhelmed Brendan encounters are a thieving gay sailor named Millwall (Danny Dyer), whom he eventually. He also finds a love interest in the lovely and supportive Liz (Eva Birthistle), who happens to be the daughter of the facility's presiding Governor (Michael York). Consequently, Brendan begins to shape his outlook on life, challenging what was once a rigid belief system entrenched in his conservative shell.
Continue reading: Borstal Boy Review
"Down To You" is like being cornered at a party by some sad, drunk guy whose girlfriend has just dumped him.
The expressionless Freddie Prinze, Jr. ("Wing Commander") is the guy, a recent college grad who talks to the camera incessantly and without zeal about Julia Stiles ("10 Things I Hate About You"), the dream-girl co-ed that broke his heart. He tells the whole story of their prefabricated, paper doll romance in trite and exasperating detail -- not a moment of which even hints at originality -- and all the while you sit in the audience, dying to change the subject.
This is Miramax's second annual dim-bulb teen romance to be dumped in the cinematic bone yard of late January. The pathetic "She's All That" -- a "Pygmalion" redo (also starring Prinze) that preached the keys to happiness as lip gloss and popular boyfriends -- also came from the formerly highfalutin art house, which didn't even screen this movie for the press (officially, the print was lost). A fact that indicates the studio realizes how low it has sunk.
Continue reading: Down To You Review
Jason Lee is usually the funniest guy in any Kevin Smith movie (Banky in "Chasing Amy," Azrael in "Dogma"). Julia Stiles has had fine comedic timing ever since her big splash in "10 Things I Hate About You." But they couldn't be more mismatched as romantic leads in "A Guy Thing."
A cold-feet comedy of accumulative misunderstandings about a groom-to-be who wakes up with a blonde in his bed the morning after his bachelor party -- and assumes the worst -- the movie spends most of its time mining very familiar territory. Lee hides the girl's forgotten panties, discovers she's his fiancée's cousin, and has generic nightmare run-ins with his future in-law and Stiles' ex-boyfriend.
Most of its jokes come from the compounding lies that make it hard to sympathize with the hero, and the moment you meet each one-trait character, you can see his or her entire story arc mapped out in front of you. Example: Stifled Lee, who's going to veer from his buttoned-up, conservative bride-to-be (Selma Blair) and fall in love with wild-child Stiles, has a buttoned-up, conservative brother (Thomas Lennon) who is secretly in love with Blair. Hmmm...I can't imagine where that's going.
Continue reading: A Guy Thing Review
Adapted from Sam Shepard's play about betrayal, blackmail, and a horse racing scam that haunts its conspirators for 20 years, "Simpatico" gets by for a while on a cast full of tense, brutal, benumbed performances.
Nick Nolte stars as Vinnie, a haunted, hard-drinking and fraudulent private eye who has lived a near-destitute existence in Los Angeles for two decades on hush money extorted from a former friend named Carter (Jeff Bridges), his partner in a pony-fixing during their younger days.
As the film opens, Vinnie sets in motion a chain of events designed to see him trade places with Carter, now a rich Kentucky breeder. He plans not only on usurping the wealth his ex-buddy has amassed since their friendship disintegrated, but also on recapturing the cold heart of Rosie (Sharon Stone), the girl that came between them.
Continue reading: Simpatico Review
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