Shawn Hatosy

Shawn Hatosy

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Opening night of 'Wicked' - Arrivals

Shawn Hatosy - Shots from the Opening night of 'Wicked' as stars arrived at the even which was held at the Pantages Theatre in Los Angeles, California, United States - Thursday 11th December 2014

Shawn Hatosy

CBS Television Studios SUMMER SOIREE

Shawn Hatosy - CBS Television Studios 'SUMMER SOIREE' at The London Hotel in West Hollywood - Arrivals - Los Angeles, California, United States - Monday 19th May 2014

Shawn Hatosy
Shawn Hatosy

72nd Annual Peabody Awards

Shawn Hatosy, Regina King, Ben McKenzie and C. Thomas Howell - 72nd Annual Peabody Awards hosted by Scott Pelley at Waldorf-Astoria - New York City, NY, United States - Monday 20th May 2013

Picture - Shawn Hatosy , Thursday 12th April 2012

Shawn Hatosy and Paley Center for Media Thursday 12th April 2012 Warner Brothers presents 'Television: Out of the Box' at The Paley Center for Media

The Bad Lieutenant - Port of Call: New Orleans Review

A loose remake of Abel Ferrara's 1992 immorality tale, this film becomes bizarrely comical as it gets increasingly depraved. But Herzog's deliberately bonkers approach, matched by Cage's hammy performance, is strangely entertaining.

Detective Terence McDonagh (Cage) has been promoted to lieutenant in the wake of his heroic actions during Hurricane Katrina. Even though he's a coke-snorting, evidence-tampering, gambling-addict rapist with a hooker (Mendes) for a girlfriend. Now he's investigating the grisly murder of a family. He knows that local gangster Big Fate (Joiner) is to blame, but he has no proof beyond a nervous 15-year-old witness (Whitaker). As his entire world squeezes in on him, he merely turns to more drugs, violence and sex to worm his way out.

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Picture - Shawn Hatosy Los Angeles, California, Tuesday 23rd June 2009

Shawn Hatosy and Los Angeles Film Festival Tuesday 23rd June 2009 2009 Los Angeles Film Festival - 'Public Enemies' Premiere held at Mann Village Theatre - Arrivals Los Angeles, California

Shawn Hatosy and Los Angeles Film Festival

Nobel Son Review

Plot is a funny thing. Not enough, and audiences will nod off. Too much, however, and you run the risk of confusing the viewer. For the most part, overly complicated films are viewed as arrogant by the majority of the mainstream. They tend to play like convoluted explanations for ideas that are basic, or simply clichéd. After showing us how Napa Valley won the war of the grape in this summer's Bottle Shock, Randall Miller is seeing his 2007 satiric thriller Nobel Son get a "better late then never" awards season push. Yet it's hard to see who will enjoy this catawampus creation. More often than not, Miller appears to be playing to the audience in his head, not the jaded Joe Six-Packs in the actual theater seats.

On the day he leaves for Sweden to pick up his Nobel Prize in chemistry, Dr. Eli Michaelson (Alan Rickman) finds out that his PhD-candidate son Barkley (Bryan Greenberg) has been kidnapped. While his FBI forensics psychologist wife Sarah (Mary Steenburgen) worries, a $2 million ransom is demanded. With the help of Detective Max Mariner (Bill Pullman), and neurotic neighbor Mr. Gastner (Danny Devito), they hope to find the boy alive. What they don't know is that Barkley has befriended his captor, a man named Thaddeus James (Shawn Hatosy) who has a DNA-sized bone to pick with the good doctor. Armed with proof that Michaelson doesn't deserve science's highest honor, the duo will create an elaborate plot to get the cash, clear up the crime, and go their separate ways. So imagine Barkley's surprise when Thaddeus ends up at his front door, with former, improbably-named fling City Hall (Eliza Dushku) on his arm.

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Factory Girl Review

At the outset, Factory Girl looks like thin material for a biopic: It covers the life of Edie Sedgwick, a college dropout propelled to "it" girl status by Andy Warhol in the sixties, only to lose herself, as "it" people often do, to drugs and fresher faces. The movie starts with her leaving college, ends well before her death at age 28, and (intentionally or not) presents a convincing case that she didn't do much with the years in between.

But so many filmed biographies cram from childhood to old age, resulting in filmed Cliff Notes, or a mini-series at twice the speed and half the scenes. That Factory Girl doesn't have to cover an Edie Sedgwick comeback -- that she dies young and off-camera -- is a perverse relief. George Hickenlooper's brief, sometimes impressionistic film is most illuminating when showing both the allure and the casualties of Warhol's free but detached Factory scene.

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Alpha Dog Review

Nick Cassavetes' Alpha Dog is an infuriating misfire that would have been much more easily overlooked had it managed to stay true to one vision or the other; instead, Cassavetes (who also wrote the screenplay) keeps one foot in the teen-exploitation camp and another in the hardboiled true crime camp, never quite making up his mind which way to go. For every moment that plays real there are at least two that absolutely do not, producing a wildly schizophrenic film that has many chances at greatness and misses nearly all of them.

The pugilistic script is based on one of those fascinatingly ugly crime stories that come rocketing out of Southern California every now and again, to much clucking of tongues over wayward and rudderless youth. Following the sad state of events that leads a drug dealer to kidnap the younger brother of a client who owes him money, as a means of extracting said payment, the film traces how the kidnapped teenager (a momma's boy who yearns for rebellion) develops a horribly overwrought case of Stockholm Syndrome, earnestly believing he's just having a good time with the dealer's hard-partying friends. In fact, while the kids party like it's 1999 (the year the kidnapping actually took place), imbibing copious amounts of drugs and alcohol, the dealer, Johnny (Emile Hirsch, like an evil version of Turtle from Entourage) is panicking, having realized what he's gotten himself into.

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11:14 Review

Car crashes seem to be ripe material for screenwriters looking for a hook to hang their movies on. From Intersection to Crash to Crash (the other one), this seems to be a well-travelled genre. 11:14 adds another notch in that post, a Rashomon-like story of a half-dozen characters who all intersect on one quiet road at 11:14 PM, which results in the loss of at least one life, one male member, a lot of cash, and endless property damage. The immediate before and after of the event contain even more chaos, including a gunshot wound for Hilary Swank.. The film tells each story in sequence, each time adding a little more context to this bizarre series of events, and each time causing us to care a little bit less about what exactly happened. It's not terrible filmmaking, but the plot's "cleverness" will hardly knock your boots off.

Little Athens Review

Ensemble comedies featuring interlocking stories seem to be all the rage these days, but boy does it take serious talent to pull off the intricate plotting and careful structure of one of these films. Tom Zuber (whose prior film, Lansdown, was nothing special either) either doesn't have the talent or the patience for such a story. Instead, he turns in a tired retread of umpteen "slackers do drugs, party, have sex, and get in trouble" movies which have grown so popular and so tiresome in the indie filmmaking scene.

Little Athens is no Pulp Fiction. We've got a small-time drug dealing kid (John Patrick Amedori) who steals a stash from his own dealer's dead cousin, a pair of EMTs (Erica Leerhsen and Rachel Miner) each dealing with issues of love and lust, and two slack-jawed losers (DJ Qualls and Jorge Garcia) who have just been evicted.

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Dallas 362 Review

Scott Caan wrote and directed this film about, um, himself and his erstwhile brother Rusty (Shawn Hatosy), two lovable toughs/borderline losers determined to make something good of their lives. That is, if they can stop fighting in bars and working for the local bookie as enforcer muscle. The meandering film is well meaning but derivative of many twentysomething-ennui indies, though it's bolstered by a fun performance by Jeff Goldblum as a stoner shrink and Kelly Lynch as the boys' mom, caught topless (and in bed with Goldblum) in just about every other scene she's in.

Simpatico Review

I love a good thriller. And no one makes good thrillers any more. Enter Simpatico, with a cast boasting both Nick Nolte and Jeff Bridges, not to mention Albert Finney and Sharon Stone -- all set among the intrigue of a scandal involving horse racing, blackmail, and steamy sex. How could this miss?

By being as straightforward as, well, a horse race. It's just a big loop from start to finish. No real surprises along the way, just jockeying for position. Simpatico finishes right where it started, with a time of 106 minutes.

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Tangled Review

Hey, it's the first lame direct-to-DVD movie of 2003!

Tangled purports to describe the complicated love triangle among three college kids: She's All That hottie Rachael Leigh Cook, mysterious Jonathan Rhys-Meyers, and slack-jawed yokel Shawn Hatosy (Outside Providence). Tough choices all around, for sure.

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Down To You Review

Down to You was a case of adding insult to injury.

The injury was having to see this film at all. I would rather suffer whiplash in a VW bug than sit through this film again. The insult was that all through this film, I had to listen to three annoying teens who threw popcorn (which often landed on me).

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Shawn Hatosy

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