While Kevin Reynolds' (Waterworld) recent adaptation was warmly received by both audiences and critics (myself included), his was a truncated version. It made up for graceless transitions with gorgeously shot action sequences and American melodrama. Reynolds focused on the story's conflict but lost all the subtlety of the inner narrative, the character growth, and the true turning of the worm. While not as breathtakingly visual, Josée Dayan's earlier television production is superior to Reynolds' film because it assumes that the audience is familiar not just with the story but the novel.
Continue reading: The Count Of Monte Cristo (1998) Review
Au contraire. Intervista is little more than a celebration of Fellini's love affair with himself.
Continue reading: Intervista Review
Now that the film is out, it finally can speak for itself. And as it turns out, some of the arguments are valid. Passion, which arduously depicts the final hours of Jesus Christ, contains brutal scenes of torture that linger for an eternity. And Gibson does limit his narrative to Jesus' conviction and crucifixion, with occasional fleeting reminders of significant events such as the last supper or the Sermon on the Mount.
Continue reading: The Passion Of The Christ Review
The Stooges frontman Iggy Pop awarded France's 'highest honor'.
Guns N' Roses have grossed $230m from their 'Not In This Lifetime' tour so far.
Jason Drucker is Greg Heffley in the upcoming movie based on the novel of the same name.
Ford attributes his career success to films that pass 'from generation to generation'.
Kurt Russell and Goldie Hawn got walked in on by police on their first night together.