While Kevin Reynolds' (Waterworld) recent adaptation was warmly received by both audiences and critics (myself included), his was a truncated version. It made up for graceless transitions with gorgeously shot action sequences and American melodrama. Reynolds focused on the story's conflict but lost all the subtlety of the inner narrative, the character growth, and the true turning of the worm. While not as breathtakingly visual, Josée Dayan's earlier television production is superior to Reynolds' film because it assumes that the audience is familiar not just with the story but the novel.
Continue reading: The Count Of Monte Cristo (1998) Review
Au contraire. Intervista is little more than a celebration of Fellini's love affair with himself.
Continue reading: Intervista Review
Now that the film is out, it finally can speak for itself. And as it turns out, some of the arguments are valid. Passion, which arduously depicts the final hours of Jesus Christ, contains brutal scenes of torture that linger for an eternity. And Gibson does limit his narrative to Jesus' conviction and crucifixion, with occasional fleeting reminders of significant events such as the last supper or the Sermon on the Mount.
Continue reading: The Passion Of The Christ Review
She's swapped the studio for a film set with new Netflix series.
Ed Sheeran performed a spectacular set on the Pyramid Stage on Sunday.
Viral video ties in 'GoT' soundbites to the lyrics of Gloria Gaynor classic.
Here are a few of the best moments over the Glastonbury weekend.
The wrestling series hit the streaming service earlier this week.
The Marvel Studios head was blunt in his answer.