Sean Hayes pictured at the 24th Annual Screen Actors Guild (SAGs) Awards 2018 held at The Shrine Auditorium in Los Angeles. This year's big winners included 'Three Billboards Outside Ebbing, Missouri', 'Veep' and 'Big Little Lies' - Los Angeles, California, United States - Sunday 21st January 2018
There's no reason why this animated comedy adventure needed to be this pointless. Solidly entertaining movies have been made using far less as source material (see The Lego Movie). But while there are some hilarious verbal and visual gags peppered throughout this movie, it all hinges on a script that's painfully obvious and animation that simply isn't inventive enough to hold the attention without a decent story and stronger characters.
It's set in Textopolis, an app inside the smartphone of the teen Alex (Jake T. Austin). The central character is Gene (T.J. Miller), who has far too many expressions for a meh emoji. His parents (Jennifer Coolidge and Steven Wright) worry that he has some sort of defect. Threatened by the cruel senior emoji Smiler (Maya Rudolph), Gene and his pal Hi-5 (James Cordon) sneak out of the app in search of the hacker Jailbreak (Anna Faris), who can help reprogramme him if they can make it to the cloud. But Smiler sends a team of killer bots in hot pursuit.
Yes, the plot is cursory at best, and essentially exists only so the film can namecheck carefully placed apps in a series of sponsored, rather pointless extended set pieces. This leaves the movie feeling like a low-rent variation on Wreck-It Ralph, although only a few of these sequences have any visual interest. The Candy Crush world is at least a colourful alternative to the dull digital look of most of most of the movie. And the lack of imagination shows in the depiction of music streaming as a stream and a firewall as a wall of fire. There's also a strange rush to violence in almost every sequence, as the bots continually try to delete our heroes.
Continue reading: The Emoji Movie Review
Sean Hayes, Debra Messing, Megan Mullally and Eric Mccormack at the 'Will & Grace' Start Of Production Kick Off Event And Ribbon Cutting Ceremony held at Universal City Plaza - California, United States - Wednesday 2nd August 2017
'Will & Grace' is returning for a ninth season later in 2017, it has been officially confirmed.
The rumours are true – the new series of ‘Will & Grace’ is officially on! NBC announced this week, after several weeks of speculation, that the comedy favourite is being revived for a special run on the network later this year.
The brand new series – the first since it went off air back in 2006 after eight seasons – will premiere during the 2017-2018 broadcast season. Its original stars Debra Messing, Eric Mccormack, Megan Mullally and Sean Hayes are all set to return, and it’s a similar story behind the scenes.
James Burrows, who directed every episode of ‘Will & Grace’s original run, is returning in the same capacity, with co-creators David Kohan and Max Mutchnick also participating.
Continue reading: It's On! 'Will & Grace' Comeback Given The Green Light By NBC
The sitcom was four shows into its second season run.
CBS sitcom 'The Millers' has become the first returning show to be axed this season. The plug was pulled on the series on Friday, just four episodes into its second season run which had been airing on Monday nights.
The Millers' star Will Arnett
The comedy starred Will Arnett as a divorced local television news reporter struggling to get along with his eccentric parents played by Margo Martindale and Beau Bridges. This season the cast had also been joined by former ‘Will and Grace’ star Sean Hayes in an attempt to boost ratings.
Continue reading: CBS Cancels Will Arnett Comedy 'The Millers'
Could you be the next big thing in comedy writing?
NBC are on the hunt for a new generation of "untapped talent" and have put out a call for "fresh comedic voices" who will be given the chance to pitch their best sitcom ideas to both the channel's top dogs and comedy royalty in a new national campaign. From the 1st May this year, aspiring comedy writers will be asked to submit their ideas to be considered for both digital and network comedy shows.
'Parks And Recreation' Star Aziz Ansari Could Be Judging Your Work!
"Entrants may submit up to two video samples (5-10 minutes each) of their pre-existing work, along with up to two video pitches (2-5 minutes per pitch), each describing a unique, original show idea," according to NBC Comedy Playground.
Continue reading: Sitting On A Cracking Sitcom Idea? NBC Want To Meet You!
Pixar revisits the characters from 2001's Monsters, Inc. for a frat-house prequel. Which is kind of an odd setting for a kids' movie. The comedy is more focussed on action sequences than characters this time, so it's not nearly as satisfying. But it's still a lot of fun, thanks to a constant barrage of sharp verbal and visual gags.
When he was just a child, Mike (Crystal) dreamed about becoming a scarer, capturing the screams of human children to provide power to Monstropolis. So he's thrilled when he enters Monsters University, and takes his studies very seriously. By contrast, his roommate Randy (Buscemi) is more interested in partying, while classmate Sulley (Goodman) is lazily coasting on the legacy of his famed scarer dad. Then Mike and Sulley end up on the wrong side of Dean Hardscrabble (Mirren), who gives them one chance to stay in school: they have to win the Scare Games. But the only frat-house that needs them is made up of unscary misfits: nice-guy Dan (Murray), two-headed dimwit Terry/Terri (Hayes/Foley), naive five-eyed Squishy (Sohn) and furry philosopher Art (Day).
We never really doubt where this is going, but the filmmakers have a lot of fun along the way, and the story does take some surprising twists. Essentially, it's the same premise as Glee, with nerdy outcasts banding together to draw on their personal talents and show the cool kids that they're not losers. The script never really develops any of the side characters beyond one key personality trait, but the relationship between Mike and Sulley has a real kick of emotional resonance, superbly well-voiced by Crystal and Goodman. And the bromance between these two is even more enjoyable than all the colourful mayhem and snappy joking around.
Continue reading: Monsters University Review
Audiences out for a bit of mindless fun will probably enjoy this raucous road movie, but only if they can look past comedy that relies on jokes about racism, sexism and homophobia. And if the characters are all paper-thin, at least the film is loose and enjoyably silly.
It centres on Charlie (Shepard), who lives in rural California with his girlfriend Annie (Bell). But when she's offered a job in Los Angeles, Charlie has to face up to his criminal past. He's currently in witness protection, and returning to L.A. is very dangerous. Still, he decides to take Annie to her job interview, while his protective agent (Arnold) follows close behind. But trouble is brewing because Annie's still-smitten ex (Rosenbaum) is also in hot pursuit, and when he figures out Charlie's secret, he gets in touch with the gang boss, Alex (Cooper), who wants him dead.
While the film looks whizzy and is packed with banter that sounds offensive, everything is pretty half-hearted. The dialog continually touches on sexuality and ethnicity in ways that are more lazy than inappropriate, and the discussions of serious issues like gender roles have no depth at all. This is a movie essentially made up of nothing but stereotypes. Bell and Cooper just about manage to give their characters personalities, but everyone else has essentially one note. Most of the men are mere chucklehead idiots, while the women are male fantasies.
Continue reading: Hit & Run Review
The story starts as we watch Larry, Moe and Curly (Hayes, Diamantopoulos and Sasso) growing up in an orphanage, watched over by Mother Superior (Lynch) and several rather frazzled nuns (including Oscar-winner Jennifer Hudson and Curb Your Enthusiasm's Larry David). But when the orphanage is threatened with closure, the clueless trio heads out to raise the cash needed to save it. They immediately run into the shamelessly wealthy Lydia (Vergara), who hires them to bump off her husband so she can run off with his business partner (Bierko). But of course everything goes crazily wrong.
Continue reading: The Three Stooges Review
The Three Stooges is a comic caper, following the lives of three men who were left on the doorstep of an orphanage when they were babies. This updated version of the 1930s vaudeville act of the same name sees the familiar characters of Larry, Moe and Curly try to save their childhood orphanage from closure. In the process, they become embroiled in a bizarre murder plot, as well as finding themselves somehow starring in a phenomenally successful reality TV show.
Continue: The Three Stooges Trailer
During their heyday in the late '60s/early '70s, Marcus Hooks (John Legend) and the Real Deal -- Floyd Henderson (Bernie Mac) and Louis Hinds (Samuel L. Jackson) -- were R&B icons. But as with most legendary acts, acrimony led to a split-up and solo work. Hooks was a smash. The Real Deal had one hit, and then faded into obscurity. When death takes the famed frontman away from the world, VH1 decides to hold a tribute concert, and the Deal's former manager (Sean Hayes) is selected to secure their participation. Unfortunately, Henderson is living in an upscale retirement community, while Hinds is trying to put his life back together after a stint in prison. Refusing the offer at first, they finally embark on a five-day cross-country road trip. Playing pick-up dates along the way, they hope to make it to New York's Apollo before the final curtain falls.
Continue reading: Soul Men Review
Cats & Dogs is ridiculous and harmless, a Mission: Impossible for the animal world. For years, a secret high-tech espionage war has been waged between the feline and canine races, right under the noses of ignorant humans. The spark of this high-tech war came about as the result of the dog race overthrowing the then-dominating cat race during ancient Egyptian times (they even ruled the human race). Man's best friend re-established the humans as the dominant race and has protected that balance for years. And a breakthrough for dogs is approaching, as one human, Professor Brody (Jeff Goldblum), is on the verge of discovering an allergy vaccine which will enable all humans and dogs to co-exist in peace. The only problem is that the diabolic Mr. Tinkle (voiced by Sean Hayes), a furry white Persian with the attitude of Richard Grant's character from Hudson Hawk, and his small army of pesky felines have "cat-knapped" the family dog Buddy, who has been guarding the Professor and his family from the tuna-breathed fiends. The bodyguard job then falls on the shoulders of a Beagle pup named Lou (voiced by Toby Maguire) -- who is mistaken as a secret agent dog by an Anatolian Shepard named Butch (voiced by Alec Baldwin).
Continue reading: Cats & Dogs Review
There's no reason why this animated comedy adventure needed to be this pointless. Solidly entertaining...
Pixar revisits the characters from 2001's Monsters, Inc. for a frat-house prequel. Which is kind...
Audiences out for a bit of mindless fun will probably enjoy this raucous road movie,...
The Farrelly brothers return to the vacuously silly style of Dumb and Dumber for this...
The Three Stooges is a comic caper, following the lives of three men who were...
Things have been ramped up considerably in the nine years since Cats & Dogs, and...
Igor is the Rodney Dangerfield of cinematic sidekicks. With rare exceptions (Marty Feldman's turn in...
Reviewing Pieces of April brings up a metaphysical question: What do you say about a...
Make a movie about a black cat, and you're just asking to be cursed with...