Sean Baker and Samantha Quan at the 33rd Annual Film Independent Spirit Awards held at Santa Monica Pier. This year's winner for Best Feature was 'Get Out', with Jordan Peele taking home Best Director. Timothée Chalamet and Frances McDormand won Best Male and Female Lead for 'Call Me by Your Name' and 'Three Billboards Outside Ebbing, Missouri' respectively - Santa Monica, California, United States - Saturday 3rd March 2018
Sean Baker pictured at The National Board of Review Awards held at Cipriani's 42nd Street. 'The Post' took home Best Film, with stars Tom Hanks and Meryl Streep landing Best Actor and Best Actress - New York, New York, United States - Wednesday 10th January 2018
Sean Baker , Samantha Quan - BAFTA Los Angeles Awards Season Tea at The Four Season Los Angeles - Arrivals at The Four Season Los Angeles at Beverly Hills - Los Angeles, California, United States - Saturday 9th January 2016
The fact that this film was shot entirely on an iPhone is forgotten before it reaches the end of the snappy opening conversation. These are some of the best movie characters in recent memory, and their interaction overflows with wit and attitude. The audience is immediately gripped, eager to see where they'll go and what they might do or say next.
It's set on the grimier end of Hollywood Boulevard on Christmas Eve, where Sin-Dee (Kitana Kiki Rodriguez) has just been released from a month in jail for prostitution. Her fellow tranny hooker pal Alexandra (Mya Taylor) meets her, reporting that Sin-Dee's pimp/boyfriend Chester (James Ransone) has started seeing a real woman. Sin-Dee is horrified, and sets out to find this "real fish" Dinah (Mickey O'Hagen) and give her a piece of her mind.
Meanwhile, Alexandra is preparing for her big night singing in a local bar, trying to drum up an audience. Along the way, she meets up with her regular client Razmik (Karren Karagulian), whose meddling mother-in-law (Alla Tumanian) is determined to prove to his wife (Luiza Nersisyan) that he's cheating on her.
Continue reading: Tangerine Review
Can the tale of two transgender prostitutes out to avenge a love betrayal capture your imagination?
Take two transgender prostitutes, one busy Christmas Eve and a tale of betrayal and you have the basic premise to Tangerine, an independent comedy-drama from director, Sean Baker.
Tangerine is a unique take on a life less shown by director, Sean Baker
Baker centres the action around several crime-riddled blocks of Tinseltown and on Sin-Dee (newcomer Kitana Kiki Rodriguez) who is back on the block after a 28-day stint in prison.
Continue reading: Tangerine Trailer Offers A Tasty Treat
Sean Baker - Shots of a host of stars as they attended Variety's Creative Impact Awards and 10 Directors to Watch brunch which was presented by Mercedes Benz and was held at Parker resort in Palm Springs, California, United States - Sunday 4th January 2015
Young British talents Joe Dempsie, Freya Mavor, Jamie Dornan and Alice Englert star in this period drama
‘New Worlds’ is Peter Flannery’s sequel to the excellent English Civil War drama 'The Devil’s Whore.' Set in the 1680s, the drama sees two young men and two young women – from different sides of the Atlantic - take on the powers that be in a fight against tyranny and for love.
New Worlds kicks off tonight (April 1) at 9pm on Channel 4
"It shows the beginning of the American dream," explains 19-year-old Alice Englert, one of the four young British talents starring in the Channel 4 drama. "What will be fascinating for UK audiences is looking at the beginning, how that dream was always going to be built on something quite… gross."
Continue reading: 'New Worlds' Kicks Off Tonight: What Should We Expect?
Ming Ding's (Charles Jang) day starts badly when he's rousted from his New York City hovel by a couple of loan shark enforcers who want to know where their $1,800 payment is. Ming has borrowed the money in order to clear the debt he owes to the smuggler who brought him to America, but at 30 percent, this loan is really hurting. Ming comes up with $1,000, but after a swift hammer blow to his back, the thugs tell him he has just one day to come up with the rest of the money. So after borrowing $500 from a friend, it's off to work he goes with $300 on his mind.
Continue reading: Take Out Review
The Fox sitcom had the advantage of an actual story, with Greg the Bunny playing the accidental star of a children's show populated by a sub-Sesame Street cast of puppets playing out a range of backstage clichés, from the washed-up B-film-actor (Blah, a cut-rate version of Henson's The Count who claims he was first) to the drunken slumming Shakespearean thespian (a small, fat, belligerent ape named Warren). Once it was canceled, Fox kept rights to most everything about it, so the only things which the creators were able to bring back to IFC were the names and voices of the main three characters (Blah, Greg, and Warren). Even the puppets themselves had to be left behind - one imagines their plastic eyes gathering dust in some Fox vault - the new ones are definitely mangier looking, in keeping with the new series' ultra lo-fi, ad-hoc aesthetic. The story line now, as put in the mock A-Team credits sequence, is that Greg & Co., looking for work after getting cancelled, are freelance parodists, willing and able to mock any "independent" film, anyhow, anywhere. The list of fourteen 15-minute parodies is less a roster of indie films than it is a roll-call of cineaste faves, everything from Annie Hall to 2001 to Easy Rider.
Continue reading: Greg The Bunny: Best Of The Film Parodies Review