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Days Of Our Lives 50th Annivsary Celebration - Arrivals

Robert Scott Wilson - Days of Our Lives 50th Annivsary Celebration held at the Hollywood Palladium - Arrivals at Hollywood Palladium - Los Angeles, California, United States - Sunday 8th November 2015

Scott Wilson

Wizard World Comic Con Chicago 2015 - Day 2

Scott Wilson - Wizard World Comic Con Chicago 2015 - Day 2 - Inside at Donald E. Stephens Convention Center, Comic Con - Rosemont, Illinois, United States - Friday 21st August 2015

Scott Wilson
Scott Wilson
Scott Wilson
Scott Wilson

Celebrities At Comic Con

Scott Wilson - Celebrities at Comic Con in San Diego - San Diego, California, United States - Thursday 9th July 2015

Scott Wilson
Scott Wilson
Scott Wilson
Scott Wilson
Scott Wilson
Scott Wilson

The 42nd Daytime Emmy Awards

Robert Scott Wilson - The 42nd Daytime Emmy Awards held at Warner Brothers Studios in Burbank - Arrivals at Warner Brothers Studio Lot, Daytime Emmy Awards, Emmy Awards - Burbank, California, United States - Sunday 26th April 2015

Scott Wilson
Scott Wilson

EXCLUSIVE Scott Wilson Arrives At A Movie Theatre In Hollywood

Scott Wilson - EXCLUSIVE Scott Wilson arrives at a movie theatre in Hollywood - Hollywood, California, United States - Saturday 7th March 2015

Scott Wilson
Scott Wilson
Scott Wilson
Scott Wilson

Does Anyone Else Think 'The Walking Dead' Is A Bit Rubbish Now?


Andrew Lincoln Danai Gurira Scott Wilson The Walking Dead

AMC’s ratings behemoth The Walking Dead returned to American TV screens on Sunday night (Feb 9th) and last night on FOX for British viewers. We re-join zombie dystopia after the devastating battle that left the prison decimated, our beloved survivors scattered, and a few key characters dead or missing.

Carl The Walking DeadLet's just kill Carl off and be done with it

The mid-season premiere focused on Rick Grimes and his son Carl as they scavenge for supplies in a dilapidated town, which, surprisingly – considering it’s walking distance from the prison - is full of nourishing goodies like a 112-ounce can of chocolate pudding. This is as good a time as any for me to list the reasons why The Walking Dead isn’t very good any more:

Continue reading: Does Anyone Else Think 'The Walking Dead' Is A Bit Rubbish Now?

Saving Grace B Jones Trailer


After being confined to a mental asylum for 17 years, Grace B Jones gets released following years of abuse and torment at the hands of mental health nurses. She goes to live with her brother Landy Bretthorse, his wife Bea and two young girls in Boonville, Missouri despite Bea's concerns about her instability particularly around the children.  Although Grace seems a nice, friendly person and treats the girls kindly, she has regularly bouts of hysteria which first come about after a boat accident during the calamitous 1951 flood. Is there enough of Grace left to save? Or will the household conclude that sometimes a broken woman is beyond repair?

'Saving Grace B Jones' is based on a true story surrounding first time feature film director Connie Stevens' childhood in the fifties when she was sent away from her home in Brooklyn to Missouri to live with family friends after witnessing a brutal murder. She was to find, that summer, that that terrible crime was not the thing that would have the biggest effect on her the rest of her life. This shocking drama has been co-written by Jeffry Elison in his screenwriting debut and first premiered in 2009 at the Philadelphia Film Festival/Cinefest. It is now available to see in theaters everywhere now.

Director: Connie Stevens

Continue: Saving Grace B Jones Trailer

Come Early Morning Review


Excellent
For some reason, Come Early Morning was gone by early afternoon. I'm not sure why this indie gem was so utterly overlooked, but it's well worth a screening, especially for Ashley Judd fans who are often disappointed by the dreck in which she so often chooses to star. This movie is a wonderful bookend of sorts to Judd's first significant feature, the luminous Ruby in Paradise. In both films, Judd plays a not-quite-white-trash southern woman trying to carve out a place for herself in a tough world. In Ruby she was a 20-ish waif fleeing an abusive family in Tennessee. Here she's a 35-year-old construction contractor in Arkansas so damaged by her distant alcoholic father (Scott Wilson) that she's utterly incapable of having a meaningful relationship with a man.

Lucy Fowler's modus operandi is to get totally drunk down at a local roadhouse called the Forge and then hook up with whichever man strikes her fancy. The next (early) morning, she finds herself picking up her panties off a motel room floor, sneaking out before the guy wakes up, and racing home to rehydrate and treat her hangover before heading out in her pickup truck to a construction site. Her roommate Kim (Laura Prepon) looks on disapprovingly.

Continue reading: Come Early Morning Review

Behind The Mask: The Rise Of Leslie Vernon Review


OK
The mockumentary genre seems limitless these days. Why not give it a run at the serial killer world?

Truth be told, a serial killer mockumentary has been done before and with great effect in Man Bites Dog. Behind the Mask: The Rise of Leslie Vernon is a little more tongue-in-cheek than that modern classic, and it's a decently good time, too. As in Dog, here we have a camera crew following around murderer Leslie Vernon (Nathan Baesel). Only rather than in gritty reality, Leslie lives in a pseudo-real-pseudo-movie-world where Jason Voorhees and Freddy are actual people. We catch up with Leslie as he plans his comeback, having been vanquished long ago, which will occur in a spooky farmhouse full of co-eds and jocks, with macabre methods of impaling and otherwise dispatching his victims being planned.

Continue reading: Behind The Mask: The Rise Of Leslie Vernon Review

Monster (2003) Review


OK
Thank God that Monster, the fictionalized story of serial killer Aileen Wuornos, wasn't made back in the 1990s, when filmmakers just couldn't fetishize mass murder enough. Wuornos's story would have been "loosely adapted" so that they could have cast someone attractive in the role, there would have been a slick grunge soundtrack and plenty of hipster humor amidst the bloodletting. That's not to say that movies haven't stopped their love affair with the serial killer, but Monster shows that it is possible to make a gripping, yet still dispassionate and non-exploitative film on the subject.

Wuornos is famous not just for the fact that she killed seven men in Florida in 1989 and 1990, but for being pretty much the only female serial killer of note in recent American history. A troubled girl who had been on her own since she was 13 and had survived by prostitution, Wuornos claimed, up until her execution in 2002, that she had acted in self-defense each time. Writer/director Patty Jenkins's script manages to show how self-serving and untrue this story ultimately became while at the same time acknowledging how Wuornos's past and profession led to her killing spree. There's a wonderful moment in a dingy biker bar where a self-pitying Wuornos is consoled by her friend Thomas (Bruce Dern), a Vietnam veteran; they take turns volleying variations on "What choice did I have?" back and forth in an attempt to escape culpability for any of their actions.

Continue reading: Monster (2003) Review

Junebug Review


Good
Phil Morrison's Junebug is about a Chicago man returning home to North Carolina, where he introduces his new wife to his family. Curious, then, that the man occupies so little of the film. When the couple arrives in North Carolina, George (Alessandro Nivola) recedes into the background; he's absent from pivotal scenes where Madeleine (Embeth Davidtz) meets his parents (Scott Wilson and Celia Watson), his brother Johnny (Benjamin McKenzie), and Johnny's pregnant wife Ashley (Amy Adams) and spends time with them.

The choice to deny us time with George, which could be spent showing more of his relationship with his new wife, or dropping further clues as to why his brother resents him deeply, is all the more puzzling considering Morrison's (and screenwriter Angus MacLachlan's) eye for characters and detail. The Southern family is not altogether pleasant, but nor are they corn-fed caricatures; Madeleine, who is on the trip mostly to recruit a Southern outsider artist for her Chicago gallery, is well-meaning and only self-centered in the most human ways. Celia Watson masters the low-key hostility of a vaguely, perpetually annoyed mother; the family's varying degrees of wariness toward their new in-law feels right, though it's rarely articulated.

Continue reading: Junebug Review

In Cold Blood Review


OK
Severely overrated and terribly long, In Cold Blood is a celebrated film noir that is now mostly notable because it stars accused murderer Robert Blake as a real murderer. The story concerns two thugs (Blake and Scott Wilson), who rob a Kansas house where great riches are promised, only to find nothing in the safe. So they murder everyone there instead. Soon caught, they're tried and sentenced to death. Richard Brooks creates a wet and moody set piece, but it's slow, schizophrenic, and only occasionally effectual. Based on Truman Capote's celebated novel and actual events.

Clay Pigeons Review


Good
Lester, the uh, MO-lester... a character I'm not likely to ever forget. Vince Vaughn could make a career out of playing psychos and womanizers -- I wouldn't mind. Clay Pigeons is a glorious black comedy that shows off his prodigious wit and borderline insanity, with Phoenix playing the patsy for Vaughn's murders.

The Ninth Configuration Review


Good
Decidedly weird, The Ninth Configuration is a slow burn of a thriller that gives us Stacy Keach in a dead-on performance as a marine psychiatrist brought in to do his doctoring in a (what else) converted, remote castle in the Pacific Northwest. Namely, he interacts with NASA astronaut-gone-nuts Scott Wilson (equally good, if not better), until it starts to surface that Keach's character may not be altogether there himself. It's One Flew Over the Cuckoo's Nest by way of Jacob's Ladder. Written and directed by William Peter Blatty (The Exorcist). Very capable, though it flounders considerably in the final act. Still worth checking out, though.

Monster Review


OK
Thank God that Monster, the fictionalized story of serial killer Aileen Wuornos, wasn't made back in the 1990s, when filmmakers just couldn't fetishize mass murder enough. Wuornos's story would have been "loosely adapted" so that they could have cast someone attractive in the role, there would have been a slick grunge soundtrack and plenty of hipster humor amidst the bloodletting. That's not to say that movies haven't stopped their love affair with the serial killer, but Monster shows that it is possible to make a gripping, yet still dispassionate and non-exploitative film on the subject.

Wuornos is famous not just for the fact that she killed seven men in Florida in 1989 and 1990, but for being pretty much the only female serial killer of note in recent American history. A troubled girl who had been on her own since she was 13 and had survived by prostitution, Wuornos claimed, up until her execution in 2002, that she had acted in self-defense each time. Writer/director Patty Jenkins's script manages to show how self-serving and untrue this story ultimately became while at the same time acknowledging how Wuornos's past and profession led to her killing spree. There's a wonderful moment in a dingy biker bar where a self-pitying Wuornos is consoled by her friend Thomas (Bruce Dern), a Vietnam veteran; they take turns volleying variations on "What choice did I have?" back and forth in an attempt to escape culpability for any of their actions.

Continue reading: Monster Review

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