Plagued by writer's block, Eddie (Cooper) has become a scruffy loser, which prompts high-flying girlfriend Lindy (Cornish) to dump him. Then his drug-dealing ex-brother-in-law (Whitworth) offers him a clear pill called NZT that lets him access all of his brain. Suddenly, words flow freely and his mind races ahead, learning languages (the better for bedding beautiful women) and working the stock market. But his moneymaking schemes put him in league with both a nasty Russian loanshark (Howard) and a fat-cat businessman (De Niro), just as NZT's dark side-effects kick in.
Continue reading: Limitless Review
Gene Hackman and Mary Elizabeth Mastrantonio go head-to-head as an estranged father and daughter who face off in a high-stakes class action lawsuit. Hackman plays Jedediah Tucker Ward, whose quick wit and dedication to defending the little guy (sometimes to the little guy's peril) has made him a legendary hot-shot attorney. Mastrantonio plays his daughter Maggie, who has never had a good relationship with her father, but who did grow to share his passion for being a lawyer. The one major difference: Jedediah is a man on a mission to topple the world's evil, and Maggie works in defense of that evil. She has just made partner at a flashy firm, and is carrying on an affair with one of her superiors (Colin Friels).
Continue reading: Class Action Review
The cell phone-jumping ghost plays by unique rules. Sometimes, it's a physical creature and attacks people like the ghost from The Ring. Other times, it causes fatal freak accidents like the ghost in Final Destination. Often, it finds victims by searching through the former victim's cell phone address book. It gives a few days notice by leaving a post-dated voicemail of the victim's voice right before death. The ghost is kind enough to leave red candies in the deceased's mouth, too.
Continue reading: One Missed Call Review
Following possible terrorists and their contacts, Eric O'Neil (Ryan Phillipe) eagerly tries to discuss bureau protocol with his team, only to be ignored and have his well-prepared report on the subject shoved back in his face. That is, until he is dragged into a bureau conference room on a Sunday to meet with his superior and head agent Kate Burroughs (Laura Linney). It's here that O'Neil is asked to shadow Russian intelligence specialist Robert Hanssen (Chris Cooper) for what is originally agreed to be sexually perverse activities. It isn't till O'Neil is taken under wing by the intelligence expert that Burroughs reveals that Hanssen has actually been selling information to the Russians for some time and has cost the government billions of dollars and uncountable agent lives.
Continue reading: Breach Review
In Zathura, a board game magically comes alive when played, thrusting its participants into a wild adventure through outer space. Based on a children's book by Chris Van Allsburg, Zathura shares a striking resemblance to another Van Allsburg book turned movie called Jumanji. Each film centers on kids who get sucked into oddly-titled-board games gone wild. While the concept works magically on paper, the translation to film has not been so successful. Marginal special effects and a heavy-handed dead-end plot crippled Jumanji. And unfortunately, Zathura suffers from the same problems as its predecessor.
In the film, pre-teen brothers Danny and Walter (Jonah Bobo and Josh Hutcherson) are always at odds with each other. Because Walter is a few years older and more independent, he wants nothing to do with Danny. But Danny is full of energy and desperate for some attention. Yet, everyone else in his broken family is sadly unavailable. Danny's older sister (Kristen Stewart) is too consumed with teenage boys; his dad (Tim Robbins) is too wrapped up with this work; and his mom is only available for selected visitation periods. What Danny wants most is to play with his brother.
While spending the weekend at their dad's creepy old house, a bored Danny finds a game called Zathura tucked away under the basement stairs. The game seems simple enough -- turn a key, push a button, and a card pops out with instructions on how to move your game piece. But because Walter thinks Danny cheats at board games, he's unwilling to participate and Danny must play alone. His first card warns of a meteor shower. Moments later, a heavy barrage of meteors attack the house and the boys are forced to take cover in the fireplace. Once the storm passes, Danny and Walter are shocked to find their house magically floating through space on a pile of rocks, dirt, and debris. Each new card that Danny and Walter draw brings them closer to the game's end, but also triggers a new series of frightening events for them to encounter.
Zathura -- Game on!
And what a boring game it turns out to be once it actually gets started! Zathura spends a ridiculous amount of time at the beginning to establish the fact that the boys hate each other. For nearly 30 minutes, we're subject to non-stop, obnoxious yelling and screaming between Danny and Walter. Then, once the house is in space, the arguing continues as the pair decide how to combat an out of control robot with circular saw blade hands and heat-seeking alien lizards with sharp teeth. The meager special effects creations are far from intriguing or memorable. They look like cheap imitations of scarier monsters from other movies, which may be too much for some younger children to handle.
In the end, Zathura is such a mess that the backstory it spends time developing is completely ignored. The film is so consumed with throwing whatever it can at these boys that they're never afforded a believable chance to reconcile their relationship. Kids may not care, but adults who believe Zathura will teach kids a lesson on working together should pass on this space trash.
Adventure is waiting. Literally.
Alas, it doesn't look good. Bill and Ted are walking mistakes as it is. They can't pronounce Socrates and believe Caeser was "a salad dressing dude." But their grasp of superlative adjectives like triumphant and gnarly is impressive indeed, so maybe there's hope.
Continue reading: Bill & Ted's Excellent Adventure Review
Runaway Bride brings writer Garry Marshall back together with Roberts, Richard Gere, and memorable Pretty Woman costar Hector Elizondo for another unlikely love story.
Continue reading: Runaway Bride Review
Screenwriter Neena Beber draws inspiration from two separate Sarah Dessen novels, but can't squeeze one decent movie out of the material. In only her second starring role, Moore plays Halley Martin, a disillusioned high schooler learning how to deal with a lifetime's worth of problems. Halley's divorced dad (Peter Gallagher) has a new fiancée, while her mom (Allison Janney) is still coping with the split. Her best friend, Scarlett (Alexandra Holden), is pregnant, and her older sister's pending nuptials appear doomed from the start. Out of the blue, Halley is falling for a detached hunk (Trent Ford) who might be able to convince her that true love exists.
Continue reading: How To Deal Review
The story begins some 26 years earlier, when young Alan (Robin Williams) and Sarah (Bonnie Hunt) unearth the game and start playing. On Alan's first move, he finds himself sucked into the game as a prisoner, only to be released when the game is continued in 1995 by Judy (Kirsten Dunst) and Peter (Bradley Michael Pierce). Unfortunately, the ill effects of the game disappear only when it is finished, so the three track down Sarah, who, after years of therapy, has finally come to grips with the shock of seeing Alan vanish, and they continue where they left off.
Continue reading: Jumanji Review
The long-delayed sequel to the 1994 Jim Carrey hit is a terrible movie. Let's not mince words. It's an awful, unoriginal, infuriating, and endless mess. The always likeable Jamie Kennedy stars as Tom Avery, a struggling animator whose life is in flux. His wife, Tonya (Traylor Howard from TV's Monk), wants a baby badly, but the immature Tom doesn't want that responsibility. He's content to play with his precocious dog, Otis, draw on his sketch pad, and kid around with his tolerant wife.
Continue reading: Son Of The Mask Review
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