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Daredevil - Teaser Trailer


A single accident or act of violence can change more than just a single person, but an entire city. Blinded as a child, Matt Murdock (Charlie Cox) has worked hard to become a respected lawyer, yet it is his out-of-hours job that is having more of an impact on the world around him. Living in the Hell's Kitchen neighbourhood in New York City, Murdock faces crime on a day-to-day basis. Left without the use of his eyes, he must navigate the world around him using his almost sonar levels of hearing, battling criminals during the day as a lawyer, and at night, as the masked vigilante Daredevil. 

Continue: Daredevil - Teaser Trailer

The Paperboy Review


Excellent

Filmmaker Daniels follows up his acclaimed hit Precious with what might be the trashiest movie in recent memory: a swampy thriller packed with desperate characters hiding grisly secrets. Daniels and his cast dive headlong into this garish world, refusing to blink as they take us to the fringes of human behaviour. It's so marvellously audacious that we feel like we need a shower after watching it.

The film takes us into the steamy backwoods of central Florida in 1969, as Miami journalist Ward (McConaughey) returns home with his black colleague Yardley (Oyelowo), who sparks whispers of racism everywhere he goes. Staying with his editor dad (Glenn) and delivery boy brother Jack (Efron), Ward is investigating the case of death row inmate Hillary (Cusack), whose trashy fiancee Charlotte (Kidman) is filing an appeal. The 20-year-old Jack is instantly smitten with the overtly sexual Charlotte, who seems happy to seduce every man she meets. And as Ward, Yardley and Jack dig deeper into the case, they get several startling surprises.

Daniels keeps the film sweaty and snarky as he delves into the story's seriously dark corners. And the actors all go along with him. The always terrific Kidman really goes for broke here, prowling through each scene and oozing raw sexuality. It's no wonder she triggers Jack's lust, and Efron plays him with a delicate balance of intelligence and naivete, underscored of course with relentless horndog desire. None of the characters are as dumb as they look, and McConaughey, Oyelowo and especially Cusack revel in playing against expectations. Each actor packs every line with attitude and insinuation, creating fascinating chemistry along the way.

Continue reading: The Paperboy Review

Carol Schwartz and Scott Glenn - 2013 Vanity Fair Oscar Party at Sunset Tower - Arrivals - West Hollywood, California, United States - Sunday 24th February 2013

Scott Glenn and Carol Schwartz

The Paperboy Trailer


Charlotte Bless is a busty, blonde, middle-aged woman who enchants most men she meets with her looks and sexual appeal. She has fallen emphatically in love with Hillary Van Wetter, an inmate on death row accused of murdering a sheriff with whom she is regularly in correspondence with, and plans to marry him once she finds a way of getting him released. She enlists the help of two newspaper reporters to investigate the circumstances surrounding the crime and to gather evidence to prove his innocence. One of their main objections is that the judge who sentenced Wetter did not see the evidence that was presented before him in court. Whilst Charlotte is convinced that Wetter is not a bad person, young Jack Jansen is equally convinced that she doesn't really love Wetter and becomes deeply infatuated with her.

Continue: The Paperboy Trailer

The Bourne Legacy Trailer


The CIA is confronted with the consequences of previous events that have taken place involving Jason Bourne. They decide that they must shut down Operation Outcome (the subsequent operation to Operation Treadstone) which will involve the assassination of Outcome agent Aaron Cross and Doctor Stephanie Snyder who helped produce the agents. They must find an escape or be killed.

Continue: The Bourne Legacy Trailer

Scott Glenn Thursday 28th April 2011 2011 Tribeca Film Festival Vanity Fair party at the State Supreme Courthouse - Arrivals New York City, USA

Scott Glenn
Scott Glenn

Scott Glenn - Wednesday 20th April 2011 at Tribeca Film Festival New York City, USA

Scott Glenn
Guests and Scott Glenn
Scott Glenn

Sucker Punch Review


Bad
There are so many layers of fantasy in this eye-catching filmbut we never see any real humanity. This sucks all tension and emotion from what should be a provocative thriller. Although 12-year-old boys will probably love it.

After her mother dies, Babydoll (Browning) is sent to a gothic madhouse where a sinister orderly (Isaac) arranges, behind the back of the head doctor (Gugino), to have her lobotomised when the specialist (Hamm) arrives in five days.With less than a week to escape, she hatches a fantastical plan involving four fellow inmates (Cornish, Malone, Hudgens and Chung). They fantasise that they're on dangerous missions led by a mysterious man (Glenn), gathering the items they need to break out.

Continue reading: Sucker Punch Review

Scott Glenn Wednesday 23rd March 2011 Warner Bros. Pictures Los Angeles Premiere of Sucker Punch held at the Grauman's Chinese Theatre Hollywood, California

Scott Glenn
Scott Glenn

Scott Glenn - Scott Glenn, Hollywood, California - Los Angeles Premiere of Legend of the Guardians The Owls of Ga'Hoole held at the Grauman's Chinese Theatre Sunday 19th September 2010

Scott Glenn

The Virgin Suicides Review


Very Good
The Virgin Suicides is a dark comedy that embodies some twisted views on suburban family life and the true lack innocence of adolescence. First-time writer and director Sofia Coppola, daughter of Godfather creator Francis Ford Coppola, proves to us that she's not really an actress (see The Godfather Part III), but that she does have the family knack for provocative movie directing. The movie is based upon Jeffrey Eugenides' novel, The Virgin Suicides, a detective story about five sisters who mysteriously commit suicide and the investigation by four neighborhood boys who had fallen in love with them. Coppola, however, transforms the movie into her own allegory of five adolescent girls who suffer from ruthlessly suppressed lives, their desperate plea for self-expression, and the tragedy that besets their wretched existence.

Set in the mid-seventies, the plot follows the Lisbon family, with James Woods, a physics teacher at the local high school, as the scatter brained father, and Kathleen Turner as the uncommonly strict mother. Their five daughters are beautiful, naturally blonde, and the desire of every boy in the neighborhood. When the youngest, Cecilia, mysteriously attempts suicide, psychiatrist Danny DeVito recommends that she be allowed to interact more socially, especially with boys. So the Lisbon girls are introduced to the boys of the neighborhood, who have already been watching the girls from afar through half-opened window shades, binoculars, and telescopes. At a party in Cecilia's honor, the boys witness a tragedy that shocks them out of their wits. As a result, the Lisbons fall into a deep suppression shutting out the rest of the world by retreating into their own inner sanctum. It appears they will never recover until Trip Fontaine (Josh Hartnett), the high school heartthrob, pursues the unattainable Lux (Kirsten Dunst). He attempts to ask her to the prom, but the only way her mother will allow him to take Lux is if all the girls go together. For the first time, the girls will venture out of the home to interact socially in an environment other than school.

Continue reading: The Virgin Suicides Review

Freedom Writers Review


Very Good
It's always satisfying when a movie defies an obvious formula and delivers something better. Freedom Writers is the first such surprise of 2007, a genuinely touching entry in a genre that often wallows in cliché: a motivational teacher inspiring a group of troubled kids.

The list in this category is long, and the quality broad, ranging from To Sir, with Love (Sidney Poitier straightens up hooligans) to Sunset Park (Rhea Perlman coaches hoops!). Instead of sliding into pitfalls of predictability, writer Richard LaGravenese (The Fisher King, Beloved), who also directs, relies on straight, unforced dialogue delivered by a fine cast. Like many similar films, this one happens to be based on truth.

Continue reading: Freedom Writers Review

The Shipping News Review


OK
Kevin Spacey is the Spock of serious actors. He's dependable, methodical, passionless, a huge fan of saying everything by saying nothing at all. He tends to gravitate towards characters hiding some sort of fiery secret pain by denying themselves exterior displays of emotion or excitement. In certain films, this really works, thus earning Spacey a reputation as on of Hollywood's best working actors. In The Shipping News however, it bombs badly.

It's not really Spacey's fault, it's just the script. Spacey is Quoyle, a newly single father, after his slutty whore of a wife (Cate Blanchett) is killed while selling their daughter on the black market to earn spending cash for her latest biker boyfriend. Quoyle spends his time grieving and in denial and soon decides to follow a long lost aunt to the homeland of his family in Newfoundland. There, he stumbles into a job as the shipping news reporter for the local newspaper.

Continue reading: The Shipping News Review

Buffalo Soldiers Review


Essential
Delayed from release for two years due to the world political climate, Buffalo Soldiers is a movie that is categorically worth the wait.

A dark comedy on par with Pulp Fiction, Aussie director Gregor Jordan (in his second film) transports us to Germany in 1989, on an American Army base during the waning days of the Cold War. These enlisted troops aren't your Officer and a Gentleman go-getters. They're criminals, offered the option to serve their country in lieu of staying in jail. But since there's no war on, getting in to trouble is the only thing to do. As our protagonist says, "There was nothing to kill but time."

Continue reading: Buffalo Soldiers Review

Nashville Review


OK
Call me a heathen. I don't like Nashville.

Possibly the most celebrated film of the 1970s -- at least among film snob circles -- Robert Altman's sprawling case study of five days in the Tennessee city is self-absorbed, overwrought, and dismissive. Nor is it particularly well-made, with poor sound (even after being remastered for its DVD release) and washed-out photography, not to mention a running time (2:40) that's at least an hour too long.

Continue reading: Nashville Review

Scott Glenn

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Scott Glenn Movies

Daredevil - Teaser Trailer

Daredevil - Teaser Trailer

A single accident or act of violence can change more than just a single person,...

The Paperboy Movie Review

The Paperboy Movie Review

Filmmaker Daniels follows up his acclaimed hit Precious with what might be the trashiest movie...

The Paperboy Trailer

The Paperboy Trailer

Charlotte Bless is a busty, blonde, middle-aged woman who enchants most men she meets with...

The Bourne Legacy Trailer

The Bourne Legacy Trailer

The CIA is confronted with the consequences of previous events that have taken place involving...

Sucker Punch Movie Review

Sucker Punch Movie Review

There are so many layers of fantasy in this eye-catching filmbut we never see any...

Secretariat Trailer

Secretariat Trailer

Penny Chenery never really thought she would take over the family racing stables but as...

Sucker Punch Trailer

Sucker Punch Trailer

Zack Snyder has described his latest film Sucker Punch as Alice in Wonderland with machine...

Nights in Rodanthe Movie Review

Nights in Rodanthe Movie Review

With the Gulf Coast narrowly dodging Gustav and the Houston area recuperating from Ike, now...

The Bourne Ultimatum Movie Review

The Bourne Ultimatum Movie Review

There are actually three screenwriters credited for The Bourne Ultimatum, though it's hard to imagine...

The Virgin Suicides Movie Review

The Virgin Suicides Movie Review

The Virgin Suicides is a dark comedy that embodies some twisted views on suburban family...

Freedom Writers Movie Review

Freedom Writers Movie Review

It's always satisfying when a movie defies an obvious formula and delivers something better. Freedom...

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