That's not a bad thing. Honestly. In many cases they are able to bring fantastic slices of horror cinema to the U.S. My friend Yam Laranas' brilliant Fillipino horror film (F-horror or P-horror?) The Echo has been well received in the U.S. and is poised for a big remake. Yet with every trend, good product runs out and the crud rolls in. We're subjected to slap-dash productions that weren't even popular in their home countries. They seem to sprout up like noxious mushrooms on the shelves of Tower Records and Best Buy.
Continue reading: Scary True Stories Review
A perfect example of the no-holds-barred well of creativity bubbling overseas is Seijun Suzuki's Pistol Opera. A sequel to the Japanese director's 1967 cult piece Branded to Kill, the film sets the stage for a wondrous tale of violence, betrayal, vengeance, and death. But while the film is gorgeous to behold, it winds up being strange without being interesting.
Continue reading: Pistol Opera Review
Chris Pratt loved having Kurt Russell as his on-screen dad so much he asked him to take it on as a permanent role.