'Saving Mr Banks' star Emma Thompson was snapped by paparazzi as she walked the black carpet at the 2014 National Board Of Review Awards Gala in New York.
An unusual number of complex, well-acted movies made 2013 a very strong year at the cinema...
10. Behind The Candelabra - Sadly consigned to TV in America, this Liberace biopic's lavish production design deserves to be projected on the biggest screen possible. As do great performances from Michael Douglas, Matt Damon and a hilarious Rob Lowe.
Read our 'Behind The Candelabra' Review
Watch 'Behind The Candelabra' Trailer
Continue reading: 10 Best Films of 2013
The author has become the first Canadian woman to be awarded the prestigious honour
Alice Munro has walked away with the 2013 Nobel Prize in Literature following this week's award ceremony in Stockholm, Sweden. The 82-year-old short story writer, whose work has been adapted to numerous award-winning films and plays, became only the 13th woman to be awarded the most prized honour in literature and was handed lashings of praise for her life's achievements during the award gala.
News of her win arrived in British Columbia on Thursday morning (10th October) following Wednesday night's ceremony on the other side of the Atlantic, with CBC News first making her win viral. The Ontario author last published Dear Life in 2012 and wasn't actually at the Stockholm ceremony, as she believed her chances of winning were too slim to even bother. She told CBC following her win that winning the award was "one of those pipe dreams" that "might happen, but it probably wouldn't."
But the woman referred to as the Canadian Chekhov did win, and she genuinely couldn't believe the news of her success. She recalled, "It's the middle of the night here and I had forgotten about it all, of course. It just seems impossible. A splendid thing to happen...My stories have gotten around quite remarkably for short stories. I would really hope that this would make people see the short story as an important art, not something you play around with until you got a novel written."
Continue reading: Alice Munro Wins The Nobel Prize For Literature
With Away From Her and Take This Waltz, actress-turned-filmmaker Polley has proved herself as an unusually gifted director, but this inventive, moving documentary reveals even more artistic ambition. Not only is it a riveting exploration of her own family history, but it's also a pungent comment on the nature of storytelling itself. By the end, we wonder if it's ever possible to get to the truth of a past event. And we don't really mind that it probably isn't.
"When you are in the middle of a story it isn't a story at all." From this Margaret Atwood quote, Polley sets out to understand a key fact about her late actress mother Diane Polley. She encourages everyone to tell their side of the story: her father Michael (who also attempts to objectively narrate the film), brothers Mark and John, sisters Joanna and Suzy, and a variety of her mother's friends and colleagues. All of this centres on a major revelation that redefined the family. But of course everyone sees themselves as the protagonist, even though it's actually Diane's story. And while Sarah tries not to make it all about her, she can't really help it.
By taking such a playful approach, Polley packs the film with inventive layers, allowing us to peer around the corners of the documentary itself, breaking the fourth wall in the to-camera interviews and even in the re-created home movies. We're never quite sure if what we're seeing is truly archival material, or if it's all been re-made for this movie. And that's the whole point: if we can't find the real version of any event, is that truth only created within us as we understand its relevance in our own life?
Continue reading: Stories We Tell Review
Casting rumours bubble with Carrie Fisher, Harrison Ford, Mark Hamill and Halle Berry all mentioned. Sam Raimi's Oz gets It's global release while Iron Man 3, Good Vibrations, What Maisie Knew and Stories We Tell trailers hit the web.
The movie casting rumour mill has gone into overdrive this week when Carrie Fisher seemed to confirm that she will indeed be back for Star Wars Episode VII. And then George Lucas chimed in to say that all three stars - Fisher, Harrison Ford and Mark Hamill - are on board to reprise their iconic characters 30 years after 1983's Episode VI: Return of the Jedi. Nothing is official yet, but we can probably expect a big announcement soon.
Meanwhile, Ford has joined the cast of the comedy sequel Anchorman: The Legend Continues, which is currently filming with Will Ferrell, Paul Rudd and Christina Applegate. And Halle Berry has officially rejoined the X-men for Days of Future Past, along with her original trilogy costars Ian McKellen, Patrick Stewart, Hugh Jackman and Anna Paquin, plus the cast of First Class.
Sarah Polley's 'Stories We Tell' was a huge hit at film festivals in 2012.
Stories We Tell is certainly a unique movie - that much we know from the trailer. The 2012 documentary that premiered at the 69th Venice International Film Festival before winning acclaim at the Telluride and Toronto festivals, sees filmmaker Sarah Polley chronicling the story of her family, including the revelation that she was the product of an extramarital affair.
The movie explores the relationship between Polley's parents and incorporates Super-8 footage shot to look like home movies, as well as interviews with the filmmaker's siblings and other relatives. The film received the $100,000 prize for Best Canadian Film in Toronto and was nominated for best feature length documentary at the 2013 Canadian Screen Awards.
Sarah Polley is an actress and film director from a family full of secrets. With her vibrant mother actress Diane Polley long deceased, Sarah wants to discover the truth about her marriage to her father Michael Polley and the resulting crash it had on the family. She was only a young teenager when she was first told by her sister that Michael may not be her biological father and that there were two other possible men who could've had an affair with Diane whilst they were married. More than twenty years on, she is eager to hear from everyone's side of the story despite how very different they may be.
Continue: Stories We Tell Trailer
In Toronto, Margot (Williams) is happily married to Lou (Rogen), but she feels that their relationship is only expressed through humour and that work interests divide them. So it's not surprising that, after a chance encounter with neighbour Daniel (Kirby), Margot starts to consider straying from her marriage. She holds Daniel at arm's length, but is intrigued by everything that's new about him, including his more adult way of talking about sex and relationships. Is taking this leap scarier than waiting around for her marriage to come back to life?
Continue reading: Take This Waltz Review
When Margot and Daniel meet on a plane, they have an immediate connection; their chemistry is intense and they can't shake off the feeling that they've met before. This movies isn't your ten a penny love story though as Margot is happily married to Lou, a cookbook writer. However when it turns out that rickshaw driver Daniel lives on the same street as the happy couple and begins to regularly pop up in Margot's daily routine when back home, their intensity blossoms and throws the certainty of Margot and Lou's domestic life into question. Call it destiny, whimsy or coincidence; the two begin to lust for one another more and more after their aeronautical meeting and this love triangle becomes an extremely passionate affair.
Continue: Take This Waltz Trailer
Sarah Polley Sunday 12th September 2010 The 35th Toronto International Film Festival - 'Trigger' premiere arrival at the TIFF Lightbox on the grand opening day of the new TIFF headquarters in the entertainment district of Toronto. Toronto, Canada
Clive and Elsa (Brody and Polley) are biochemists working for a monolithic pharmaceutical corporation, splicing together animal DNA to find proteins that can treat diseases. When their latest experiment successfully produces Fred and Ginger, a pair of living creatures in a new blob-like species, the company boss (Maicanescu) tells them to now focus on finding something that will make money.
But Elsa continues in secret to create a human hybrid, despite Clive's moral hesitation. Keeping a project like this secret isn't easy, but containing it proves to be the real challenge.
Continue reading: Splice Review