Sarah Parish - Photographs of a variety of stars as they attended the Collars & Coats Gala Ball in aid of The Battersea Dogs & Cats home at Battersea Evolution in London, United Kingdom - Thursday 30th October 2014
'W1A' gets off to a half decent start, but is unlikely to reach the heights of its predecessor Twenty Twelve.
As Sarah Parish appeared on the One Show on Wednesday ahead of new comedy 'W1A's' debut episode, there was much to be made about how good the BBC is at poking fun at itself. Only, it's not really, and the team that brought us 'Twenty Twelve' don't appear to have gone anywhere near far enough with their latest offering.
Hugh Bonneville And His Team in 'W1A'
Sure, the first episode brought about a passing reference to the Jimmy Savile affair as "a learning opportunity" but other than that, it seems as though the writers missed a golden opportunity to tap into the endless mine of material that the corporation has offered up over the past couple of years.
Continue reading: 'W1A' Is A BBC Mockumentary, Without The Mocking
Ingenuity creeps into several scenes of the largely stereotypical chick-flick love comedy "The Wedding Date" -- but all its imagination comes at the wrong end of the creative process. What good is a uniquely photographed dance scene if the characters dancing together are barely two-dimensional?
The plot is pure, predictable sitcom gimmickry: Debra Messing plays a romantically frazzled beauty in her early 30s (not entirely unlike her sitcom role on TVs "Will and Grace") who hires an escort (Dermot Mulroney) to act the part of a besotted boyfriend at her sister's wedding. She hopes to stave off haranguing from her embarrassing, busybody mother (the fabulously uppity Holland Taylor) and stir jealousy in the ex-fiancé who left her at the altar two years before.
Peppered with conventional montage sequences (set to shopworn 1950s girl-group ditties and Shania Twain anthems), and pushed along by overly-staged scenes that defy common sense, the script is clumsy at best. Even though she's anxious about pulling off this stunt, Messing hires Mulroney sight unseen and doesn't concoct a backstory (his occupation, where they met, how long they've been dating) until pulling him into a coat room at the rehearsal dinner in a panic. This despite having a 12-hour cross-Atlantic flight during which they could have been rehearsing their fictional relationship.
Continue reading: The Wedding Date Review
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