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'Ex Machina' Reigns With Four Wins At The British Independent Film Awards


Alex Garland Domhnall Gleeson Tom Hardy Saoirse Ronan

While the world is waiting with bated breath for the nominations for the Oscars and Golden Globes, the UK is celebrating their independent success as Alex Garland's sci-fi drama 'Ex Machina' takes home four awards at the Moët British Independent Film Awards.

Ex MachinaEx Machina wins big at the BIFAs

It's the innovative independent films that really shape the international film industry, and it's important that they're recognised for their efforts. Starring Domhnall Gleeson, 'Ex Machina' proved to be a huge hit and took home awards for Best British Independent Film, Best Director, Best Screenplay and Outstanding Achievement in Craft which went to visual effects artist Andrew Whitehurst. As part of a BIFA screening event, the film will be shown at selected cinemas on December 13th 2015.

Continue reading: 'Ex Machina' Reigns With Four Wins At The British Independent Film Awards

Spotlight, The Revenant And Steve Jobs Among Oscars 2016 Predictions


Academy Of Motion Pictures And Sciences Jennifer Lawrence Leonardo Dicaprio Danny Boyle Saoirse Ronan

The odds are on for the predictions of the 88th Academy Award nominations, and it seems to be all about the biopics with four topping the odds for the Best Picture category and the same ones taking over the Best Director category.

There's been plenty of great movies this year but only five can be selected for a Best Picture nomination. Whilst there was unending hype for such flicks as 'Inside Out', 'Mad Max: Fury Road', 'Spectre' and 'The Hateful Eight', they fail to make the top five when it comes to the betting odds.

SpotlightSpotlight is the top favourite for Best Picture

Continue reading: Spotlight, The Revenant And Steve Jobs Among Oscars 2016 Predictions

A Week In Movies: Oscars Are A Hit, Stars Turn Out For Grand Budapest, Trailers Arrive For Transformers 4 And Paddington, Julianne Moore Works The Streets


Ellen Degeneres Matthew Mcconaughey Cate Blanchett Jared Leto Ralph Fiennes Saoirse Ronan Willem Dafoe Tony Revolori Mark Wahlberg Kanye West Snoop Dogg Colin Firth

The Oscars 2014

The Academy Awards drew its biggest TV audience in more than a decade on Sunday night, as the Oscars were shared by a variety of hit films and performances. Ellen Degeneres hosted the ceremony, giving the night a populist touch by serving pizza to the A-listers and taking a star-packed selfie that managed to crash Twitter.

As for the winners, 12 Years a Slave won three top prizes - for best film, screenplay and supporting actress - while the blockbuster Gravity took home seven awards. There were also popular wins for Matthew Mcconaughey, Cate Blanchett, Jared Leto and the animated film Frozen. If you need to catch up on any of the above click to find more info on 12 Years a Slave taking Best Picture, Matthew McConaughey and Cate Blanchett's triumph, Pizza anoyone? and Ellen deciding to get a couple of stars together for an impromptu selfie.

Continue reading: A Week In Movies: Oscars Are A Hit, Stars Turn Out For Grand Budapest, Trailers Arrive For Transformers 4 And Paddington, Julianne Moore Works The Streets

'The Grand Budapest Hotel' Is An Instant Hit With Critics, In Praise Of Wes Anderson's Delightful New Movie [Trailer + Pictures]


Wes Anderson Saoirse Ronan Willem Dafoe Tilda Swinton Edward Norton Adrien Brody Bill Murray

The Grand Budapest Hotel is preparing to throw its doors open to the world, having premiered at the Berlin International Film Festival in February. Director Wes Anderson has built his career upon his idiosyncratically quirky, colourful and surrealist movies and the eagerly-anticipated Budapest looks to be no different.

The Grand Budapest Hotel Owen WilsonThe Grand Budapest Hotel Raplh Fiennes
Critics Have Heaped Praise On To 'The Grand Budapest Hotel.'

Early reviews have bathed the movie in a warm glow of praise, loving the kitsch details, kooky plotline, and star-packed cast, which includes (deep breath), Ralph Fiennes, Saoirse Ronan, Willem Dafoe, Adrien Brody, Owen Wilson, Jeff Goldblum, Jude Law, Bill Murray, Edward Norton, F. Murray Abraham, Mathieu Amalric, Tilda Swinton, Jason Schwartzman, and Harvey Keitel.

Continue reading: 'The Grand Budapest Hotel' Is An Instant Hit With Critics, In Praise Of Wes Anderson's Delightful New Movie [Trailer + Pictures]

Video - Saoirse Ronan Describes Working On 'The Grand Budapest Hotel' As 'Surreal' At Movie Premiere


Saoirse Ronan explains just how much of a unique experience it was to work with Wes Anderson on the set of his new movie 'The Grand Budapest Hotel' in a red carpet interview at the premiere.

Continue: Video - Saoirse Ronan Describes Working On 'The Grand Budapest Hotel' As 'Surreal' At Movie Premiere

Laure Prouvost Takes Turner Prize, Installation Artist Wins With 'Wantee'


Saoirse Ronan

In something approaching a shock result, Laure Prouvest was awarded with the 2013 Turner Prize, and the £25,000 that goes with it. American-Irish actress Saoirse Ronan announced the winner in Londonderry, Ireland, which is the UK’s City of Culture for 2013.

Saoirse RonanSaoirse Ronan handed over the prestigious award

"I'm not ready, I didn't expect it at all," Prouvost said on stage."Four incredible artists here with me and the show. I thought 'It can't be me,' - I was sure it was not me. So thank you everybody," she added, according to The BBC. 

Continue reading: Laure Prouvost Takes Turner Prize, Installation Artist Wins With 'Wantee'

A Week In Movies: Meryl Streep Takes Action! Daniel Radcliffe Runs! And We Get New Trailers For X-Men, Budapest Hotel And More


Meryl Streep Daniel Radcliffe Jj Abrams Bryan Singer Wes Anderson Ralph Fiennes Jude Law Adrien Brody Saoirse Ronan Owen Wilson Tilda Swinton Bill Murray Zac Efron Miles Teller Martin Scorsese Leonardo Dicaprio Jonah Hill Matthew Mcconaughey

Star Wars Logo

News from the Star Wars universe had fans nervous, as screenwriter Michael Arndt left his Episode VII draft to be rewritten by director Jj Abrams and Star Wars veteran Lawrence Kasdan, who wrote 1980's The Empire Strikes Back. Arndt hinted that the film's release might be delayed until 2016 as a result. Read the full story here.

The biggest rumour this week was that Meryl Streep may join the cast of The Expendabelles, the female spin-off from Sylvester Stallone's Expendables franchise. Cameron Diaz and Milla Jovovich are also up for roles in the adventure thriller. But this would be Streep's first action movie since The River Wild, 20 years ago. See who else is rumoured to join the cast here!

Continue reading: A Week In Movies: Meryl Streep Takes Action! Daniel Radcliffe Runs! And We Get New Trailers For X-Men, Budapest Hotel And More

What Should You See Tonight, Machete Kills? The Fifth Estate? It's Le-Weekend!


Benedict Cumberbatch Lady GaGa Saoirse Ronan Jim Broadbent

It’s Friday folks – your mundane, work-a-day week has come to an end, and now you’ve got a chance to spend the money you’ve earned on some form of entertainment, be it alcohol, video games, illegal activities or the movies. It’s the latter we’re focusing on: what film should you see tonight?

Machete KillsDanny Trejo in Machete Kills

You could go and see Machete Kills. Danny Trejo’s film started out as a joke trailer in Quentin Tarantino’s Grindhouse films, and eventually found itself as a fully-fledged feature film. It was okay; people got it, they understood that it was a joke and was intentionally kitsch. What nobody asked for was a sequel featuring Mel Gibson and Lady GaGa, but that’s what we’ve got, and it’s rubbish.

Continue reading: What Should You See Tonight, Machete Kills? The Fifth Estate? It's Le-Weekend!

A Week In Movies: Big Films Hit Britain, New York Premieres For Hanks And The Coens, Statham Fights Back


James McAvoy Saoirse Ronan Kevin Macdonald Tom Hanks Paul Greengrass Carey Mulligan John Goodman Adam Driver Jason Statham Martin Freeman Orlando Bloom

James McAvoy in Filth

Two big British films hit UK cinemas this week. After storming the Scottish box office last weekend and garnering rave reviews across the board, Filth arrives in the rest of the country this week. Based on the novel by Irvine Welsh (Trainspotting), the Edinburgh black comedy stars  in a career-redefining role as a deeply nasty cop. Read our 'Filth' review here.

Meanwhile, Saoirse Ronan stars in the introspective thriller How I Live Now, set in a present-day Britain that's engulfed in war. Opening in the UK this weekend and in America next month, the film is directed by Kevin Macdonald (The Last King of Scotland), and the cast includes rising stars George MacKay (Hunky Dory) and Tom Holland (The Impossible). We gave the film 4/5 you can read the 'How I Live Now' review here.

Continue reading: A Week In Movies: Big Films Hit Britain, New York Premieres For Hanks And The Coens, Statham Fights Back

'How I Live Now': Natasha Khan Movie Soundtrack 'Garden Heart' Released [Video]


Bat For Lashes Saoirse Ronan Jon Hopkins George MacKay Kevin Macdonald

Bat For Lashes' Natasha Khan and music producer Jon Hopkins have joined their creative forces to bring the official soundtrack song for upcoming war thriller, How I Live Now. Jon Hopkins had been working on the Kevin Macdonald-directed film's soundtrack when he decided to invite the exquisite vocals of Khan.

With an opening akin to The Stone Roses' 'I Wanna Be Adored,' the track is built around a softly thrumming bassline; a beating heart-style rhythm that keeps pace whilst Khan's ever-ethereal, mournful vocals sing of being "far away" from someone.

Natasha Khan

Continue reading: 'How I Live Now': Natasha Khan Movie Soundtrack 'Garden Heart' Released [Video]

A Week In Movies: Jennifer Promotes The Millers, Angelina Goes Evil, Coogan Moves Beyond Alan Partridge


Jennifer Aniston Jason Sudeikis Will Poulter Rachel McAdams Bill Nighy Angelina Jolie Steve Coogan Mark Wahlberg Saoirse Ronan Spike Jonze

We're the Millers

We're the Millers had a huge premiere in London this week, and stars Jennifer Aniston, Jason Sudeikis and Will Poulter were all over town promoting the film before walking the blue carpet in Leicester Square. It opened in the US last week, and hits Britain next week. Here's a video of Jennifer Aniston leaving Los Angeles for the London premiere. Here we have pictures of Jennifer Aniston braving rainy London for 'We're The Millers' Premiere.

Also in London, Rachel McAdams attended the world premiere of her new movie About Time, about a guy who travels back in time to find himself a girlfriend. She was accompanied by costars Bill Nighy and Domhnall Gleeson, plus filmmaker Richard Curtis, at Somerset House, where the premiere screening was held outdoors. The film opens next month. Click here for pictures from the premiere and the trailer for Richard Curtis' rom-com 'About Time'.

Continue reading: A Week In Movies: Jennifer Promotes The Millers, Angelina Goes Evil, Coogan Moves Beyond Alan Partridge

Justin and the Knights of Valour Trailer


Justin is an average boy with big dreams living in a Kingdom where the Queen has enlisted lawyers instead of knights. However, Justin wants more than anything in the world to become one the latter, just like his deceased grandfather Sir Roland. He must embark on a quest to train to become the best knight he can and on the way meets his three mentors, Blucher, Legantir and Braulio, a wacky wizard named Melquiades and the very beautiful Talia. Sooner than he'd hoped, he finds his first challenge; Sir Heraclio and his sidekick Sota are attempting to raise an army to defeat the Kingdom, leaving Heraclio crowned king. Justin must protect the Kingdom he was brought up in and, in doing so, purloin his grandfather's old sword from Heraclio's clutches.

Continue: Justin and the Knights of Valour Trailer

Gemma Arterton And Saoirse Ronan Get A Bit Bite-y In Byzantium


Gemma Arterton Saoirse Ronan

Gemma Arterton stars in the brand new vampire movie Byzantium. No one is all that impressed, but films about bloodsuckers tend to sell these days, so at least it has that on its side. Quick rundown: Eleanor (Saoirse Ronan) and Clara (Gemma Arterton) are a couple of young women on the run – initially, you don’t know anything about the reasons behind their flight. Gradually, as they settle into a guest-house on the South Coast.

Here, the ladies’ past begins to unravel and we find out exactly how they got to their current undead-ness and general situation. Also, Clara takes over the management of a brothel, after killing the man who held that job previously, and Eleanor, in a bout of remarkably modern self exploration, signs up for creative writing classes. You could not make this stuff up. Well, actually you could and apparently someone did.

The film is based on a play by Moira Buffini and is getting mixed to negative reviews so far. But while vampire movies are a dime a dozen these days, at least this is one with female protagonists. That’s somewhat of a new twist. In any case, it’s pretty obvious who would find this film appealing – if you enjoy a bit of fangy fantasy, it might be your cup of tea. If not, Byzantium is probably skippable.

Continue reading: Gemma Arterton And Saoirse Ronan Get A Bit Bite-y In Byzantium

Byzantium Review


Very Good

Nearly 20 years after Interview With the Vampire, Neil Jordan returns to the genre to breath some new life into a mythology that has grown stale, predictable and rather mopey  (see Twilight). With a lively script by Buffini, Jordan creates a lushly stylish dramatic thriller that continually takes us aback with off-beat storytelling and complex characters who don't always do what we expect them to.

The story centres on mother-daughter immortals Clara and Eleanor (Arterton and Ronan), who are on the run when they arrive in a fading British seaside town. The resourceful Clara seduces the nervous Noel (Mays) so they can stay in his dilapidated Byzantium guesthouse. To earn some cash, the always resourceful Clara turns the empty rooms into a brothel. Meanwhile, Eleanor befriends the fragile young Frank (Jones) and reveals the fact that she and her mother are actually more than 200 years old and need human blood to survive. Through all of this, they're being chased by two elder vampires, the ruthless Ruthven (Miller) and the more sympathetic Darvell (Riley), both of whom share a tangled romantic past with Clara.

Unusually intelligent, the film holds our interest with an astonishing series of twists and turns plus an array of colourful characters that play on stereotypes. Holding it all together is a fairly simple plot that reveals itself in bits and pieces until the full picture comes into focus. From this point, we pretty much know what has to happen in the big finale, but watching events unfold is satisfying and sometimes both thrilling and moving.

Continue reading: Byzantium Review

Byzantium Trailer


Clara and Eleanor are a mother and daughter, born two centuries ago as vampires and surviving only on the blood of mortal beings. They escape to an English seaside town and are taken into an abandoned guesthouse by the owner, Noel. While Clara takes on a job as a lady of the night who drains the blood from her clients, Eleanor has dreams of being a writer, chronicling her life as a vampire in pages that she usually scatters in the wind. It isn't long before they are discovered, both by the mortal people of the town and by The Brotherhood; an all-male vampire organisation that seek to find and kill Clara. Eleanor meets a boy called Frank, who she develops feelings for and spills the secrets of her world to, angering her mother who fears for their safety. As knowledge of their existence spreads further and further, they are forced to confront their past and the deadly secrets that come with it.

Continue: Byzantium Trailer

The Host Review


Very Good

While the premise of this sci-fi thriller feels like yet another of Stephenie Meyer's two-boys-one-girl fantasies, a superior writer-director and cast make this is a stronger film than Twilight. The plot may be rather contrived, but the actors bring out some sharp intelligence in the script to make it surprisingly involving.

It's set in a future time after aliens have snatched the bodies of 90 percent of humanity, eliminating hunger, crime and the environmental crisis. But secret pockets of rebels have avoided being possessed by these white mini-jellyfish beings, and are seeking ways to fight back. So when the alien being Wanderer is implanted in the resistance leader Melanie (Ronan), the head Seeker (Kruger) hopes to infiltrate her memories and find out where they're hiding. But Melanie is stronger than anyone thinks, managing to remain conscious alongside Wanderer, winning her to the rebel cause. She heads to the human's secret desert hideout, where Uncle Jeb (Hurt) renames her Wanda and accepts her into the fold. But some humans aren't so sure, and the Seeker is hot on her trail.

It's deep in this maze of rather too-sophisticated caves that the crinkled romance develops, as Melanie is reunited with her boyfriend Jared (Irons), but doesn't want him kissing her when Wanda is in control of her body. Then Wanda falls for Ian (Abel), and their kissing makes Melanie even more furious. Yes, like Twilight, this film seems to think that kissing is the ultimate expression of human connection, giving this film a quirky four-sided love triangle at its centre. Meanwhile, the more thriller-like plotline builds as the Seeker gets ever closer. All of this is played out very seriously, with almost no offhanded humour or humanity, but the emotions are intriguingly resonant.

Continue reading: The Host Review

A Week In Movies Feat: The Host, Trance And G.I. Joe: Retaliation Hit Cinemas While World War Z, The Brass Teapot And Hummingbird Trailers Emerge


Channing Tatum Saoirse Ronan Jake Abel Max Irons Greg Kinnear Brad Pitt Dwayne Johnson Jason Statham

G.I. Joe: Retaliation Review

This week's biggest global release is G.I. Joe: Retaliation, and critics were on edge at press screenings earlier in the week, hoping against hope that the sequel maintained the entertaining ironic subversiveness of the 2009 original, G.I. Joe: The Rise of Cobra. Alas, the news isn't good.

The week's other blockbuster is The Host, based on the novel by Twilight author Stephenie Meyers. Saoirse Ronan stars as Melanie, a young woman facing an alien force that's taking over humanity. In fine Twilight style, there are two leading men vying for her affections, played by rising-star hearthrobs Max Irons and Jake Abel. Despite good early word-of-mouth, the studio hasn't shown the film to critics.

Continue reading: A Week In Movies Feat: The Host, Trance And G.I. Joe: Retaliation Hit Cinemas While World War Z, The Brass Teapot And Hummingbird Trailers Emerge

The Host Trailer


Melanie Stryder, once a tenacious and strong young woman, has been infected by an alien parasite from a race known as Souls. Her personality is almost completely overridden by it, turning her into more of a timid and sympathetic person like the Soul itself who is known only as Wanderer. Wanderer and Melanie struggle against each other as the Soul's reluctance to carry out her assigned mission and completely control her host in order to take over the Earth with other members of her race causes her to become somehow half-human. She develops a bond with Melanie, with members of her family and with her friends and resolves to help the few free humans left in taking back their planet. 

'The Host' has been adapted from the 2008 novel of the same name by the genius behind 'The Twilight Saga' Stephenie Meyer. Directed and written by Andrew Niccol ('The Truman Show', 'Lord of War', 'In Time'), this romantic sci-fi thriller will truly put you in a moral dilemma when it forces you to take sides between two different races - both with desirable qualities and both with dark and selfish  undertones. It is set to hit movie theaters everywhere from March 29th 2013.

Starring: Saoirse Ronan, Diane Kruger, William Hurt, Jake Abel, Max Irons, Boyd Holbrook, Frances Fisher, Chandler Canterbury & Scott Lawrence.

Continue: The Host Trailer

Arrietty Trailer


14-year-old Arrietty Clock and her family live under the floorboards of a house in western Tokyo. They are 'tiny people' - or borrowers - whose survival depends on 'borrowing' things that humans won't miss, such as a single sugar cube. But their existence must be kept a secret from humans, which is why they are kept hidden and why they only borrow at night.

Continue: Arrietty Trailer

The Way Back Trailer


For anyone in the 1940 being held prisoner in a Siberian gulag they knew their lives might not last much longer, when seven inmates hatch -and successfully carry out - a plan to escape under the cover of a blizzard they do not know what their next move will be. Surrounded by unforgiving terrain and traitorous weather conditions, the group decide their only hope is to walk to safety.

Continue: The Way Back Trailer

The Lovely Bones Review


OK

This film is packed with involving performances, even though Jackson takes a bloated approach to what should be a quietly emotional drama. And in the end, the production design is so lush that it swamps the story's themes.

In 1973, Susie (Ronan) is a happy 14-year-old just beginning to blossom. Her crush on a fellow student (Ritchie) is about to culminate in her first kiss, but she's instead brutally murdered by a creepy neighbour (Tucci). Her parents (Wahlberg and Weisz) are distraught, and Grandma (Sarandon) needs to come help care for Susie's younger siblings (McIver and Christian Thomas Ashdale). Susie watches all of this from "my heaven", longing for her parents to recover their balance and aching for some form of revenge.

The central theme is that Susie's yearning for vengeance is preventing her parents from moving on, and it's also keeping her from resting in peace. As the months and years pass, she struggles to let go of her connections to her family and also to dislodge her killer's hold on her. This intriguing idea is more suited to a small-budget filmmaker forced to find subtle, creative ways to depict the interaction between the afterlife and the living world.

Jackson, of course, has no budgetary constraints, and indulges in constant eye-catching effects that are drenched in colour and symbolism. This luxuriant approach seems odd for a story this fatalistic; it's not likely to be a commercial hit no matter how glorious the digital artistry is. While some viewers will connect with the raw emotional tone, concepts of the cruelty of fate and the fragility of life are lost.

Even so, Ronan delivers another knock-out performance packed with nuance and meaning even though many of her scenes only require reaction shots. It's in her eyes that the film comes truly to life, as it were. The other standouts are Sarandon, who brazenly steals scenes in what's essentially a thankless role, and Tucci, who never resorts to stereotype in his portrayal of a sinister loner. Jackson, on the other hand, continually applies cliches around him, from shadowy angles that generate palpable suspense to a ludicrously over-the-top coda that erases any subtlety the film might have.

Saoirse Ronan

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Saoirse Ronan

Date of birth

12th April, 1994

Occupation

Actor

Sex

Female

Height

1.68




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Saoirse Ronan Movies

Loving Vincent Trailer

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Brooklyn Movie Review

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Director John Crowley and writer Nick Hornby never even try to temper the flood of...

Brooklyn Trailer

Brooklyn Trailer

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Lost River Movie Review

Lost River Movie Review

With his writing-directing debut, Ryan Gosling shows audacious skill as a visual artist but never...

Lost River Trailer

Lost River Trailer

Dark times have engulfed the world. With the steady rise of economic depression across the...

The Grand Budapest Hotel - Featurettes Trailer

The Grand Budapest Hotel - Featurettes Trailer

While preparing to film 'The Grand Budapest Hotel', director Wes Anderson and company scouted for...

The Grand Budapest Hotel Movie Review

The Grand Budapest Hotel Movie Review

Wes Anderson's entertaining filmmaking style clicks beautifully into focus for this comical adventure. Films like...

The Grand Budapest Hotel Trailer

The Grand Budapest Hotel Trailer

The cast and crew of 'The Grand Budapest Hotel' discuss the story, the main characters'...

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