Sanaa Lathan

Sanaa Lathan

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Steve Harvey presents the 13th Neighborhood Awards

Sanaa Lathan - Steve Harvey presents the 13th Neighborhood Awards at Philips Arena - Arrivals - Atlanta, Georgia, United States - Saturday 8th August 2015

Sanaa Lathan
Sanaa Lathan
Michael Ealy and Sanaa Lathan

'The Perfect Guy' Trailer Screening Q & A Panel

MC Lyte, Sanaa Lathan, Michael Ealy , Angelique Perrin - Cast of 'The Perfect Guy' attend a Q & A panel as part of the 2015 Neighborhood Awards at the Georgia World Congress Center - Atlanta, Georgia, United States - Friday 7th August 2015

MC Lyte, Sanaa Lathan, Michael Ealy and Angelique Perrin
Loni Love, MC Lyte, Sanaa Lathan, Michael Ealy and Angelique Perrin
Loni Love, MC Lyte, Sanaa Lathan, Michael Ealy and Angelique Perrin
Loni Love, MC Lyte, Sanaa Lathan, Michael Ealy and Angelique Perrin
Loni Love, MC Lyte, Sanaa Lathan, Michael Ealy and Angelique Perrin

The Perfect Guy Trailer


The idea of the perfect man doesn't always hold up entirely. Sometimes, a person can seem perfect on the surface - too perfect, in fact - and hold a deep, dark secret beneath. Leah Vaughn (Sanaa Lathan) discovers this when she finally leaves Dave (Morris Chestnut), her long-term boyfriend, because he isn't ready to commit to the idea of children. Dating begins, and she soon meets Carter Duncan (Morris Chestnut) who seems like the perfect man for her. But when she accidentally discovers his darker side, she does her best to get away from him, only to find herself pursued by a very dangerous suiter.

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17th Annual CAST From Slavery To Freedom Gala

Sanaa Lathan - 17th Annual CAST From Slavery To Freedom Gala at Skirball Cultural Center - Los Angeles, California, United States - Friday 22nd May 2015

Sanaa Lathan
Sanaa Lathan
Sanaa Lathan
Sanaa Lathan
Sanaa Lathan

Sanaa Lathan leaves Craig's restaurant

Sanaa Lathan - Sanaa Lathan leaves Craig's restaurant at midnight after dining with friends for most of the evening at WeHo - Los Angeles, California, United States - Sunday 15th March 2015

Sanaa Lathan
Sanaa Lathan
Sanaa Lathan
Sanaa Lathan
Sanaa Lathan

The XXIV Karat Launch Party At The Beverly Hilton - Inside

Sanaa Lathan - A variety of stars were photographed at the launch party of XXIV Karat wine which was held at The Beverly Hilton Hotel in Beverly Hills, California, United States - Thursday 16th October 2014

Sanaa Lathan and Guest
Sanaa Lathan and Guest
Sanaa Lathan and Guest
Sanaa Lathan and Guest
Sanaa Lathan and Guest

Repentance Trailer


Thomas Carter is a life coach who receives widespread literary fame after releasing his book 'Don't Look Back' following a nearly fatal car accident. At a book signing, he meets a troubled man named Angel Sanchez who has taken on Carter's advice so heavily that he is determined to have private therapy sessions with him. Carter discovers that Sanchez is finding it impossible to find peace in his mind as he frequently has frightening hallucinations of his dead mother who was killed and found in the river near his home. Meanwhile, Carter has his own problems which come to rise at the arrival of his brother who knows that he's not the perfect life-coach he comes across as to his readers. Sanchez is also seeing cracks in his life and, in a bid to 'heal' him, brutally holds him hostage - along with his wife and brother - and places them under threat of torture after becoming obsessed with Carter's karma-centric teachings.

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The Best Man Holiday Trailer


It's been fifteen years since the release of Harper Stewart's inflammatory autobiographical novel and the wedding of his best friend Lance, and now he is reuniting once again with his friends from college - also including Julian Murch and Quentin Spivey - over the course of the Christmas holiday period. He is now married to his then girlfriend Robin and he still has his friends in spite of some incriminating details in his book that could've ruined everything with the people he cared about most during Lance's tense wedding ceremony. But now he has more to contend with as he is reunited with old flames, former rivals and new arrivals who could shake things up again as Christmas approaches.

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Contagion Review


Excellent
Soderbergh applies his brainier brand of filmmaking to the global outbreak thriller genre, and the result is a hugely gripping blockbuster that never talks down to its audience. It's also terrifyingly believable as we watch a deadly flu virus spread around the world.

In Minneapolis, Mitch (Damon) is horrified when his wife (Paltrow) comes home from a business trip to China, collapses with the flu and dies. But she's only the first of a series of similar cases around the world, and soon officials from the Centers for Disease Control (Winslet, Fishburne and Ehle) and the World Health Organisation (Cotillard) are on the case, trying to manage emerging clusters while tracing the disease back to its source. Meanwhile, a blog hack (Law) is pestering a San Francisco scientist (Gould) for a cure.

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Contagion Trailer


When Beth Emhoff returns home after visiting an opening ceremony for a new factory, she complains of jet lag and her husband, Thomas Emhoff, thinks nothing of it. He becomes concerned when she falls ill, even more so when she has a seizure in front of him and has to be rushed to hospital. It comes as a shock to Thomas when she dies; her cause of death: a highly contagious and rapidly mutating bird flu virus that spreads via human contact. The virus is spreading so fast there is no vaccine or cure for it.

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The Family That Preys Review


Weak
Tyler Perry is trying. Instead of sticking exclusively to the urban morality plays that made him a certified superstar, he appears to be broadening his niche-based appeal. And he's doing so by taking risks both in and outside the medium. Sure, most of his movies have been nothing more than mere translations of his theatrical works, but efforts like Daddy's Little Girls, and now The Family That Preys, show an artist who is at least endeavoring to expand his horizons.

Alice Pratt (Alfre Woodard) and Charlotte Cartwright (Kathy Bates) have been friends for over 30 years. The former runs a small diner. The latter is the CEO of a local construction company. Alice has two daughters -- snooty career gal Andrea (Sanaa Lathan) and honest, hardworking Pam (Taraji P. Henson). Charlotte has a conniving son named William (Cole Hauser) who cheats on his wife Jillian (KaDee Strickland). After marrying the decent Chris (Rockmond Dunbar), Andrea begins a torrid affair with her boss -- who happens to be William. He wants to take over for his aging mother, believing it is his birthright. In the meantime, a new employee (Robin Givens) stirs things up for the adulterous duo. Soon, all the simmering secrets in the Pratt and Cartwright households will be out in the open.

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Something New Review


Grim
More than 30 years ago, close-minded sitcom character George Jefferson dogged neighbors Helen and Tom Willis for partaking in an interracial relationship. The pint-sized loudmouth dubbed the duo a "zebra," and audiences howled with laughter because the notion of a mixed-race couple was relatively unfamiliar. By the time the television show went off the air in 1985, the joke had run its course.

So why is scripter Kriss Turner, a veteran of generic sitcom writing, attempting to blow the dust off the concept for newfound laughs? Turner's treatment for Sanaa Hamri's Something New pits races against each other to tell the often-turbulent courtship of Kenya (Sanaa Lathan), a black accountant, and Brian (Simon Baker), her white landscape architect. Color colors everything for this duo as they try to make a relationship work, and New overplays the racial chip on its shoulder to the detriment of the romantic date movie that's buried at its core.

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Brown Sugar Review


Grim
To completely understand Brown Sugar requires an appreciation of what hip-hop means to the lives of those who listen to it. Since I'm not well versed in hip-hop music and culture, I didn't understand some parts of the film that the majority of my audience clearly did. I can, however, recognize good filmmaking when I see it. And unfortunately, Brown Sugar is not sweet enough to liven up its predictable story and will leave even fans of hip-hop sorely disappointed.

The film's setup is simple. Dre (Taye Diggs) and Sidney (Sanaa Lathan) have been very close friends since childhood, when hip-hop was just coming into its own. Dre is a well-known hip-hop record producer who is unhappy with his job and is about to get married. Sidney is a magazine editor who is working on a book about the origins of hip-hop and cannot find the right man to fit her groove. She is of course secretly in love with Dre because he is the only man who can connect with her and her music, and Dre is secretly in love with Sidney because she is the only woman who will support his dreams. Both Dre and Sidney have problems with the other's initial choice of spouse (Nicole Ari Parker and Boris Kodjoe).

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Love and Basketball Review


Grim
Of all of the projects for Spike Lee to attach his name onto, Love and Basketball may go down as one of the most idiotic. Lee produced this Hoop Dreams meets Romeo and Juliet love story and his largest mistake by far was to hand the position of director over to Gina Prince-Bythewood. Prince may have made four films, but she still hasn't gotten it quite right. And, from the looks of it, she won't be getting it right anytime soon.

Love and Basketball concerns Monica Wright (Sanaa Lathan), a basketball loving girl who wants nothing more than to be the first woman in the NBA. Her next door neighbor, Quincy McCall (Omar Epps) is the son of a NBA player and wants nothing more than to follow in his father's footsteps and get some booty along the way. When he realizes (at about age 18) that the booty he has been wanting all along has been living next door, he quickly hooks up with her. Both find themselves going to USC and both find themselves on the USC basketball teams.

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Alien Vs. Predator Review


Grim
The film studios weren't happy enough dragging the honorable slasher movie genre through the mud with schlock like last year's Freddy vs. Jason; now they have to try to cash in by dragging two awesome monster movie icons through the mud, as well. The difference between the slasher smackdown and Alien vs. Predator (or as the marketing team would love you to call it, AVP) is that I - and I'm sure others - are actually kind of excited to see these two killing machines go at it.

And if all you really want is to see these built-to-kill bad asses fight to the death, then you're in for a treat. It's like watching a very non-scary, screeching, interstellar cockfight. There's a heaping helping of acidic bloodbaths, infrared-vision shootouts, gleaming Predator weaponry, and oozy Alien slime. Yes, folks, it's all here; and if you're a fan of both of the old movie series, writer-director Paul W.S. Anderson (of Resident Evil - not Magnolia - fame) plies you with fun hints at the originals.

Continue reading: Alien Vs. Predator Review

Sanaa Lathan

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