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Suffragette - Teaser Trailer


Throughout the late 19th Century and early 20th Century, a secret war took place on the streets of England. For years, women of all ages and classes had fought for their right to vote, although they used politics and reason as their biggest weapon. When no clear results were seen, a specialist group formed a more radical idea - to take the political campaign out of the shadows and into the streets, with protests and fighting to gain what was theirs by right. But as the government fights back even harder, desperate times call for desperate measures. 

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Jeremy Piven Will Return As Mr. Selfridge In Fourth Season


Jeremy Piven Ron Cook Samuel West

Jeremy Piven will reprise his role as Mr. Selfridge for a fourth season of the popular period drama. The upcoming series of the ITV hit will be broadcast in 2016. Piven confirmed the news on Good Morning Britain on Friday (13th March).

Jeremy Piven
Jeremy Piven stars in Mr. Selfridge.

Read More: Entourage Movie Shoots Final Scenes on Golden Globes Red Carpet.

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60th London Evening Standard Theatre Awards 2014

Samuel West - Shots of a host of stars as they took to the red carpet for the 60th London Evening Standard Theatre Awards 2014 which were held at the London Palladium in London, United Kingdom - Sunday 30th November 2014

Samuel West Puts His Hat in For The Dr. Who Role


Samuel West Matt Smith

Who will be the next Dr. Who? That’s the question on everybody’s lips. And if Samuel West has got anything to do with it, then it’ll be Samuel West.

The star, best known for his theatrical roles, is keen to fill the boots of the time travelling maestro. "If you’re asking whether I’d like to play Doctor Who, I absolutely would,” he explained. “I’ve always wanted to play Doctor Who. Hamlet and Doctor Who - and I’ve done Hamlet. At 46-years-old, he doesn’t think his age should put him out of contention. He said: “They can’t go on getting younger forever. Every Doctor Who, almost without exception, has been younger than the previous one. Eventually we’ll just have this glittering foetus – that’s not going to work.” His love of the show, perhaps, is why he thinks he’d bee good at it. He’s even got ideas of what the lead character should be like. “I think he should be slightly other,” Sam continued. “I remember when I first started watching it he was a little bit like a frightening grandfather and I don’t want to be a grandfather but I don’t think he should be cuddly. 'Other' is the word, he should be a bit 'other'.”

Samuel WestCan I play? Samuel West fancies a go on the tardis

Continue reading: Samuel West Puts His Hat in For The Dr. Who Role

Hyde Park on Hudson Review


OK

The breezy, entertaining tone of this historical comedy-drama kind of undermines the fact that it centres on one of the most pivotal moments in US-British history. Director Michell (Notting Hill) knows how to keep an audience engaged, and yet he indulges in both tawdry innuendo and silly cliches, never giving the real-life events a proper sense of perspective. Even so, some terrific performances make it enjoyable.

The events in question take place in 1939, when President Franklin D. Roosevelt (Murray) invites Britain's King George VI and Queen Elizabeth (West and Colman) to visit Hyde Park, the upstate New York residence he shares with his mother (Wilson), while his wife Eleanor (Williams) lives down the road with her "she-male" friends. Roosevelt knows that George is here to ask for help against the growing threat of Hitler's Germany, and as a result of their talks a "special relationship" develops between America and Britain. Meanwhile, the womanising Roosevelt is not-so-quietly having an affair with his distant cousin and confidant Daisy (Linney).

Essentially there are two films here fighting for our attention. Much of the story is seen through Daisy's eyes, complete with an annoyingly mousy voiceover that never tells us anything we can't see on screen. Linney underplays the character to the point where we barely notice that she's in the room, and the depiction of Daisy's romance with FDR is often squirm-inducing. By contrast, the other aspect of the plot is fascinating, with West and especially Colman shining in their roles as witty, nervous Brits trying to make the most of the first ever visit of a British monarch to America. Their steely resolve is brilliantly undermined by their brittle nerves and endless curiosity. 

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Celebrities at ITV

Samuel West and Sam West - Celebrities at ITV London United Kingdom Friday 25th January 2013

Samuel West and Sam West
Samuel West and Sam West
Samuel West and Sam West

Picture - Samuel West, , Wednesday 17th October 2012

Samuel West - Samuel West, Wednesday 17th October 2012 at the 56th BFI London Film Festival - 'Hyde Park On Hudson' at The Empire Leicester Square.

Samuel West
Samuel West

Picture - Bill Murray and Samuel West , Tuesday 16th October 2012

Bill Murray and Samuel West - Bill Murray and Samuel West Tuesday 16th October 2012 56th BFI London Film Festival- 'Hyde Park'

Howards End Review


Excellent
After 35 years of toiling and only one hit to their name (A Room with a View), the directing-producing team of Merchant-Ivory finally hit their stride with Howards End, a work that would become synonymous with their names and the template for their unmistakable style.

Slow, intricate, and deeply symbolic, Howards End ranks among the top films in their oeuvre. It's a history that, if you look at it closely, really amounts to three greats (End, Room, and The Remains of the Day) and a whole lot of nothing-much-else. But that's a subject for another day.

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Pandaemonium Review


OK
How'd Coleridge and Wordsworth write all that nutty poetry? By getting high off of helium, nitrous oxide, opium, and its ilk. Julien Temple's ambitious film is nonetheless perplexing, a Kafka-meets-Coming Home story of friendship and betrayal as well as war (the French revolution) and drugs. It's awesome to look at, but its historical accuracy seems iffy at best. And it's far too long.

Howards End Review


Excellent
After 35 years of toiling and only one hit to their name (A Room with a View), the directing-producing team of Merchant-Ivory finally hit their stride with Howards End, a work that would become synonymous with their names and the template for their unmistakable style.

Slow, intricate, and deeply symbolic, Howards End ranks among the top films in their oeuvre. It's a history that, if you look at it closely, really amounts to three greats (End, Room, and The Remains of the Day) and a whole lot of nothing-much-else. But that's a subject for another day.

Continue reading: Howards End Review

Van Helsing Review


Zero

The epitome of everything that's wrong with $150 million B-movies, "Van Helsing" is an inane, soulless, 19th century vampire-hunting action flick of computer-F/X overkill and ham-fisted actors chewing on stale catch-phrase dialogue (when dialogue is even allowed) as if it's a mouthful of bubblegum with the flavor long gone.

Despite being inspired (if you can even call it that) by a character in "Dracula" and lifting a slew of monsters from other classic horror tales too, the picture has little story to speak of -- just a few minutes about Bram Stoker's bloodsucking Count using the electrifying re-animation technique of Mary Shelley's Dr. Frankenstein to zap life into thousands of his gestating offspring that hang in slimy pods all over his castle lair.

So since writer-director Stephen Sommers (who clearly blew all his talent on "The Mummy" -- as anyone who's seen "The Mummy Returns" can attest) couldn't be bothered with anything more than Cliffs-Notes plot and character development, I'm going to respond in kind -- not bothering with a structured review and instead simply listing examples of the twaddle and tripe that pass for script and storytelling in this laughable example of Hollywood's numbing, style-without-substance approach to summer movies.

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Samuel West

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