It starts off bad enough. As the credits announce the four writer/directors (Allison Anders, Alexandre Rockwell, Robert Rodriguez, and Quentin Tarantino), a cartoon sequence plays over them, in the tradition of cinematic masterpieces like Mannequin. This sets the stage: New Year's Eve at Hollywood's Mon Signor Hotel and only one bellhop (Tim Roth), and believe me, it's a rillyrilly wacky place. The film then launches into the first of four 30ish-minute shorts, one by each director.
Continue reading: Four Rooms Review
It's silly -- in fact, it's unbelievably silly -- to the point where some of the film's more absurd one-liners might make you giggle. Sure there are points where it gets awful: the hoedown where a hillbilly band sings a song about the legendary worm that once terrorized the area (complete with people in a snake costume which Grant slices in half) is a lowlight. The "special effects" -- which use cardboard overlays under which actual action takes place -- are worthy of the 1950s.
Continue reading: Lair Of The White Worm Review
Many ticket-holders couldn't get into the O2 Arena show on Tuesday night (September 19th) because they didn't bring photo ID to match their booking.
An album re-release, a new song and a documentary mark the singer's legacy this year.
The film will be the first in the Marvel Cinematic Universe led by a person of colour.
The actor plays the titular hero in the forthcoming adaptation.