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Four Rooms Review


Weak
I wish I could say I was let down by Four Rooms, but given the sheer volume of just awful buzz about the film, I think I got what I was expecting: an over-anticipated, overworked movie that was full of talent but devoid of taste.

It starts off bad enough. As the credits announce the four writer/directors (Allison Anders, Alexandre Rockwell, Robert Rodriguez, and Quentin Tarantino), a cartoon sequence plays over them, in the tradition of cinematic masterpieces like Mannequin. This sets the stage: New Year's Eve at Hollywood's Mon Signor Hotel and only one bellhop (Tim Roth), and believe me, it's a rillyrilly wacky place. The film then launches into the first of four 30ish-minute shorts, one by each director.

Continue reading: Four Rooms Review

Lair Of The White Worm Review


Weak
Ultra-cheesy low-budget horror flick give us Amanda Donohoe, Hugh Grant, and, well, a really big worm. Donohoe vamps it up as the last acolyte of an ancient pagan snake-god religion in this ridiculous excuse for a movie, notable mainly for Grant's appearance as a researcher of sorts who gets caught up in the goings-on when a giant snake skull is dug up.

It's silly -- in fact, it's unbelievably silly -- to the point where some of the film's more absurd one-liners might make you giggle. Sure there are points where it gets awful: the hoedown where a hillbilly band sings a song about the legendary worm that once terrorized the area (complete with people in a snake costume which Grant slices in half) is a lowlight. The "special effects" -- which use cardboard overlays under which actual action takes place -- are worthy of the 1950s.

Continue reading: Lair Of The White Worm Review

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Four Rooms Movie Review

Four Rooms Movie Review

I wish I could say I was let down by Four Rooms, but given the...

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