It's been 20 years since French filmmaker Luc Besson shook up the sci-fi genre with his inventive adventure The Fifth Element, and now he's back at at again with this adaptation of the popular comics by Pierre Cristin and Jean-Claude Mezieres. The film is a blast of visual animation, with a wildly over-complicated story involving time and space. It's all rather messy, but there's plenty of comedy and adventure to hold the interest, plus some offbeat romance and a hint of present-day politics.
It's set in the 28th century, when the human-created mega-city Alpha has travelled across the universe and is now home to beings from a thousand worlds. Valerian (Dane DeHaan) is a security officer working with his bickering partner Laureline (Cara Delevingne) to retrieve illegal contraband. After a mission on a desert planet with parallel dimension issues, they return to Alpha with haunting information about a lost civilisation, which seems to be at the centre of a secret war Alpha's Commander (Clive Owen) is waging. Amid a complex power struggle, Valerian and Laureline head into a no-go sector of Alpha to find out what's going on, getting help from a chatty pimp (Ethan Hawke), a submarine pirate (Alain Chabat) and a shape-shifting pole-dancer (Rihanna).
Besson fills the nearly two and a half hour running time with outlandishly colourful effects, lively action and lots of verbal banter, but not so much character development. Only Valerian and Laureline emerge as fully formed people, even as they conform rather oddly to gender expectations that are old fashioned today, let alone 700 years in the future. So their tetchy romance is enjoyable but rather aimless. Meanwhile, Rihanna has some strong moments once she stops dancing and changing costumes like she's in a music video. And Sam Spruell and Kris Wu make a solid double act as Alpha officials trying to work out what's going on.
Continue reading: Valerian And The City Of A Thousand Planets Review
Valerian (Dane DeHaan) and Laureline (Cara Delevingne) are partners. Skilled government agents whose job it is to protect the human race and uphold the law on an intergalactic basis, they defy orders to seperate when they are sent by their commander Arün Filitt (Clive Owen) to visit a utopian city named Alpha. Housing 17 million residents of every alien species in the known universe, it's a sprawling metropolis where creatures of all races share their varied knowledge and their skills and help each other in creating the most technologically advanced and peaceful place in existence. However, the fact that Valerian and Laureline are on their way there means that something evil is afoot; somebody wants to destroy the cross-cultural harmony and threaten the safety of all races not just in Alpha, but in every corner of the universe.
For Luc Besson's latest foray into the sci-fi stratosphere, he has decided to bring the popular graphic novel 'Valérian and Laureline' to life in a screen adaptation; Dane DeHaan and Cara Delevingne have been cast in the lead roles of Valerian and Laureline respectively.
A remix of The Beatles' much loved track 'Because' from their 1969 classic album 'Abbey Road' can be heard sound tracking the trailer.
Set thousands of years in the future, Valérian and Laureline journey far and wide around the universe at the behest of the government in charge of the human territories. Their mission is to keep the peace and make sure order is continually maintained. Valérian can't help but be enamoured by Laureline obvious beauty and strong mentality but she is hesitant toward his advances and tries to keep their relationship as professional as can be.
In these faux featurettes, the crew of Ares 3 talk us through some of the procedures and practices they must go through before embarking on their perilous mission to Mars. The small team of astronauts are put through rigorous training and exercise programs to make sure they're both mentally and physically fit for the mission.
The team also talk about how they will actually get to Mars and show you around their ship.
Matt Damon leads the cast in The Martian, he plays astronaut Mark Watney who specialises in botany and mechanical engineering. The story follows his struggle to survive as he becomes deserted on Mars after a near fatal accident.
Continue: The Martian - Clips
Ed Sheeren has been cast in the role of Sir Cormac, the deadly sidekick of a church elder, in the upcoming historical fiction drama series, ‘The Bastard Executioner’.
Ed Sheeran has been cast in a recurring role on the upcoming FX drama, The Bastard Executioner. Kurt Sutter, the creator of FX’s Sons of Anarchy, has created the upcoming series which is set in 14th century Britain.
Ed Sheeran at the unveiling of his waxwork in Madame Tussauds, New York, in May 2015.
Throughout the 1950s and 1960s, London was at the mercy of the terrifying Kray twins (Tom Hardy). Reggie Kray was forced to spend most of his life holding back his identical twin brother, Ronnie, who suffered from paranoid schizophrenia. As acclaimed night club owners and feared gangsters, the two twins were seen to own London, and lived a life of glitz and glamour, as well as blood and brutality. That is, until Detective Superintendent Leonard "Nipper" Read (Christopher Eccleston) took the task of bringing two of the most powerful and dangerous criminals in the city's history to justice, by any means necessary.
Continue: Legend - First Look Trailer
Utterly bonkers, this movie confounds any attempt to categorise it, blending comedy, romance, horror and drama to become a true one-off. And it maintains such a darkly playful tone that it's impossible not to smile even as things turn rather hideously nasty. Against all odds, these contradicting moods come together into something surprisingly involving, thanks to skilled director Marjane Satrapi (Persepolis) and clever writer Michael R. Perry. Their approach is so inventive that it's impossible to guess what might happen next.
Set in a small industrial town, the story centres on Jerry (Ryan Reynolds), who was set up with a job in a bathtub factory after his release from a psychiatric institute. Overseen by therapist (Jacki Weaver), Jerry is settling in nicely. He has a crush on Fiona (Gemma Arterton) in accounting, even though it's actually her office colleague Lisa (Anna Kendrick) who likes him. But no one realises that he has gone off his meds and is starting to listen to advice coming from his lovable dog Bosco and his evil cat Mr Whiskers. What they tell him to do is pretty horrific, but he thinks that this is the only way to get his life back on track.
Where the plot goes is seriously grisly, but it's played out by the cast and filmmakers in a blackly comical way that's highly stylised, seeing everything through Jerry's warped perspective. The question is whether he's a serial killer, an insane criminal or an emotionally tormented young man. Whatever, the film is a remarkably internalised exploration of mental illness, because the tone refuses to let us off the hook. And because all of the performances are riotously funny, bridging the gaps between the humour, romance and violence.
Continue reading: The Voices Review
As with the first two films in this dumb but bombastically watchable franchise, writers Luc Besson and Robert Mark Kamen seemingly put no effort into writing a script that can even remotely hold water. This is such a boneheaded story that it boggles the mind, eliciting laughter every time it tries to show some emotion or menace. But watching Liam Neeson charge around on a personal mission, cleaning up the criminal underworld in the process, is still rather good fun.
Back home in Los Angeles, former super-spy Bryan (Neeson) is trying to re-bond with his daughter Kim (Maggie Grace) while waiting for his ex-wife Lenore (Famke Janssen) to leave her sweaty but wealthy husband Stuart (Dougray Scott) and come back to him. But this dream is cut short in a twisted act of violence that leaves Bryan as the prime suspect. With Inspector Franck (Forest Whitaker) on his tail, Bryan traverses the city trying to unknot the mystery and find out who the real villain is, so he can clear his name and protect his family. With the help of an old pal (Leland Orser), Bryan manages to taunt and elude the cops at every turn while tracking down the nasty Russian mafioso Malankov (Sam Spruell). But something is clearly not right here.
Instead of centring on one far-fetched kidnapping, pretty much every character in the story gets "taken" at some point in the movie. The film benefits from this break in the formula, creating a relentless pursuit that runs right through the story. So even if the details never remotely ring true, and even if most scenes feel badly contrived, it's thoroughly entertaining to watch Neeson's stand-in stuntman leap across backyard fences or drive like a maniac on the freeway, causing mass carnage in his wake. Sadly, director Olivier Megaton directs and edits the film by chopping scenes into splinters, then reassembling them so they make no sense at all. It's loud and fast and incomprehensible.
Continue reading: Taken 3 Review
Things are finally quieting down for Bryan Mills (Liam Neeson). After the ex-special forces operative tracked down and returned his daughter (Maggie Grace), then his wife (Famke Janssen) following their captures, Mills is now settling into a normal life in Los Angeles. But when his wife is suddenly murdered by an unknown villain, Mills finds himself accused and ends up on the run from the LAPD. Inspector Franck Dotzler (Forest Whitaker) heads up the investigation against Mills and orders him to give himself up. But Mills is not going down until he looks for his wife’s murderer, finds them, and kills them.
Continue: Taken 3 Trailer
Tom and Anna Reed are a young married couple who have moved all the way to London with the intention of restoring the house that Anna grew up in and subsequently starting a family. However, it isn't long before the pair fall on hard times and they are faced with losing the house they have been so desperate for. One day, they fail to get a response from their basement tenant Ben and go down to his apartment to check on him, only to be faced with a brutal murder scene. Their luck seems to change, however, when they discover a bag of £220,000 in bank notes stashed in the ceiling tiles. They take the money, agreeing to only use what is needed to cover their mortgage and credit card bills. Unfortunately, there are people after the money. People who Ben made a mistake to cross. People intent on hunting down the Reeds.
Continue: Good People - Trailer Trailer
The actor says he isn't "holding out for more money or doing anything like that".
The drama will be making its return to the streaming service in the near future.
Charlie Cox explains why his character Daredevil 'doesn't have time' for Jessica Jones.
It's been 20 years since French filmmaker Luc Besson shook up the sci-fi genre with...
Valerian (Dane DeHaan) and Laureline (Cara Delevingne) are partners. Skilled government agents whose job it...
For Luc Besson's latest foray into the sci-fi stratosphere, he has decided to bring the...
In these faux featurettes, the crew of Ares 3 talk us through some of the...
Throughout the 1950s and 1960s, London was at the mercy of the terrifying Kray twins...
Utterly bonkers, this movie confounds any attempt to categorise it, blending comedy, romance, horror and...
As with the first two films in this dumb but bombastically watchable franchise, writers Luc...
Things are finally quieting down for Bryan Mills (Liam Neeson). After the ex-special forces operative...
Tom and Anna Reed are a young married couple who have moved all the way...
Rising star Jack O'Connell delivers a ripping performance as a young convict with more baggage...