For Luc Besson's latest foray into the sci-fi stratosphere, he has decided to bring the popular graphic novel 'Valérian and Laureline' to life in a screen adaptation; Dane DeHaan and Cara Delevingne have been cast in the lead roles of Valerian and Laureline respectively.
A remix of The Beatles' much loved track 'Because' from their 1969 classic album 'Abbey Road' can be heard sound tracking the trailer.
Set thousands of years in the future, Valérian and Laureline journey far and wide around the universe at the behest of the government in charge of the human territories. Their mission is to keep the peace and make sure order is continually maintained. Valérian can't help but be enamoured by Laureline obvious beauty and strong mentality but she is hesitant toward his advances and tries to keep their relationship as professional as can be.
In these faux featurettes, the crew of Ares 3 talk us through some of the procedures and practices they must go through before embarking on their perilous mission to Mars. The small team of astronauts are put through rigorous training and exercise programs to make sure they're both mentally and physically fit for the mission.
The team also talk about how they will actually get to Mars and show you around their ship.
Matt Damon leads the cast in The Martian, he plays astronaut Mark Watney who specialises in botany and mechanical engineering. The story follows his struggle to survive as he becomes deserted on Mars after a near fatal accident.
Continue: The Martian - Clips
Ed Sheeren has been cast in the role of Sir Cormac, the deadly sidekick of a church elder, in the upcoming historical fiction drama series, ‘The Bastard Executioner’.
Ed Sheeran has been cast in a recurring role on the upcoming FX drama, The Bastard Executioner. Kurt Sutter, the creator of FX’s Sons of Anarchy, has created the upcoming series which is set in 14th century Britain.
Ed Sheeran at the unveiling of his waxwork in Madame Tussauds, New York, in May 2015.
Throughout the 1950s and 1960s, London was at the mercy of the terrifying Kray twins (Tom Hardy). Reggie Kray was forced to spend most of his life holding back his identical twin brother, Ronnie, who suffered from paranoid schizophrenia. As acclaimed night club owners and feared gangsters, the two twins were seen to own London, and lived a life of glitz and glamour, as well as blood and brutality. That is, until Detective Superintendent Leonard "Nipper" Read (Christopher Eccleston) took the task of bringing two of the most powerful and dangerous criminals in the city's history to justice, by any means necessary.
Continue: Legend - First Look Trailer
Utterly bonkers, this movie confounds any attempt to categorise it, blending comedy, romance, horror and drama to become a true one-off. And it maintains such a darkly playful tone that it's impossible not to smile even as things turn rather hideously nasty. Against all odds, these contradicting moods come together into something surprisingly involving, thanks to skilled director Marjane Satrapi (Persepolis) and clever writer Michael R. Perry. Their approach is so inventive that it's impossible to guess what might happen next.
Set in a small industrial town, the story centres on Jerry (Ryan Reynolds), who was set up with a job in a bathtub factory after his release from a psychiatric institute. Overseen by therapist (Jacki Weaver), Jerry is settling in nicely. He has a crush on Fiona (Gemma Arterton) in accounting, even though it's actually her office colleague Lisa (Anna Kendrick) who likes him. But no one realises that he has gone off his meds and is starting to listen to advice coming from his lovable dog Bosco and his evil cat Mr Whiskers. What they tell him to do is pretty horrific, but he thinks that this is the only way to get his life back on track.
Where the plot goes is seriously grisly, but it's played out by the cast and filmmakers in a blackly comical way that's highly stylised, seeing everything through Jerry's warped perspective. The question is whether he's a serial killer, an insane criminal or an emotionally tormented young man. Whatever, the film is a remarkably internalised exploration of mental illness, because the tone refuses to let us off the hook. And because all of the performances are riotously funny, bridging the gaps between the humour, romance and violence.
Continue reading: The Voices Review
As with the first two films in this dumb but bombastically watchable franchise, writers Luc Besson and Robert Mark Kamen seemingly put no effort into writing a script that can even remotely hold water. This is such a boneheaded story that it boggles the mind, eliciting laughter every time it tries to show some emotion or menace. But watching Liam Neeson charge around on a personal mission, cleaning up the criminal underworld in the process, is still rather good fun.
Back home in Los Angeles, former super-spy Bryan (Neeson) is trying to re-bond with his daughter Kim (Maggie Grace) while waiting for his ex-wife Lenore (Famke Janssen) to leave her sweaty but wealthy husband Stuart (Dougray Scott) and come back to him. But this dream is cut short in a twisted act of violence that leaves Bryan as the prime suspect. With Inspector Franck (Forest Whitaker) on his tail, Bryan traverses the city trying to unknot the mystery and find out who the real villain is, so he can clear his name and protect his family. With the help of an old pal (Leland Orser), Bryan manages to taunt and elude the cops at every turn while tracking down the nasty Russian mafioso Malankov (Sam Spruell). But something is clearly not right here.
Instead of centring on one far-fetched kidnapping, pretty much every character in the story gets "taken" at some point in the movie. The film benefits from this break in the formula, creating a relentless pursuit that runs right through the story. So even if the details never remotely ring true, and even if most scenes feel badly contrived, it's thoroughly entertaining to watch Neeson's stand-in stuntman leap across backyard fences or drive like a maniac on the freeway, causing mass carnage in his wake. Sadly, director Olivier Megaton directs and edits the film by chopping scenes into splinters, then reassembling them so they make no sense at all. It's loud and fast and incomprehensible.
Continue reading: Taken 3 Review
Things are finally quieting down for Bryan Mills (Liam Neeson). After the ex-special forces operative tracked down and returned his daughter (Maggie Grace), then his wife (Famke Janssen) following their captures, Mills is now settling into a normal life in Los Angeles. But when his wife is suddenly murdered by an unknown villain, Mills finds himself accused and ends up on the run from the LAPD. Inspector Franck Dotzler (Forest Whitaker) heads up the investigation against Mills and orders him to give himself up. But Mills is not going down until he looks for his wife’s murderer, finds them, and kills them.
Continue: Taken 3 Trailer
Tom and Anna Reed are a young married couple who have moved all the way to London with the intention of restoring the house that Anna grew up in and subsequently starting a family. However, it isn't long before the pair fall on hard times and they are faced with losing the house they have been so desperate for. One day, they fail to get a response from their basement tenant Ben and go down to his apartment to check on him, only to be faced with a brutal murder scene. Their luck seems to change, however, when they discover a bag of £220,000 in bank notes stashed in the ceiling tiles. They take the money, agreeing to only use what is needed to cover their mortgage and credit card bills. Unfortunately, there are people after the money. People who Ben made a mistake to cross. People intent on hunting down the Reeds.
Continue: Good People - Trailer Trailer
Rising star Jack O'Connell delivers a ripping performance as a young convict with more baggage than you'd think humanly possible. And he's ably supported by Ben Mendelsohn and Rupert Friend in career-best performances. So even if the film indulges in just about every prison-movie cliche imaginable, the focus on intensely realistic characters makes it stand out from other movies.
O'Connell plays Eric, who at 19 is so violent that he has been "starred up" from his young-offenders prison to the big house. The hitch is that he's now on the same wing as Neville (Mendelsohn), the father he's never known. Eric is such a brute that the harsh governor (Sam Spruell) wants to keep him in a hole, but concerned therapist Oliver (Friend) thinks he can help Eric channel his anger in more positive directions. On the other hand, by attending therapy sessions Eric is putting himself right in the middle of his father's rival prison gang.
The demands of the plot are obvious from the start, as the film makes it clear that prison is a hopeless place where violence rules. So while director David Mackenzie (Young Adam) lets the usual vicious nastiness swirl through each scene, he also tries to keep the focus on Eric's more internal struggle against his lifetime of abuse and abandonment. This is of course far more interesting than the prison-life plot, giving O'Connell a chance to deliver a strikingly involving turn as a young guy who's outwardly terrifying but also thoughtful and intelligent.
Continue reading: Starred Up Review
This film proves that all the right ingredients don't necessarily make a movie work. Even with top-drawer filmmakers and actors, this dramatic thriller simply never grabs our interest. It looks great, and everyone is giving it their all, but the story and characters remain so badly undefined that we can't identify with either.
The story's set on the US-Mexico border, where a slick lawyer (Fassbender) known as "the Counsellor" has slightly too much going on in his life. He has just proposed to his dream woman Laura (Cruz), while he's planning to open a nightclub with Reiner (Bardem). For extra cash, he's organising a massive cocaine shipment with Westray (Pitt). And it's this drug deal that goes wrong, creating a mess that engulfs Reiner and Laura, as well as Reiner's shrewd girlfriend Malkina (Diaz). As his life collapses around him, the Counsellor scrambles to salvage what he can, even as he realises that it'll be a miracle if anyone survives.
There are problems at every level of this production. McCarthy's first original script is simply too literary, putting verbose dialog into the actors mouths that never sounds like people talking to each other. Fassbender and Bardem are good enough to get away with this, but Pitt and Diaz struggle. Both Fassbender and Cruz bring out some wrenching emotions in their scenes, but their characters are never much more than cardboard cutouts. In fact, no one in this story feels like a fully fleshed-out person. And the little we know about each character makes most of them fairly unlikeable.
Continue reading: The Counselor Review
It's almost here! Here's what to expect.
New trailer gives a glimpse into this 2017 re-boot.
For Luc Besson's latest foray into the sci-fi stratosphere, he has decided to bring the...
In these faux featurettes, the crew of Ares 3 talk us through some of the...
Throughout the 1950s and 1960s, London was at the mercy of the terrifying Kray twins...
Utterly bonkers, this movie confounds any attempt to categorise it, blending comedy, romance, horror and...
As with the first two films in this dumb but bombastically watchable franchise, writers Luc...
Things are finally quieting down for Bryan Mills (Liam Neeson). After the ex-special forces operative...
Tom and Anna Reed are a young married couple who have moved all the way...
Rising star Jack O'Connell delivers a ripping performance as a young convict with more baggage...
This film proves that all the right ingredients don't necessarily make a movie work. Even...
'The Counsellor' tells the story of a naive lawyer who holds the belief that dabbling...
There's an oddly over-serious tone to this fairy tale, as if the filmmakers thought they...