It's 1978 Boston and an unlikely gang made up of Justine (Brie Larson), Stevo (Sam Riley), Chris (Cillian Murphy), Bernie (Enzo Cilenti) and Frank (Michael Smiley) - meet up with a criminal insider named, Ord (Armie Hammer) who has contact with someone from whom they can buy a set of guns. They all meet up in an abandoned warehouse, and the gang soon realise that these arms traders are not messing around. Led by the volatile Vernon (Sharlto Copley), things take a violent turn when the traders try to sell the gang the wrong set of weapons. A comedic shoot-out ensues, with everybody turning on each other while trying to stay alive and escape with their money and merchandise. But they find themselves having to work together when an mysterious sniper shows up trying to shoot them all.
Continue: Free Fire Trailer
Matt Smith has joined a stellar British cast for the comedy-horror.
Matt Smith has signed on to star in 'Pride and Prejudice and Zombies'
The project has been in development for years and will finally go into production on September 24. A comedy-horror spin-off of Jane Austen's classic Pride and Prejudice, Zombies stars Liz Bennett (James) who is pressurised by her family to marry into a wealth home but rebels against the social requirements of Victorian England. Instead, she sets out to help defend the English countryside against a plague of horrifying zombies.
Continue reading: Matt Smith Signs On For 'Pride And Prejudice And Zombies'
Maleficent is a cruel sorceress who will stop at nothing to destroy those who have stolen her wings and ruined her world. As a child, she lived happily in the forest kingdom with a powerful force inside her that she was mostly unaware of. However, it wasn't long before it spun out of control at the arrival of the human kingdom's brutal army, who were intent on taking over. She fought bravely as the guardian of her land, but her valour soon turned to viciousness when she is callously deceived. A new person now filled with a dark desire for vengeance, she takes it upon herself to curse the daughter of her betrayer's successor, forcing her to die when she reaches her sixteenth birthday. Can Princess Aurora persuade Maleficent to turn her curse around, or is the wicked fairy truly a lost cause?
Adapted from the 1959 animated Disney movie 'Sleeping Beauty', 'Maleficent' is the untold story of the film's embittered villain. It marks the directorial debut of double Oscar winning visual effects designer Robert Stromberg with a screenplay by Linda Woolverton ('Beauty and the Beast', 'The Lion King'), Paul Dini ('Superman' animated TV series) and John Lee Hancock ('The Blind Side', 'Snow White and the Huntsman'). It is due to hit the UK on May 30th 2014.
The casting of 'Dr Doom' in the Fantastic Four reboot is nearing its conclusion, but who will play the villain?
The casting of Dr Doom in the new Fantastic Four movie has reached its final stages, with four actors in with a shot of playing the main villain. So who will be the one to terrorize the new line-up of superheroes, Miles Teller, Kate Mara, Michael B. Jordan and Jamie Bell?
According to The Wrap, casting directors have singled out Sam Riley, Eddie Redmayne, Toby Kebbell and Domhnall Gleeson as the final four. A fifth actor, Jack Huston, was also in the mix a couple of weeks back though it's unclear whether it remains a possibility.
Continue reading: One Of These Four Actors Will Play 'Fantastic Four's' Dr Doom
Maleficent is a merciless sorceress who dubs herself the 'Mistress of All Evil'. But she hasn't always had a heart of stone. As a beautiful young girl she was happy and contented with her life in the forested kingdom, but deep down she held within her a powerful strength; a strength that would surface when she became the guardian of the entire land as a brutal army take siege. However, through all her great feats of bravery, she is faced with a callous deception that transforms her completely. In a fit of rage she places a curse on baby Princess Aurora; the daughter of the usurping King's successor; that would see her prick her finger on a spindle and die on her sixteenth birthday. However, on meeting a much older Aurora, Maleficent starts to wonder if she could actually help to bring happiness back to the land, and to Maleficent herself.
Continue: Maleficent - Teaser Trailer
Nearly 20 years after Interview With the Vampire, Neil Jordan returns to the genre to breath some new life into a mythology that has grown stale, predictable and rather mopey (see Twilight). With a lively script by Buffini, Jordan creates a lushly stylish dramatic thriller that continually takes us aback with off-beat storytelling and complex characters who don't always do what we expect them to.
The story centres on mother-daughter immortals Clara and Eleanor (Arterton and Ronan), who are on the run when they arrive in a fading British seaside town. The resourceful Clara seduces the nervous Noel (Mays) so they can stay in his dilapidated Byzantium guesthouse. To earn some cash, the always resourceful Clara turns the empty rooms into a brothel. Meanwhile, Eleanor befriends the fragile young Frank (Jones) and reveals the fact that she and her mother are actually more than 200 years old and need human blood to survive. Through all of this, they're being chased by two elder vampires, the ruthless Ruthven (Miller) and the more sympathetic Darvell (Riley), both of whom share a tangled romantic past with Clara.
Unusually intelligent, the film holds our interest with an astonishing series of twists and turns plus an array of colourful characters that play on stereotypes. Holding it all together is a fairly simple plot that reveals itself in bits and pieces until the full picture comes into focus. From this point, we pretty much know what has to happen in the big finale, but watching events unfold is satisfying and sometimes both thrilling and moving.
Continue reading: Byzantium Review
Clara and Eleanor are a mother and daughter, born two centuries ago as vampires and surviving only on the blood of mortal beings. They escape to an English seaside town and are taken into an abandoned guesthouse by the owner, Noel. While Clara takes on a job as a lady of the night who drains the blood from her clients, Eleanor has dreams of being a writer, chronicling her life as a vampire in pages that she usually scatters in the wind. It isn't long before they are discovered, both by the mortal people of the town and by The Brotherhood; an all-male vampire organisation that seek to find and kill Clara. Eleanor meets a boy called Frank, who she develops feelings for and spills the secrets of her world to, angering her mother who fears for their safety. As knowledge of their existence spreads further and further, they are forced to confront their past and the deadly secrets that come with it.
Continue: Byzantium Trailer
The Hobbit: An Unexpected Journey is riding high in the US box office charts (way higher than its nearest competitor, Rise of the Guardians) this week and it’s unlikely that will change, though there are at least two releases this weekend that have been causing a stir. Tom Cruise stars in Jack Reacher – the adaptation of the Lee Child novel and This Is 40, the new comedy from Judd Apatow; a sequel to the popular comedy Knocked Up.
Some fans of Lee Child’s novels questioned the decision to cast Tom Cruise in the title role of Jack Reacher. He was, after all, originally on board as a producer only but after reading the script, it seems, he decided he’d like to have a go at starring in the movie too. It looks as though the gamble has just about paid off, as long as you enter the movie theatre with the understanding that what you are about to see is very much A Tom Cruise Movie, with Tom Cruise in standard Tom Cruise “cool and calculating” mode, as described by Betsy Sharkey of Los Angeles Times.
So far, the reviews are just about erring on the side of positive, with an aggregate of 63% on Rotten Tomatoes. Let’s face it, Tom Cruise’s rep has hardly had an easy ride this year and this is hardly challenging new ground for the Mission Impossible star, who has frequented many a steely action thriller of late. However, many reviewers have surmised that really, it’s Cruise that makes this movie. “This is Cruise’s show. And he nails it,” says Peter Travers of Rolling Stone. One for the Cruise fans, then. Wherever you are.
It looks as though the news that Angelina Jolie’s daughter Vivienne will be appearing in Maleficent may have caused a touch of sibling rivalry in the Pitt-Jolie household. Today (October 23, 2012), US Weekly have revealed that another two members of Angelina’s sprawling brood have signed up for roles in the movie, which focuses on Sleeping Beauty’s evil nemesis.
Back in August, it was reported that four year-old Vivienne Jolie-Pitt had landed the role of the child version of Aurora, the Princess. The grown up Aurora will be played by Elle Fanning. Now, it’s been revealed that Pax – aged eight – and Zahara – aged seven – will also be appearing in the live-action movie, alongside their little sister and their mum. Disney haven’t actually commented on the news but a source told US Weekly that Pax and Zahara have “smaller parts” than Vivienne and apparently won’t have speaking roles. If you’re wondering why Shiloh, Maddox and Knox have been left out of the action, then you should probably know that Shiloh was offered a part as well but “she was bored and not in the mood during the day her part was supposed to happen so she ended up not being in the film.” Kids, eh?
Continue reading: Nepotism Alert! More Of Angelina Jolie's Brood Cast In Maleficent
Despite the skill behind and in front of the camera, a badly constructed script flattens this film version of Jack Kerouac's iconic 1957 novel. It's beautifully shot and sharply played by the starry ensemble cast, but the repetitive structure leaves the film with no forward momentum. Instead of a voyage of discovery, it feels like a lot of random, pointless wandering.
Thinly autobiographical, the story centres on the young New York writer Sal (Riley). He's drawn to the charismatic Dean (Moriarty), a charming rogue who's married to 16-year-old Marylou (Stewart) but is having an affair with Camille (Dunst) while seducing every other woman he meets. And quite a few men as well, including Sal's friend Carlo (Sturridge). All of them are writers and artists, hanging out in clouds of hash smoke as they drive back and forth across America in search of something to write about.
Of course, Sal finds this in Dean as their friendship ebbs and flows over several years. Since this is essentially Sal's story, it's rather odd that the film abandons him from time to time to follow someone else, leaping jarringly into another situation, often marked by Dean's sudden reappearance after yet another bit of roaming. So while we understand how everyone is held in Dean's magnetic orbit, we can't quite see the point of it all. Sal may be obsessed with his thoughts of Dean, but he seems strangely willing to abandon him time and time again. There isn't nearly enough of the scene-stealing costars like Mortensen, Adams and Buscemi. And frankly, it should be a crime to waste Moss (of Mad Men fame) in such a fragmented role.
Continue reading: On The Road Review
It’s every third-year university student’s favourite book, and now that an On The Road Movie exists, it’ll surely don the walls of many in poster form. But is the new cinematic adaption of Kerouac’s seminal road-novel a worthy incarnation? We’ve checked out some On The Road reviews, so you don’t have to.
And we’re very sorry to tell you; it looks like it’s a disappointment. Currently averaging at a measly 55% on review aggregate site, Rotten Tomatoes, the Walter Salles-directed movie would probably rather look at numbers than words, as the written reviews aren’t too kind. “What seemed rhapsodic and euphoric on the page here looks smug, self-regarding and intensely self-conscious,” Writes Peter Bradshaw of The Guardian. “When the actors start mouthing ersatz-passionate dialogue about poetry and novels, the movie starts to flatline, and worse still, when they start on about how incredibly life-affirming they all are, it is as dead as a haddock on a slab.” Harsh words from the British paper there. But it looks as if his damning review represents the general consensus.
But hey, if you’re a real Kerouac enthusiast; one of those people who’ve read the book a thousand times, then you’ll probably like the film. And given the incredibly promising talents of Sam Riley, you’ll probably find something to love about it. On this, Time Out writes: “Freewheeling spontaneity is tough to convey on screen, and the drink- and drug-fuelled carousing lacks Danny Boyle-style zing. But the bull-nosed cars, jazz soundtrack and soft light of a bygone era are a joy. If you’ve got a feel for vintage Americana, or the bebop pulse of Kerouac’s prose, you’ll absolutely get this.”
Sal Paradise is an ambitious young writer trying to find his place in the world. After his father passes away, he decides to seek out new experiences desperate to stay away from the mundaneness of everyday life. In New York, he meets ex-convict Dean Moriarty - an embodiment of the Beat Generation who fascinates him and ends up drawing him into his dangerous world of women, drugs and societal deviance. They hit the road alongside Dean's new, teenage wife Marylou doing anything and everything to ensure that new experiences never end and seek out their own freedom. Along the way they find who they really are, who their friends are and the meaning of being free.
Continue: On The Road Trailer
Vince Ferro is badly in need of money to support his family. His only source of income comes from working low paying construction jobs. One day, Vince overhears a conversation about a recently deceased man, who was about to start a well paid job around the time of his accident. The company the man was about to start working for have apparently not heard the tragic news.
Continue: 13 Trailer
Pinkie (Riley) is a young member of a Brighton gang that becomes rudderless when its leader is killed by rival mobster Colleoni (Serkis). Second in command Spicer (Davis) tries to take charge, but Pinkie starts escalating things, avenging his boss' death in a way that creates a violent tit-for-tat. He also becomes vulnerable to murder charges. As he romances a young witness (Riseborough) to make sure she doesn't say anything, he angers her boss (Mirren) as well as both Colleoni and his righthand man (Hurt).
Continue reading: Brighton Rock Review
Pinkie Brown might be young but his reputation as a fierce and brutal criminal precedes him in many circles. When Pinkie commits a revenge killing, an innocent bystander named Rose sees Pinkie's gang take the victim away. In a ploy to learn how much Rose knows Pinkie attempts to seduce the young girl. Pinkie finds himself falling for Rose but how sure is he that she won't speak to the police and more so, how can Rose trust a murderer who might make her the next victim.
Continue: Brighton Rock Trailer
Have you ever experienced something that is simultaneously both admirable and annoying? Bono engaging the Pope on contraception, perhaps. Or maybe Ernest Vincent Wright's 'Gadsby' - a book written in its entirety without the letter 'e'? Well, Gerald Mcmorrow's 'Franklyn' very much falls into this category, occasionally even approximating those transcendental nadirs of irritation such as when, in the erstwhile example, John Paul II actually donned Bono's 'fly shades' for that most unholy of photo ops
The film is composed of four story strands each centring on a different character. Sam Riley plays Milo, a heartbroken young rake recently jilted at the altar. Eva Green is the panda-eyed goth-artist, Emilia, an enfant terrible railing against her mother and university course via the production of macabre videos of her various suicide attempts. Bernard 'gizza job' Hill plays Peter Esser, a church warden searching for his missing son and Ryan Phillipe is Preest a sack-masked vigilante battling his way against the state officials of the Meanwhile City theocracy.
Continue reading: Franklyn Review
Sam Riley, Alexandra Maria Lara and British Academy Film Awards 2008 - Sam Riley and Alexandra Maria Lara London, England - The Orange British Academy Film Awards 2008 held at the Royal Opera House - Arrivals Sunday 10th February 2008
When we first come across Curtis (a well-researched Sam Riley), he is rushing home with a copy of Aladdin Sane under his arm. Like any experimental teen of that era, he dances and contorts in androgynous bliss while his parents quietly read the paper and prepare dinner in the other room. His quick courtship and marriage to Deborah (the consummate Samantha Morton) quickly sticks him in a go-nowhere house with a go-nowhere job at an employment office. Curtis, like most of England, gets a kick in the knickers when he hears The Sex Pistols for the first time, immediately walking into the street and inquiring whether his friends still need a singer for their band Warsaw.
Continue reading: Control Review
Date of birth
8th January, 1980
Basically a 90-minute shoot-out, there isn't a lot to this movie. British filmmaker Ben Wheatley...
It's 1978 Boston and an unlikely gang made up of Justine (Brie Larson), Stevo (Sam...
In a world where the undead are waiting around every corner to tear you limb...
Even though it's made in a style that feels familiar, this World War II romantic...
During the Second World War, France was quickly and violently taken over by the German...
Disney rewrites its own history again with this revisionist version of its 1959 classic Sleeping...
'Maleficent' stars Angelina Jolie and Elle Fanning talk about the upcoming fairytale movie alongside screenwriter...
Maleficent is a cruel sorceress who will stop at nothing to destroy those who have...
Maleficent is a merciless sorceress who dubs herself the 'Mistress of All Evil'. But she...
Nearly 20 years after Interview With the Vampire, Neil Jordan returns to the genre to...
Clara and Eleanor are a mother and daughter, born two centuries ago as vampires and...
Despite the skill behind and in front of the camera, a badly constructed script flattens...
Sal Paradise is an ambitious young writer trying to find his place in the world....