The fabulous Lily Tomlin finally gets the lead role she deserves in this smart, engaging comedy-drama. Like her title character, the film itself refuses to play nice, tackling big issues like abortion and the strain between mothers and daughters without ever simplifying the topics or the people involved. The plot may feel a bit contrived, and the entire movie rather lightweight, but it's thoroughly entertaining. And the subtle approach to the big themes gives it a strong kick.
Tomlin plays Elle, a mature woman who has just broken up with her girlfriend Olivia (Judy Greer) for no real reason. Then her young granddaughter Sage (Julia Garner) turns up asking for money to terminate her pregnancy. Elle doesn't have the cash, but offers to help her find it, so they head off into Los Angeles in her rattling 1955 Dodge, visiting the unborn baby's stoner father (Nat Wolff) and some of Elle's colourful old friends (Elizabeth Pena, Laverne Cox and Sam Elliott). But both Elle and Sage are terrified that they might ultimately need to get in contact with Sage's workaholic mother Judy (Marcia Gay Harden), the daughter Elle never knew how to talk to.
The layers of mother-daughter interaction in this film are fascinating, and played with riotously jagged chemistry by the gifted cast. Tomlin punches every witty one-liner perfectly, capturing Elle's life-loving spirit and also her weary exhaustion at the way the world keeps changing around her. Tomlin finds terrific angles in each of Elle's relationships, drawing out Garner's wide-eyed yearning, Greer's steeliness and Harden's professional bluster. Each of the side roles feels like a fully formed person with a life of his or her own, which gives context to the humour and makes the entire film feel more weighty and meaningful.
Continue reading: Grandma Review
Elle Reid may be tough, but she's struggling coping with a recent break-up with her girlfriend. If that wasn't enough to contend with, her 18-year-old granddaughter Sage has just shown up at her house, and she needs over $600 immediately. She's pregnant and Elle's financial situation isn't at its best, but she's determined to do everything she can to help her granddaughter. She takes her on a roadtrip to recover cash from Sage's ex-boyfriend - and while her method of extracting money could be more polite, Sage is glad of her company when she manages to obtain it. Elle gives Sage a lesson in tough-talking as she continues to tour the country selling her possessions and begging cash of some old friends. When the pair arrive to see Sage's mom, it's another story; she's a high-flying business woman and the complete opposite of her mother and daughter - and it's clear to see why Sage chose Elle to help her out.
Continue: Grandma Trailer
Sam Elliott - Special screening of 'I'll See you in My Dreams' held at the Tribeca Grand Screening Room - Arrivals at Tribeca Grand Screening Room - New York City, New York, United States - Monday 11th May 2015
Blythe Danner says is ''not really shopping'' for a boyfriend and hasn't had a serious relationship since the death of her husband in 2002.
Blythe Danner is ''not really shopping'' for a boyfriend.
The 'I'll See You In My Dreams' star said: ''I've had a couple of blind dates, but I haven't had a [serious] date and I'm not really shopping for another relationship.''
Continue reading: Blythe Danner Doesn't Want A Boyfriend
Old age is usually seen as a sad time to reflect on your life's work and morn you past friends. For Carol (Blythe Danner), an elderly widow, this is the case. That is, until her friends force her back into the dating game. She is beginning to realise that her day to day life is becoming monotonous, yet she soon enough meets Bill (Sam Elliot). A retiree himself, Bill reminds her that even at the supposed twilight years of your life, there is still a chance to begin all over again.
Continue: I'll See You In My Dreams Trailer
Elle Reid is an ageing poet recovering from a broken heart following her break-up with her long term girlfriend. When her troubled 18-year-old granddaughter Sage turns up on her doorstep one day, she thinks she finally has the distraction she needs. However, Sage needs $600 and Elle, now being pretty much broke, can't give it to her. Instead, she offers to drive her around on a long road trip to recover cash from various friends and ex-boyfriends; though it's not only cash they find on the way. Numerous secrets are uncovered and old conflict is resurfaced, and Sage is forced to face responsibility and start becoming an adult. At the same time, Elle knows it's time for her to start thinking about the most important things in life, accept the troubles of her past and stop living under the 'tough woman' guise.
Continue: Grandma - Clip
Sam Elliott and Katherine Ross - Veteren actor Sam Elliott almost unrecognisable without his famous bushy walrus mustache departs from Los Angeles International Airport (LAX) with wife Katherine Ross - Los Angeles, California, United States - Tuesday 27th January 2015
Sonny Weaver, Jr. is the general manager of National Football League team the Cleveland Browns who is faced with immediate dismissal if he does not put together an unbeatable draft pick for his team. With pressure from his associates and from Browns fans, he wants to make a spectacular impact on the football world on draft day but, with his ideas being very different from everyone else's, he's in for a big struggle to bring everyone round to his way of thinking and after making what seems like a professionally suicidal trade, even his mother starts to lose faith in him. Excitement builds as draft day nears, with everyone baffled by what could possibly be in store for the Cleveland Browns; but will Sonny pull through with the number one pick of the year?
Continue: Draft Day Trailer
Ben Shepard is a young and ambitious reporter determined to make a name for himself in the media world. When Sharon Solarz, a member of the radical left organisation Weather Underground, is arrested for her involvement in a bank robbery and subsequent murder 30 years ago, Ben smells an important story that could be his big break. Meanwhile, attorney Jim Grant, a single father of an 11-year-old daughter named Isabel who was also involved in the crime, is forced on the run from the FBI as Ben sparks a new manhunt, but on the way he changes course in an effort to expose the truth and prove his innocence. Ben discovers that the whole story is more complicated than he initially thought, particularly as not everyone appears to be who they say they are.
Continue: The Company You Keep Trailer
American actor Sam Elliott has accused the Roman Catholic Church of scaring Hollywood producers into shelving the two planned sequels to hit movie THE GOLDEN COMPASS.
The film, which starred Nicole Kidman and Daniel Craig, was the first of author Philip Pullman's His Dark Materials fantasy trilogy to be adapted for the big screen.
Two further films based on Pullman's novels - The Subtle Knife and The Amber Spyglass - were due to be made following the box office success of 2007's The Golden Compass - but plans were stalled last year (08), seemingly as a result of the downturn in the economy.
But Elliott is convinced the real reason is down to opposition from church leaders, who he claims put indirect pressure on officials at studio New Line to pull the planned sequels.
Continue reading: Elliott Slams Church Over The Golden Compass Sequels
I should note that I have read the original Philip Pullman books that this trilogy will be based on. Like Tolkien, Pullman creates a multi-layered world to journey through, but he tends to be tighter with narrative style than Tolkien. What he lacks in verbosity he makes up for in texture, and this may be where some problems will lie for an audience, as he is comfortable not sharing useful character and cultural details immediately. Over the course of this film, some information does get left out to respect the audience's time in a theater, but it in no way affects the enjoyment of watching Lyra's (Dakota Blue Richards) story unfold.
Continue reading: The Golden Compass Review
Now then: What does this have to do with Johnny Blaze, superstar motorcycle daredevil? Well, writer-director Mark Steven Johnson will tell you, in a second prologue, after the opening credits, showing Blaze, as a teenager, making one of those unfortunate and confusing satanic contracts in an attempt to save his father's life. Johnson is apparently under the impression that this 20-minute backstory technique worked so well in his Daredevil that he can't afford to, say, skip it and get right to Nicolas Cage, who eventually shows up as the adult Johnny, about to be confronted by the consequences of said contract. Young Johnny's deal is so inadvertent and, again, vague, that the situation lacks considerable drama, but the show must go on.
Continue reading: Ghost Rider Review
Date of birth
9th August, 1944
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