Having successfully rescued Peeta and the other Hunger Games victors, Katniss Everdeen is feeling the strain of being the Mockingjay for the rebel group of District 13. The propaganda is exhausting, and she is starting to become uncertain about who are the heroes and who are the villains. While victory over the Capitol looks in the rebels' favour, Katniss is becoming increasingly suspicious of President Coin - a suspicion which becomes all the more intense when she confronts the captured Panem leader President Snow. He seems intent on killing her, but he's not the only one. When the rebels' methods are shown to be just as hostile as the Capitol, Katniss has to decide which path the take and with the oncoming final Hunger Games, her decision is fated to change her life forever.
Sam Claflin and Laura Haddock - A variety of stars were photographed at the EE British Academy of Film and Television Awards 2015 Official After Party which was held at the Grosvenor House hotel in London, United Kingdom - Sunday 8th February 2015
This four-part franchise, based on the Suzanne Collins novels, turns very dark with this strikingly bold third film, which once again makes the most of perspective to recount a parable about normal people rising up against oppression. This may be a sci-fi apocalypse, but the story is packed with present-day resonance and messy characters who are sometimes unnervingly easy to identify with. So while things get very grim in this chapter, it's still a hugely engaging film, packed with real-life humour and emotion. And it makes Mockingjay Part 2 unmissable.
The story picks up not long after the chaos of the Quarter Quell, when Katniss (Jennifer Lawrence) realised that she had been a pawn for a planned revolution that cast her as the iconic Mockingjay. Now in hiding, the rebels need her to assume the role publicly, but she has other concerns. So she makes a deal with rebel President Coin (Julianne Moore) and her sidekick Plutarch (Philip Seymour Hoffman) that she'll help them if they guarantee safety for the captured Peeta (Josh Hutcherson), who has apparently been brainwashed so he can be used for propaganda purposes by the Capitol's President Snow (Donald Sutherland). Working with her old hunting buddy Gale (Liam Hemsworth), Katniss takes on the Mockingjay role, locking horns with Snow as the rebellion grows in strength.
Once again, director Francis Lawrence vividly tells the story from Katniss' imperfect point of view. This is a teen consumed with anger and confusion, and she can't figure out why she's so inspiring to everyone who looks at her. But she's beginning to understand her impact and how she can use it to help the people she loves. This makes her heroism remarkably human, rather than the usual noble movie self-sacrifice. And Jennifer Lawrence brings so much depth to Katniss that the character transcends even the most jarring plot points. Her internal journey also makes this much more than yet another dystopian teen adventure.
Continue reading: The Hunger Games: Mockingjay Part 1 Review
Has 'Love, Rosie' really transformed the ever-worm romantic comedy genre?
While some filmmakers are happy to rely on the same old formula, others are forever seeking a new approach to a tired genre. And with its nagging predictability, there isn't a trickier genre to refresh than the romantic comedy, because everyone knows that there's only one way these movies can possibly end.
With the British rom-com 'Love, Rosie', director Christian Ditter and Juliette Towhidi, adapting Cecilia Ahern's novel, have a distinctly unusual premise even if the conclusion is rather foregone. This is the story of two lifelong friends who are clearly attracted to each other but neglect to reveal their feelings, sending their lives in very different directions.
Continue reading: 'Love, Rosie' Tries Another Rom-Com Twist
Deliberately unstructured, this likeable romantic comedy holds the audience's interest with its strikingly engaging cast and a slick visual style, but the plot is both contrived and underdeveloped. As the filmmakers try out some wacky slapstick, pointed political moments or a bit of darkly emotional drama, the movie's tone veers so wildly that we don't quite know where to look. And by never managing to crack the surface, the script leaves the actors with little to do but look good.
The story centres on two childhood friends: Rosie (Lily Collins) and Alex (Sam Claflin) grew up on the same street in England, developing romantic longings that they kept hidden. After a drunken teenage kiss, they rebound into the arms of other people: Rosie hooks up with the school hunk Greg (Christian Cooke), while Alex takes wannabe supermodel Bethany (Suki Waterhouse) to the big dance. Then Rosie and Alex's plan to go to university together in Boston is derailed by an unexpected pregnancy. Over the next 12 years they live on opposite sides of the Atlantic, trying to get on with their romantic lives. Alex finds a serious girlfriend (Tamsin Egerton) while Rosie re-connects with Greg and gets support from a pal (Jaime Winstone). But they never stop pining for each other.
Shot and edited in a bouncy rom-com style, it's immediately obvious where this is heading, so screenwriter Juliette Towhidi has to work overtime to throw the audience off the scent, which leaves the movie spinning in circles while we wait for the inevitable to happen. Fortunately, the characters are vivid enough to keep us entertained, as people move in and out of each others' lives providing the laughs and tears for Rosie and Alex, as well as the audience. Even if the characters are predictable and simplistic, Collins and Claflin manage to find moments of real depth along the way. Although it's difficult not to think that one proper conversation between these lifelong best pals would have saved them decades of frustration.
Continue reading: Love, Rosie Review
With the incredible ramifications of the end of the yearly ritualistic sacrificial televised Hunger Games, the world is thrown into disarray when the supposed saviour of the underprivileged working class travels to District 13 to help with the revolution she inadvertently started. Katniss Everdeen (Jennifer Lawrence) is the last hope and symbol of resistance against the capitol that seeks to keep her and her people as poverty-stricken slaves, and after surviving the aforementioned Hunger Games twice, Katniss must learn that 'it is the things we love most that destroy us.' Now, with an army at her back, Katniss must change the course of history and bring freedom to the masses through a global armed revolution.
Mimi and her newest band The Mad Noise Factory feature on the movie's colourful soundtrack with 'Get Me Back'.
Mimi & The Mad Noise Factory are a Germany-based indie-pop band whose upbeat tune 'Get Me Back' from their new album has caught the attention of the soundtrack arrangers for forthcoming British comedy 'Love, Rosie' - and with good reason.
Mimi's new band The Mad Noise Factory unveiled their first collective album earlier this year
With a dynamic beat, quirky vocals and an infectiously catchy dance rhythm, 'Get Me Back' marks a perfect soundtrack song to a tale of long lost young love, lustful recklessness and romantic exuberance. Produced by English producer Stephen Street (The Smiths, Blur), the track follows their previous single 'Heartbreaker', and features on their newest full-length offering 'Nothing But Everything', released in March 2014 through Warner Music Group Germany.
Love can be confusing, complicating and utterly gut-wrenching as Rosie painfully discovers on her journey to adulthood. She and Alex have been best friends since childhood, with any hint of a romance being only fleeting, and quickly replaced by someone else. At school they decide to go to university together in America, but while Alex lands his dream scholarship at Harvard, Rosie finds herself left behind with an unplanned pregnancy - with the father taking off pretty quickly. Alex and Rosie are determined to stay in contact, but when she makes the mistake of telling her colleague about him, she starts to wonder if she has lost him forever as they begin planning a wedding. As it slowly dawns on Rosie that she and Alex were made for each other, it becomes unclear how their next meeting will end - especially after 12 years.
Continue: Love, Rosie Trailer
Solid acting and adept filmmaking help make up for the fact that this film asks us to spend a couple of hours in the presence of a group of truly despicable characters. They're played by some of the brightest (and most beautiful) rising stars in the movies at the moment, but each one of these young men is vile to the core. So the fact that these are supposed to be Britain's brightest and best hope for the future makes the film pretty terrifying.
It's set at Oxford University, where the elite Riot Club (including Douglas Booth, Sam Reid, Freddie Fox, Matthew Beard, Ben Schnetzer and Olly Alexander) are on the lookout for wealthy white students to complete their 10-man membership. They find suitable candidates in new arrivals: the sneering Alistair (Sam Claflin) and conflicted Miles (Max Irons), whose one drawback is that he's seeing a common girl (Holliday Grainger). After the rigorous initiation process, Alistair and Miles are welcomed to the hedonistic gang at a lavish dinner in the private room of a country pub. But things turn nasty as they drunkenly hurl abuse at the pub manager (Gordon Brown), his daughter (Jessica Brown Findlay) and a high-class hooker (Natalie Dormer) they hire for the night.
Based on the play Posh by screenwriter Laura Wade, the film is centred around this increasingly chaotic dinner party. Although nothing that happens is particularly surprising, because these young men are such relentlessly bigoted, misogynist snobs that it's impossible to believe they belong anywhere other than prison. They certainly don't deserve their self-appointed status as the top students at Oxford, who are getting debauchery out of their systems before taking the lead in British politics and business. But then, that's precisely Wade's point, and she makes it loudly. Thankfully, director Lone Scherfig balances things by offering glimpses into these young men's dark souls while skilfully capturing the old-world subculture and a strong sense of irony.
Continue reading: The Riot Club Review
'The Riot Club' may lack bite, though it's an interesting movie that's probably worth your cash this weekend.
The Riot Club, formerly known as 'Posh' and based on Laura Wade's 2010 play, is a difficult movie to unpick. Some early cinemagoers have spoken of feeling mixed emotions - this is ultimately a satire of the debauched private society Bullingdon Club, though Lone Scherfig's movie makes it difficult to despise these young men, effortlessly portrayed by Max Irons, Sam Claflin and Douglas Booth.
The Riot Club features an energetic, talented young cast
"It's a sharp satirical cartoon of English class warfare and class conspiracy - though it fudges a final point of plot-jeopardy and I suspect a director like Thomas Vinterberg or Lars von Trier would have made it a hardcore nightmare," said Peter Bradshaw of The Guardian.
Continue reading: Dark Drama 'The Riot Club' Is Never Dull, But Lacks Bite
'The Riot Club' is a shrewdly observed satire with an excellent, energetic cast.
The Riot Club, a richly observed satire from Lone Scherfig, is one of several strong British movies to hit the big screen in September and its young cast - particularly Max Irons, Sam Claflin and Douglas Booth - ensure this has a serious sting in its tail.
The Riot Club's talented cast has come in for acclaim
The 'club' in question is a fictionalised version of the Bullingdon Club - the exclusive society at Oxford University known for having David Cameron, George Osborne and Boris Johnson amongst its alumni.
Continue reading: 'The Riot Club' Is Far More Than a Posh Knees Up