Salma Hayek as we've never seen her before
Mexico-born actress Salma Hayek is best known for her action roles in films like Desperado, as well as her Oscar-nominated turn as Frida Kahlo in the biopic Frida. But those aren't her favourite genres. "I love comedy," she says. "It's what I do best. I think it's a musicality, a matter of timing."
Her latest film Beatriz at Dinner was a hit at Sundance in January, and opened Sundance London this month. It's a pointed black comedy that touches on some big issues that are especially resonant in the Trump age. In the film, Hayek strips away all of her usual glamour to play a holistic masseur who ends up at a dinner party with a group of aggressive businessmen. They represent everything she hates about humanity, so holding her tongue proves rather difficult.
Continue reading: Salma Hayek Loved Losing The Glamour For Beatriz At Dinner
The actress says she believes Trump once planted a story in the National Enquirer, which said she was too short for him to date.
Buzzfeed reports that during an appearance on Spanish-language radio show El Show del Mandril, Hayek told of how after rejecting Trump, a story appeared in the National Enquirer saying he wouldn't go out with her because she was ‘too short’.
Salma Hayek has spoken about her experiences with Donald Trump, early on in her career
Happily ever after wasn't always the way fairy tales turned out. Sometimes Princesses, Kings, Queens and their pretenders need to be careful what they wish for. The Queen of Longtrellis, The King of Highhills and The King of Strongcliff are three such people who would do anything to make their biggest dreams come true.
For the Queen of Longtrellis, all she's ever wanted is a child of her own but the king and queen haven't been able to conceive. Not willing to wait any longer, the queen consults a sorcerer who is able to grant the Queens wish at any price the enchanter wishes.
The King of Highhills was never blessed with a son, his daughter is his only living heir and invites his citizens to take part in a challenge to win the hand of his daughter. When a brute of a ogre wins his challenge, the princess is given away and begins a lonesome life with him in the mountains. However, despite the ogre abusing the slight girl, as each day passes, she becomes stronger and bides her time before the day that she can become the leader her Kingdom needs.
Continue: Tale Of Tales Trailer
The actress said Mozart was ‘shot close to his heart’, last Friday.
Salma Hayek is mourning the loss of her beloved dog Mozart, who was found shot dead last Friday. Police are said to be investigating exactly what happened after Mozart was found shot close to her Washington ranch, 55 miles south of Seattle.
Salma Hayek’s dog was found shot dead last Friday.
Deputy Lt. Cliff Ziesemer, from the Thurston County Sheriff’s department, told CBS news that a caretaker had been riding a horse around Hayek's property on Friday with two dogs following. He said the dogs had barked before taking off running at the end of the road and eventually came back, as was typical.
Continue reading: Police Investigating After Salma Hayek's Dog Was Found Shot Dead
Salma Hayek , Valentina Pinault - Salma Hayek arrives at Los Angeles International Airport (LAX) with her daughter Valentina Pinault - Los Angeles, California, United States - Friday 18th December 2015
Mia Maestro , Salma Hayek Pinault - Variety's Power Of Women Luncheon at the Beverly Wilshire Four Seasons Hotel - Arrivals at Beverly Wilshire Four Seasons Hotel - Beverly Hills, California, United States - Friday 9th October 2015
Mía Maestro , Salma Hayek Pinault - Celebrities attend Variety's Power of Women Luncheon at Beverly Wilshire Four Seasons Hotel. at Beverly Wilshire Four Seasons Hotel - Los Angeles, California, United States - Friday 9th October 2015
Salma Hayek - Salma Hayek and her daughter Valentina arriving at Los Angeles International Airport (LAX) at Los Angeles International Airport (LAX) - Los Angeles, California, United States - Thursday 3rd September 2015
The Mexican-born actress won't even say Trump's name in public in case it gives him publicity, calling his comments "not courageous".
Salma Hayek says she despises Donald Trump and his comments about immigrants so much that she won’t even “say his name” in public in case it gives him the oxygen of “extra publicity”. The Mexican-born actress and naturalised US citizen gave her thoughts on Trump’s latest controversy in an interview with E! on Wednesday (July 29th).
“I'm aware that he would say anything to attract attention and create the publicity around him,” the 48 year old actress, who stars in the upcoming film Kahlil Gibran’s The Prophet. “If something generates publicity, I would never be surprised about anything he does.”
“I'd be surprised if he did something courageous and meaningful that nobody found out about,” she continued. “This was not courageous and meaningful.”
Continue reading: Salma Hayek Blasts Donald Trump's Immigration Comments
Everly is a skilled female assassin for her ruthless ex boyfriend Taiko's mob, but finds herself cornered and injured in her apartment, seemingly with nowhere left to run. Her ex will stop at nothing to have her killed after what he sees as a monstrous betrayal on her part, and sends a team of his best hitmen to finish the job for him. Holding one man hostage, Everly is determined to escape her apartment with a bag full of dirty money and find her mother so they can start over their lives with no worries. Arming herself with her best firearms, she prepares for the onslaught and winds up fighting some of her best girlfriends who are still working for Taiko. Alive and undefeated, Everly prepares for what's next and a surprised Taiko attempts to amp up the stakes.
Continue: Everly Trailer
Sacha's Britannia Awards prank proved to be one of his most extravagant yet.
Of all Sacha Baron Cohen's outrageous and cringe-worthy stunts that he's pulled off over the years, his Britannia Awards prank has caused a great deal more analysis and disbelief than any other. Sacha was introduced to the awards show stage to be honoured for his contribution to comedy by actress Salma Hayek and an old, wheelchair-bound lady who was introduced as Grace Collington, a former child star who worked with Charlie Chaplin.
Sacha Baron Cohen Momentarily Appeared To Have Killed An Old Lady.
Grace offered the Borat actor Chaplin's iconic cane, saying "This is from City Lights." The audience "aww'd" and Sacha began to tap dance with it, emulating the legendary 20th century performer. Cohen then leant his full body weight of the cane which snapped sending the actor careering into Grace's wheelchair and throwing her off the stage into the audience below with a scream.
The LACMA hosted a number of famous names and faces whilst honouring Martin Scorsese and David Hockney at its Film and Art Gala on Saturday (2nd November).
The Los Angeles County Museum Of Art played host to a host of stars on Saturday night (2nd November). The stars gathered to honour artist David Hockney and director Martin Scorsese at the LACMA Film and Art Gala. In addition to the two honourees, a host of famous names and faces appeared to celebrate the achievements of the famous British artist and New York born director.
Leonardo Dicaprio and Martin Scorsese at the LACMA.
Guests included actors such as Leonardo Di Caprio, who has worked with Scorsese on a number of films included Shutter Island, The Aviator and The Wolf of Wall Street. Other male actors who appeared at the event were comics James Franco and Will Ferrell.
'Savages' star Salma Hayek is snapped arriving at the 2013 Independent Spirit Awards in Santa Monica, California. She glides over to a group of fans to sign autographs for them, looking stunning in an elegant white, long-sleeved dress with a black waist belt, black heels and minimal make-up.
'Here Comes the Boom' main stars Kevin James and Salma Hayek arrive at the movie's premiere in New York and take to the red carpet for press photos. Kevin's wife of eight years and model Steffiana De La Cruz also makes an appearance alongside her husband.
Salma Hayek certainly stole the spotlight at a London photo-call for her new movie ‘Savages’ this week. The actress wore a hugely revealing dress, leading director Oliver Stone to jokingly try cop a feel of the star.
Photographs published on the Mail Online website show the Oscar-winning director getting a little too touch-feely with Hayek as the stars posed on the red carpet at London’s Mandarin Oriental hotel. The 46-year-old actress seemed to laugh off the unwanted attention, and Stone has been happily married to his wife Sun-Jung Jung since 1997! To be fair to the legendary auteur, Hayek was looking stunning in a fitted aubergine and teal dress, with a trim belt, accentuating her famous curves. The brunette star – who is married to the French multi-billionaire Francois-Henri Pinault – was joined by co-stars Benicio Del Toro and John Travolta, who both looked pretty dapper.
Blake Lively – another star of the new violent drama – skipped the promotional duties as she has begun work on Gossip Girl in New York. The actress recently tied the knot with Ryan Reynolds in a secret South Carolina ceremony.
The Pirate Captain, although relentlessly optimistic, has never won the Pirate of the Year Award. Perhaps it has something to do with his crew - many of them are pirates but some aren't (and one is a fish dressed in a pirate hat). Or maybe it's because he doesn't have much of a success rate when it comes to stealing treasure.
The Pirate Captain has never won the Pirate of the Year award but this year he hopes to do so. He sets out with his crew - some are pirates, some are not, some are just fish he dressed up in a pirate hat - to beat his rivals Black Bellamy and Cutlass Liz. Along the way, he travels to places as diverse as Blood Island and Victorian London and joins forces with a young Charles Darwin. The Captain and his crew must also avoid Queen Elizabeth - who is determined to wipe out pirates from the seas.
Puss in Boots first appeared in Shrek, sent by Princess' Fiona's father King Harold to kill the ogre; however, he fails in doing this and instead becomes friends with Shrek and in particular with Donkey, helping them and their friends on various quests around the kingdom of Far Far Away.
Continue: Puss In Boots Trailer
Five school buddies return home 30 years later for their beloved coach's funeral. Lenny (Sandler) is now a high-powered Beverly Hills agent married to a hot fashionista (Hayek). Eric (James) is an average guy with a lively wife (Bello) and unruly kids. Kurt (Rock) is a frazzled househusband married to a high-powered shrew (Rudolph). Marcus (Spade) is still the same lothario. And Rob (Schneider) is an overly emotional goofball with a much-older wife (Van Patten). Altogether, they head to a lake house for a week of wacky antics and shallow soul-searching.
Continue reading: Grown Ups Review
Darren (Massoglia) is an A-student 16-year-old whose best pal Steve (Hutcherson) keeps getting him into trouble. When they hear about the underground Cirque du Freak, they can't resist a visit. There they meet ringmaster Mr Tall (Watanabe), bearded seer Truska (Hayek) a snake boy (Fugit), monkey girl (Carlson) and many more. But soon they're entangled with the show's star, vampire Crepsley (Reilly), and his mortal enemy Mr Tiny (Cerveris). And when Crepsley makes Darren a vampire, Steve gets so jealous that he joins the other side.
Continue reading: Cirque Du Freak: The Vampire's Assistant Review
It's the old west and things aren't well. Tyler Jackson (Yoakam) has used a six-shooter to take over much of the land in Mexico, and wants to use all of this to make connections and money through big time land developers. He makes a mistake when he shoots the father of Maria (Penélope Cruz) and poisons the wealthy father of Sara (Selma Hayek). After some squabbling over class, they decide to pair up as bank robbers and steal all of Jackson's money, getting tips from retired bank robber Bill Buck (Sam Shepard, why?). They eventually pair with a forensic psychologist (Steve Zahn) who starts falling for both the girls as they plan to breach Jackson's big vault.
Continue reading: Bandidas Review
Twenty-year-old aspiring Italian-American writer Arturo Bandini, Fante's literary alter ego, is brash yet sensitive, fundamentally moral yet driven by an unquenchable, uniquely American thirst for love, lust, and romantic adventure. Bandini's conflicting values jolt and jostle inside him, finding expression primarily through Bandini's typewriter, as he tries to alchemize his experiences into fiction.
Continue reading: Ask The Dust Review
Frida Kahlo's (Salma Hayek) first meeting with Diego Rivera (Alfred Molina) and her injury in a horrible bus accident set in motion the two major forces behind Frida. Bedridden for months in a full-body cast, the young Frida keeps herself busy--and learns to express her internal passions and pain--through drawing and painting. Falling in with the womanizing Rivera and his bohemian cadre of artists and revolutionaries deepens Frida's commitment to her painting and life with the loyal but philandering muralist. Their art carries them from Mexico to New York and back in the company of such impressive historical figures as David Alfaro Siqueiros (Antonio Banderas), Nelson Rockefeller (Ed Norton), and Leon Trotsky (Geoffery Rush).
Continue reading: Frida Review
In Dogma, Smith's long-awaited and already vilified indictment of the Catholic church, the auteur has gone to great lengths to show us he can take on any establishment and gut it wide open. To wit:
Continue reading: Dogma Review
It starts off bad enough. As the credits announce the four writer/directors (Allison Anders, Alexandre Rockwell, Robert Rodriguez, and Quentin Tarantino), a cartoon sequence plays over them, in the tradition of cinematic masterpieces like Mannequin. This sets the stage: New Year's Eve at Hollywood's Mon Signor Hotel and only one bellhop (Tim Roth), and believe me, it's a rillyrilly wacky place. The film then launches into the first of four 30ish-minute shorts, one by each director.
Continue reading: Four Rooms Review
After the masterful Men In Black, Will Smith and Barry Sonnenfeld have reteamed for another oddball adaptation, but somewhere along the wagon trail to the Old West, they lost the magic that made MIB such a smash.
Continue reading: Wild Wild West Review
But Leone developed similar elements into films that ran more than three hours. Rodriguez packs it all into 97 minutes and can't help but give only suggestions of a plot and impressions of the forces that drive it. Nevertheless, once the bullets start flying and the one-liners start ricocheting, it doesn't matter much that Once Upon a Time in Mexico is a confusing mess of a film. When it works, you don't care about all the times it doesn't.
Continue reading: Once Upon A Time In Mexico Review
Now they have -- except the gamers will have to drop their controllers for a few hours to catch Spy Kids 3-D in order to experience it. This is the movie video gamers have been waiting for, designed specifically for short-attention spans -- it's loaded with stimulating effects, nonstop action sequences, and, best yet, a journey inside a very cool video game in 3-D! It goes without saying that Spy Kids 3-D might be the only movie this summer with enough charisma to get your kids to leave their consoles -- so take advantage of it.
Continue reading: Spy Kids 3-D: Game Over Review
The story -- as it exists -- concerns a troupe of British actors who descend on Venice to shoot a film version of the play The Duchess of Malfi. We follow the production with Figgis's all-seeing camera (courtesy of a documentarian following the production) -- which has a tendency to dip into slow-motion, cut the sound out, and shoot using an ultraviolet filter in the dark -- and bear witness to all manner of strange goings-on, the description of which I can't even begin to fathom putting on paper.
Continue reading: Hotel Review
Continue reading: Searching For Debra Winger Review
Continue reading: Who The Hell Is Juliette? Review
In Desperado, Antonio Banderas takes the role of the mariachi with no name who leads a charmed life while everything around him dies. This sequel is the story of his quest for revenge against the men who killed the woman he loved and shot him in the hand. El Mariachi travels from town to town with a guitar case full of ultra-powerful weapons, in search for tough guy Bucho, leader of the thugs. As he closes in, things get bloodier and bloodier until the final showdown where everything is revealed. Along the way, he encounters Carolina (Salma Hayek), his newfound love interest, who saves his life more than once through some impromptu surgeries.
Continue reading: Desperado Review
Continue reading: Midaq Alley Review
Figgis, who earned a Best Director Oscar nomination for Leaving Las Vegas in 1996, appears to have gone a little funny in the head last year with his inexplicable and nearly dialogue-free The Loss of Sexual Innocence. Now he's fully gone off the deep end with what may be the most ambitious experiment ever: Time Code.
Continue reading: Time Code Review
It is readily apparent that Will Smith, Kevin Kline and Kenneth Branagh had a ball on the set of "Wild Wild West."
Smith -- playing gun-slinging government agent Jim West -- looks so cool in his leather pants, waistcoat, and bolero jacket and hat, that at one point in the movie he's standing next to the voluptuous and nearly naked Salma Hayek (in a largely ornamental role), and your eyes are drawn to him. It's gotta be fun to look that slick.
Kline gets to play government agent Artemus Gordon, an eccentric inventor and master of disguise, which is right up his alley. He can barely keep from cracking himself up in his introductory scene, vamping around in saloon matron drag and pancake makeup.
Continue reading: Wild Wild West Review
Most movies about the lives of famous artists never provide a true sense of what drove the person's creativity. Even in a strongly acted, strongly directed biopic like 2000's "Pollock," for example, the closest it came to explaining why heavily splattered canvases were a breakthrough in modern art was when the painter's wife cryptically proclaimed, "You've done it, Pollock! You've cracked it wide open!"
But in "Frida," a transporting cinematic experience about the life and work of Mexican surrealist Frida Kahlo, director Julie Taymor captures the very essence of Kahlo's creative process through a wondrously rich, freeform visual language that fuses the events of her life with the imagery in her paintings so vividly that the artist's work may take on a striking new significance for anyone who sees the film.
Passionately played by Salma Hayek, who has been personally shepherding this project for seven years, Kahlo comes to life in this picture as a complicated, dynamic, proud and intelligent woman whose frequent hardships informed her art. Opening when she was a plucky high school girl (36-year-old Hayek passes for 16 with remarkable ease), Frida is established as a young woman with a spicy individuality even before the 1925 bus wreck that irreversibly altered her life.
Continue reading: Frida Review
Since the vast majority of the audience for "Spy Kid 3D: Game Over" has probably never seen a 3D movie with cheap, old-fashioned blue-and-red-lensed cardboard glasses, here's a three-point primer for proper enjoyment of any flick in this format:
1) Sit toward the middle of the theater. Because of the twin-image nature of 3D projection, the more off-center you are from the screen, the more you'll see eye-straining "ghosting" of images through your glasses instead of proper depth of field.
2) The left lens (red) always seems uncomfortably darker than the right (blue). Get used to it.
Continue reading: Spy Kids 3d: Game Over Review
"Desperado," the second eye-poppingly stylish and unabashedly outlandish B-movie in Robert Rodriguez's "El Mariachi" shoot-'em-up trilogy, is one of my all-time favorite action movies, in part because it has its priorities straight: The plot was simple -- a nameless mariachi avenges his girlfriend's murder with a guitar case full of semi-automatic weapons and an endless supply of ammunition -- and the action was non-stop and over-the-top.
Antonio Banderas cut an imposing, mysterious, hell-bent, dangerous and dead sexy figure in his long hair, implacable glower and black suede bandito get-up -- complete with jangling spurs -- as he performed a limber slow-motion ballet of body-twisting, two-fisted gunfire while dodging hails of bullets from evil drug-runners. And all this was set to a steamy, dynamic south-of-the-border score by the great guitaristas of Los Lobos.
But in the new installment, "Once Upon a Time in Mexico," writer-director-editor-composer Rodriguez pollutes the action -- which is uncharacteristically erratic, incongruous and over-edited -- with a needlessly convoluted plot involving 1) a thorny coup attempt against the Mexican president backed by a cartel kingpin (Willem Dafoe) and his turncoat henchman (Mickey Rourke), 2) a crooked and borderline-loco CIA agent (Johnny Depp) playing both sides against the middle, 3) a former FBI agent (Ruben Blades) frustrated with not nailing the kingpin before his retirement, 4) a curvaceous, gung-ho greenhorn federale (Eva Mendez) with ulterior motives, and 5) yet another murder, played out in fantasized-action flashbacks, that the mariachi is out to avenge.
Continue reading: Once Upon A Time In Mexico Review
Perhaps the most extraordinary experimental film ever unleashed outside the confines of the art house circuit, "Time Code" is a confident and daring attempt by director Mike Figgis ("Leaving Las Vegas," "The Loss of Sexual Innocence") to plant his flag on the barely-explored shores of 21st Century filmmaking.
Shooting on hand-held digital video in four continuous takes all running at once, Figgis splits the screen in quadrants like a security camera monitor and fiddles with the audio to draw your eye where he wants it. Then like an orchestral conductor, he unspools a precisely synchronized 93 minutes of raw, unedited, real-time footage, tracking multiple, largely-improvised narratives about a sampling of misanthropic, self-absorbed Hollywood denizens.
Packed with talented, name stars starving for something original to chew on, "Time Code's" has several stories -- some tense and emotional, others cynical and facetious -- unfolding simultaneously and often crossing paths.
Continue reading: Time Code Review
"After the Sunset" is a heist flick in which the audience is left out of the best part -- the logistics of the heist. Whose dumb idea was that?
Pierce Brosnan and Salma Hayek play an ace diamond-snatching couple who begin the film by pulling off their genre-traditional One Last Big Score, swiping a multi-million-dollar rock from an armored FBI transport -- and that scene is actually crackling with creative how-they-done-it details (unlike the rest of the movie), even if the circumstances themselves make no sense. Why would the FBI be transporting a diamond?
After that, they retire to live a quiet life of sunsets on the beach and piña coladas in a Jamaican resort town. The two talented stars take great joy in giving this criminal couple a sexy playfulness that goes beyond the fact that neither of them wears much once the action shifts to the Caribbean. But almost as soon as Brosnan's old FBI nemesis (Woody Harrelson) turns up -- hoping to lure the thief back into the heist life so the lawman can make the big bust that has always eluded him -- the movie springs a leak and begins a slow and torturous sinking.
Continue reading: After The Sunset Review
Thanks to all the is-it-or-isn't-it-blasphemy controversy surrounding "Dogma," writer-director Kevin Smith has added a tongue-in-cheek disclaimer to the opening of this renegade ribbing of the Catholic church that is so amusing ("...God has a sense of humor, just look at the platypus") it will have audiences in stitches even before the first line of dialogue.
Whether or not you'll think the movie stays this funny will depend on how sensitive you are about your position on the religious yardstick, your threshold for soapbox pontification and what it takes to gross you out.
Smith, the maverick Generation X satirist responsible for ragtag underground hits "Clerks" and "Chasing Amy," makes no bones about testing the limits of irreverence and good taste in this ironically snappy and smart-mouthed theological deliberation.
Continue reading: Dogma Review
Date of birth
2nd September, 1966
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