In the jungles of Peru, a young bear learns about and becomes obsessed with Great Britain and sets off on an adventure to visit the county. After an arduous journey, he finally arrives in London's Paddington Station, but realises quite soon that he is both lost and lonely. That is, until the Brown family discover him and adopt him, naming him Paddington, after the place they found him. Paddington (Ben Whishaw) is a great addition to the household, as his antics entertain the children. But said antics often end in destruction within the household, leaving the Brown family in a difficult position. Things become even more difficult when Millicent (Nicole Kidman) sets about trying to capture and stuff Paddington, in order to add him to her exhibition.
Continue: Paddington - International Trailer
No high-falootin' snobbery here: critics chew over the super-slick monster blockbuster.
It's going to be a big weekend for Godzilla: the monster action reboot has been teasing its entrance for months with irresistibly gloomy and stylised posters and trailers, whetting our appetite for an early summer movie with brains and bite. If that wasn't enough, the film has been earned a strong base of enthusiastic (but realistic) reviews that are sure to convince the more reluctant moviegoer that Gareth Edwards retake of the well-trodden tale is worth parting with cash for.
Still burned by the memory of Roland Emmerich's 1998 disaster of a disaster movie, many fans and critics didn't have particularly high hopes for a reboot even 15 years later. Bryan Cranston and Aaron Taylor-Johnson take centre stage as father-son duo Joe and Ford Brody who find themselves up against not Godzilla but some weird spider-dino hybrids called MUTO in this super smashy-smashy flick.
Continue reading: 'Godzilla' Is More Growling Than Roaring Success, But Still... [Trailer]
Godzilla on his poorest behaviour in the extended trailer for the upcoming film, rampaging through cities and successfully destroying any military forces who attempt to prevent him from wiping out the human race.
The extended trailer for Godzilla has been released and shows the large lizard at his very worst: causing Tsunamis, destroying cities and taking on the US armed forces.
Advertised by Legendary pictures as "An epic rebirth to Toho's iconic Godzilla, this spectacular adventure pits the world's most famous monster against malevolent creatures who, bolstered by humanity's scientific arrogance, threaten our very existence." This upcoming movie appears to be less tongue-in-cheek than the 1998 version starring Matthew Broderick but certainly boasts a larger budget and more terrifying creature as the central focus of this action movie.
The Brits had their own little party
Captain Phillips, Gravity, Iron Man 3, Karama Has No Walls, Mandela: Long Walk to Freedom, Philomena, Prisoners, Room on the Broom, The Act of Killing; The Invisible Woman, The Lady in Number 6: Music Saved My Life, and The Voorman Problem. These films all have a British spine in common, and will be celebrated at tomorrow night’s Oscars ceremony.
Chiwetel Ejiofor and Michael Fassbender star in 12 Years a Slave
But the revelry won’t begin on the red carpet; last night saw an all-out anglo-centric bash in dedication to the British influence on this year’s Academy Awards. The Great British Film event was held at the home of the British Consul General Chris O'Connor, who said: "The UK consistently features as the country with the most nominations outside of the US, and this year is no exception, with our world-class nominees in everything from acting and directing to music, animation and visual effects."
See below for a full list of nominations
The Bafta nominations didn’t really throw up any surprises, with many of the year’s top actors, directors and films being recognised. The constant metronome of: ‘Gravity,’ ’12 Years a Slave’ and ‘American Hustle’ still chimes away; the Oscar favourites are set to do battle.
Gravity is leading the way with 11 Bafta nominations
So 'Gravity' leads the way with 11 nominations; it’ll go up against '12 Years a Slave' in the Best Film Category as well as 'American Hustle', 'Captain Phillips' and 'Philomena', a film the Alfonso Cuaron space thriller must also beat to win Outstanding British Film gong. 'Mandela: Long Walk to Freedom', 'Rush', 'Saving Mr. Banks' and 'The Selfish Giant' make up that category.
US troops are sent in to Manhattan via HALO jumping to save the ravaged city from a monstrous threat that appears to have been caused by mankind's own reckless nature lust for destruction. Nuclear chemicals have caused significant radioactive damage to the genetics of some animals and wildlife, and New York finds itself under attack from an enormous, malformed, reptilian beast that the media subsequently dubs as Godzilla. The creature seems almost unstoppable as it easily wipes out the helplessly floundering human beings around it who never thought their scientific research could backfire so apocalyptically. Can it be stopped by human endeavour? And, more importantly, will it be a lesson learned for modern day human beings?
The world's most iconic and recognisable monster returns in 'Godzilla', the second Hollywood incarnation of the creature after Roland Emmerich's 1998 film and based on the 1954 Japanese film of the same name directed by Ishiro Honda. This time, it has been directed by Primetime Emmy nominated Gareth Edwards ('Monsters', 'End Day') and written by Max Borenstein ('Seventh Son', 'Swordswallowers and Thin Men') and Dave Callaham ('The Expendables', 'Doom'). The 'Godzilla' re-boot is set to come crashing into UK cinemas on May 16th 2014.
Being diffident, introverted and generally awkward in social situations, Simon finds his life increasingly difficult as he feels unappreciated in his work life, disparaged by his disappointed mother and rejected by his only love interest. Unable to find the courage to turn his life around, things are about to get much, much worse as a new employee at his company named James shows up. James is Simon's ultimate doppelganger, and his appearance only serves to make Simon increasingly more nervous as, although they are identical in looks, they are total opposites in personalities with James possessing a much more confident and magnetic character. Gradually, James starts to infiltrate Simon's life, taking over everything he holds most dear with Simon being driven completely insane in the process.
Continue: The Double - Teaser Trailer
With a riveting performance, Cate Blanchett creates one of Woody Allen's most memorable movie characters in years. And it's also the writer-director's strongest film in recent memory, as it balances comedy and drama in an engaging story that has a kick of resonance as it explores fall-out from the current economical recession.
Blanchett is Jasmine, a New York socialite who has fallen from grace after her husband Hal (Baldwin) lost control of his dodgy financial empire. So Jasmine is forced to move across the country to live with her sister Ginger (Hawkins) in San Francisco. Although she misses her high-society lifestyle, Jasmine gets on with things, finding a job with a local dentist (Stuhlbarg) and a flicker of romance with a rising-star politician (Sarsgaard). But living in Ginger's small apartment with her two kids and her blue-collar boyfriend Chili (Cannavale) takes its toll. And while smoothing the edges with alcohol and Xanax, Jasmine begins to lie to herself and others about her past.
All of the characters here are jaggedly complex, interacting with hilariously observant dialog as their relationships get increasingly messy. But while Jasmine is snobby and prickly, Blanchett also reveals her fragility as she tries to get back on her feet. And Hawkins is just as revelatory as the tenacious and much more generous Ginger. The men around them are just as complicated: Cannavale is hot-tempered but charming, Sarsgaard is kind but a bit slippery, Baldwin is charismatic and over-confident. No one fits into a simple box, which keeps us on our toes and lets the characters worm their way deep under the skin.
Continue reading: Blue Jasmine Review
Jasmine is an aristocratic New York housewife whose luxurious lifestyle and marriage to the wealthy Hal has been snatched away from her leaving her with quite literally nothing but the clothes on her back. She is forced to fly to San Francisco to move in with her sister Ginger whose apartment is well below her usual standards, as is her boyfriend Chili who is equally as resentful of Jasmine. It doesn't take long before Jasmine starts to plummet emotionally and mentally and only just manages to keep herself sane with several handfuls of anti-depressants a day. In a bid to get her life back on track, she takes a job as a dental receptionist while pursuing a career in interior design. Suffering from a serious breakdown, things are looking dark for Jasmine's future, but do things begin to look up when she meets the sophisticated Dwight?
Continue: Blue Jasmine Trailer
Actress to join star-studded cast for Canadian filming
We’re still not sure that we have any confidence that this forthcoming Godzilla film is going to be any good whatsoever, but at least the director of this latest take on the old Japanese sci-fi reptile, Gareth Edwards, is doing his best to make sure it’s an all-star cast who’ll be attempting to vanquish memories of 1997’s terrible, terrible snooze fest of a film (decent soundtrack mind.)
It’s been revealed that British actor Sally Hawkins has just been hired to play a scientist in the new film, a fine addition to a cast that already includes Aaron Taylor-Johnson, Elizabeth Olsen, Ken Watanabe, David Strathairn, Bryan Cranston and Juliette Binoche. Cracking. Hawkins is on for a busy year with comedy film Almost Christmas and Woody Allen’s latest film Blue Jasmine, and this’ll add to the work load with filming in Canada taking place for much of this year for Godzilla.
A release date isn’t expected until May 2014 so there’s very little known about the plot, although you’d expect most of it to centre around a load of folks trying desperately to stop a giant dinosaur like thing from smashing up down town and thus driving their insurance premiums through the roof (and it’ll probably kill a few people along the way too presumably.) Working on the script are David Goyer, Max Borenstein, Dave Callaham and Frank Darabont.
Continue reading: Sally Hawkins Added To Godzilla Reboot Line-Up
Even though Charles Dickens' oft-told story is livened up with a terrific cast and sharp script, it's difficult to see anything terribly new about this BBC-produced version. Especially since it comes less than a year after their previous lavish TV production. But there are plenty of elements in this film that make it worth seeing, as the soap-style plot twists and turns through comedy and romance to its action-thriller climax.
After growing up as an orphan with his blacksmith uncle (Flemyng) and high-strung aunt (Hawkins), Pip (Irvine) is given the chance to live as a London gentleman. He's sure that his anonymous benefactor is the barmy Miss Havisham (Bonham Carter), a broken-hearted hermit he worked for as a child. And since he's still in love with her adopted daughter Estella (Grainger), he decides to use his new position in society to court her. But things don't quite go as expected, and his life takes a surprising turn when scary prison escapee Magwitch (Fiennes) latches onto Pip and begins revealing some surprising connections between all of these people.
This faithful retelling of Dickens' novel is packed with coincidences and revelations, as well as the kind of gleefully thorny rivalries that would be expected on Dallas or Downton Abbey. Overloaded with blackly comical intrigue, it's a compulsively enjoyable film that entertains us on a variety of levels as the story develops. Although director Newell (Harry Potter and the Goblet of Fire) never tries anything too flashy. Which means that despite the high quality, the film is straightforward and perhaps unnecessary.
Continue reading: Great Expectations Review
Pip is a young orphan who has a chance meeting with a frightening stranger while visiting the graves of his parents; a meeting which was to be the catalyst a series of events that would shape his future. Not long after this experience, an unhinged, jilted spinster called Miss Havisham asks Uncle Pumblechook (the uncle of Pip's brother-in-law with whom he lives) to find a young boy to provide company for her adopted daughter Estella. When Pip is chosen, he becomes a regular visitor of Miss Havisham who manipulates him into falling for the pretty but cold-hearted Estella as he grows older. When he becomes a blacksmith's apprentice at his brother-in-law's shop, he is approached by a lawyer who informs him that he has been left a large sum of money by a mysterious benefactor and must journey to London to become a gentleman. Little does he know of the surprises that lay in store for him as he discovers that he has so many secrets to uncover.
This seminal coming-of-age story serves as one of the most influential pieces of English literature in history. Originally written by one of the greatest novelists of the 19th century Charles Dickens, 'Great Expectations' has been adapted to screen by director Mike Newell ('Harry Potter and the Goblet of Fire', 'Four Weddings and a Funeral') and screenwriter David Nicholls ('One Day', 'Starter for 10'). It is due to hit UK cinemas from November 30th 2012.
Director: Mike Newell
Starring: Jeremy Irvine, Helena Bonham Carter, Ralph Fiennes, Holliday Grainger, Robbie Coltrane, Jason Flemyng, Sally Hawkins, Ewen Bremner, David Walliams, Jessie Cave, Ralph Ineson, Tamzin Outhwaite & Olly Alexander. .
Continue: Great Expectations Trailer
After being orphaned as a child, Jane (Clarkson) is sent by her selfish aunt (Hawkins) to a grisly boarding school where she's falsely scorned as a liar.
When she leaves at age 18 (now Wasikowska), she works as a governess for the ward (Moore) of the mercurial Rochester (Fassbender), finding friendship with the housekeeper (Dench) and, surprisingly, romance with Rochester. Alas, this doesn't go well, and when she flees she finds solace with rural parson Rivers (Bell) and his sisters (Grainger and Merchant). Surely she deserves some good news.
Continue reading: Jane Eyre Review
Oliver (Roberts) is a fairly typical teen who hasn't quite figured out who he is meant to be. While waiting to discover what his "thing" is, he falls for Jordana (Paige), a girl who's far cooler than he is. And he can't believe his luck when they start developing a relationship. But at the same time, he realises that his parents (Hawkins and Taylor) seem to be falling apart, as his mother is spending a little too much time with a hippie-ninja neighbour (Considine) who happens to be her ex.
Continue reading: Submarine Review
After a medical breakthrough in the 1950s, children are genetically created to grow up to be organ donors, hugely extending the human lifespan. Although the children rarely make it to their mid-20s. One of these is Kathy (Meikle Small, then Mulligan), who grew up in a special school with her best friend Ruth (Purnell, then Knightley). Kathy has a crush on the school oddball Tommy (Rowe, then Garfield), but it's Ruth who makes her move. And this action could have repercussions if organ-harvesting deferrals for couples are granted, as rumour has it.
Continue reading: Never Let Me Go Review
15 year old Oliver sees himself as something of a cool child prodigy, when in fact, he might be smart but he's also a loner. Oliver's mother Jill is thinking of leaving her husband for a new age mystic called Graham as her relationship grows closer to him day by day whilst his father seems to be falling into a deeper depression.
Continue: submarine Trailer
Director Cary Fukunaga adapts Charlotte Bronte's classic novel Jane Eyre. The plot stays true to the book and shows Jane at different stages of her life. It tries to show the darker and more gothic undertones that Bronte would've been surrounded by whilst she was writing the novel.
Continue: Jane Eyre Trailer
In 1968, Rita (Hawkins) works in the Ford plant in Dagenham. She quickly rises to a leadership role on the shopfloor where 187 women work on upholstery. But they earn a fraction of their male counterparts' wages, and their jobs are being reclassified as "unskilled". So Rita and her colleagues (including James, Winstone and Riseborough) team up with their union rep (Hoskins) to demand equality from the Ford execs (including Graves and Schiff). But their strike action has repercussions, catching the attention of government minister Barbara Castle (Richardson).
Continue reading: Made In Dagenham Review
Kathy H is now a grown woman, she spent her childhood at a special year-round mixed boarding school; that is where she met her best friends Ruth and Tommy. As children the small group of friends were inseparable unlike most of the distant and cold kids at Hailsham Boarding school.
Continue: Never Let Me Go Trailer
The widowed Mrs Sethi (Azmi) is worried that her slightly overweight daughter Roopi (Notay) will never find a husband. Every match she arranges turns Roopi down, which leads Mrs Sethi to react murderously. But now the ghosts (Khan, Bkaskar, Ross and Varrez) of her victims are offering to help in order to improve their chances of reincarnation. Fortunately, Roopi's childhood friend Murthy (Ramamurthy) is back in town and hugely eligible. Unfortunately, he's a detective looking for the killer.
Continue reading: It's A Wonderful Afterlife Review
On the same day that Maura (Hawkins) is marrying Wilson (Bakare) so he can get his visa, Freddie (Riley) is remarrying his ex-wife Sophie (Yourell). And both are holding their receptions at the same seaside hotel, where things quickly start getting complicated. As Maura's 9-year-old daughter Molly (Maquire) begins to understand that this isn't a real marriage, the hyper-jealous Sophie randomly starts to think that Freddie and Maura are having an affair. And things get worse when a couple of immigration cops (McElhatton and Pearse) start snooping around.
Continue reading: Happy Ever Afters Review
In 1961 London, Jenny (Mulligan) is a gifted 16-year-old on track for a place at Oxford University, much to the joy of her parents (Molina and Seymour), literature teacher (Williams) and headmistress (Thompson). Then she meets the charismatic David (Sarsgaard), an older man who sweeps her off her feet with a love of the arts, his glamorous life and intelligent friends (Cooper and Pike) who offer more engagement than Jenny finds with those her age. Jenny loves being all grown up around them. Who needs Oxford?
Continue reading: An Education Review
That isn't to say that the world is not still a cold place in Leigh's latest, his tenth feature. Poppy (Sally Hawkins), the teacher in question, finds herself confronted with Leigh's dire real world from the very beginning. In the very first scene, Poppy finds herself in a Haringey bookstore getting snubbed by a self-serious, Burning Man reject too invested in a philosophy tome to speak. Returning to the street, in an open nod to De Sica's Bicycle Thieves and the first of several minor injustices Poppy must cope with, the peppy educator finds her bike stolen but can only cackle in disbelief at the crime.
Continue reading: Happy-Go-Lucky Review
British actress Sally Hawkins picked up the award for best actress at the Berlin Film Festival.
Hawkins was rewarded for her role in Mike Leigh's comedy Happy-Go-Lucky.
The Elite Squad, a story about corrupt police officers in Brazil, won the Golden Bear for best film at the festival.
Also, Iranian actor Reza Naji walked away with best actor award for his performance in The Song of Sparrow.
And US director Paul Thomas Anderson won the Silver Bear for best director for, Oscar favourite, There Will Be Blood.
Hawkins, 31, is a well-known British television actress, appearing in Little Britain as well as Tipping the Velvet.
She also appeared in Mike Leigh's film Vera Drake.
The Berlin Film Festival is one of a series of traditional industry events that take place leading up to the Oscars.
On February 10th La Vie en Rose was the surprise main winner at the BAFTAS, with Marion Cotillard winning best actress.
The Academy Awards are due to take place on February 24th.
Continue reading: Sally Hawkins Wins Best Actress At Berlin Film Festival
Cassandra's Dream is Allen's most grim and uncomfortable film to date, surpassing even Crimes and Misdemeanors and Match Point. At least in those films the upper class criminals get away with their deeds and get on with their lives (however psychically diminished those lives may be). Not so in Cassandra's Dream, where two lower-middle-class brothers commit a dark crime (almost a British translation of Before the Devil Knows You're Dead) that not only shatters their humanity but also destroys their family ties and much more.
Continue reading: Cassandra's Dream Review
Daniel Craig is credited as "XXXX" (oh, if only he were the new "XXX"), a "businessman," as he puts it, whose name we never learn. His business just happens to be cocaine. He plays by a strict set of rules - pay connections on time; keep a low profile, etc. And, like every other lowlife with whom we're supposed to sympathize in a gangster film, he's just about to retire. Until his boss, Jimmy Price (Kenneth Cranham) throws him two curveballs that shoot his plans all to hell.
Continue reading: Layer Cake Review
Beginning with a voice-over that provides cheeky insightinto the savvy it takes to stay ahead in Britain's organized-crime drugtrade, he sets the stage for a story full of unexpected sharp edges thatmake it increasingly unlikely his character will ever reach his statedgoal of early retirement.
"You know why people like you can't leave this business?You make too much money for people like me," says Craig's boss (KennethCranham), an uncouth kingpin who puts on country-club airs as he intimidatesour anonymous hero (whose name is never mentioned) into a job way out ofhis depth -- hunting down an associate's sexy, strung-out missing daughter.
But the girl is barely a jumping-off point for the stimulatinglybyzantine plot of "Layer Cake," in which one stupid mistake byan irresponsibly flashy small-time associate who calls himself "TheDuke" (Jamie Foreman) begins a domino effect of revelations, double-crosses,paybacks and bursts of violence -- all of which come tumbling down on Craig'shead.
Continue reading: Layer Cake Review
Bustling around drizzly, post-WWII London with a happy, doughy face and gleaming eyes, Vera (Imelda Staunton) works as a floor-scrubber for the wealthy, humming to herself and calling everyone "dear."
She lives in a graying flat with her auto mechanic husband (Phil Davis) and her grown son (Daniel Mays) and daughter (Alex Kelly). When she subtly plays matchmaker for her shy, homely daughter by inviting a poor, reserved bachelor and war veteran (Eddie Marsan) over for some real food, their awkward walk together in a park is one of this movie's oddest delights.
For Vera, no problem is ever so great that a nice cup of tea can't solve it; she often visits ailing neighbors and occasionally helps expectant girls by performing homespun abortions. When one of these patients almost dies, Vera is arrested and tried for her "crime."
Continue reading: VERA DRAKE Review
Date of birth
27th April, 1976
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