Ryan Simpkins

Ryan Simpkins

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Ryan Simpkins - Premiere Of Warner Bros. Pictures' "The Nice Guys" at TCL Chinese Theatre - Hollywood, California, United States - Tuesday 10th May 2016

Ryan Simpkins
Ryan Simpkins

Ryan Simpkins , Ty Simpkins - Celebriteis attend the World Premiere of 'Captain America: Civil War' at Dolby Theatre in Hollywood. at Dolby Theatre in Hollywood, Dolby Theatre - Los Angeles, California, United States - Tuesday 12th April 2016

Ryan Simpkins and Ty Simpkins
Ryan Simpkins and Ty Simpkins
Ryan Simpkins and Ty Simpkins
Ryan Simpkins
Ryan Simpkins

Ryan Simpkins - World Premiere of 'Captain America: Civil War' at Dolby Theatre in Hollywood - Arrivals at Dolby Theatre - Los Angeles, California, United States - Tuesday 12th April 2016

Ryan Simpkins
Ryan Simpkins

Ryan Simpkins - World Premiere of 'Captain America: Civil War' at Dolby Theatre in Hollywood - Arrivals at Dolby Theatre - Hollywood, California, United States - Tuesday 12th April 2016

Ryan Simpkins
Ryan Simpkins
Ryan Simpkins
Ryan Simpkins
Ryan Simpkins
Ryan Simpkins

Ryan Simpkins and Ty Simpkins - Premiere of Universal Pictures' 'Jurassic World' at Dolby Theatre - Arrivals at Dolby Theatre in Hollywood, Dolby Theatre - Los Angeles, California, United States - Tuesday 9th June 2015

Ryan Simpkins and Ty Simpkins
Ryan Simpkins and Ty Simpkins
Ryan Simpkins
Ryan Simpkins
Ryan Simpkins
Ryan Simpkins

A Single Man Review


Excellent
As you'd expect from a designer, every frame in this film is visual perfection, capturing settings and characters with artistry that packs a real wallop. And if the overall film feels a little icy, it's also remarkably involving.

In 1962 Los Angeles, George (Firth) is a university professor whose boyfriend (Goode) has died in a car crash. Unable to cope with his grief, or to show it to anyone, he tries to go through his day as usual. His next lecture derails into a message about fear in society, and he decides to put his life in order before committing suicide. But a last evening with his boozy best friend Charlotte (Moore) and the attentions of a Spanish hunk (Kortajarena) and a bright-eyed student (Hoult) test his resolve.

Continue reading: A Single Man Review

Sherrybaby Review


Good
It struck me while watching Sherrybaby that one of Maggie Gyllenhaal's greatest strengths as an actress is an ability to cross class lines effortlessly and often. There are some great, versatile actresses -- Nicole Kidman, perhaps -- who nonetheless don't seem qualified to play someone like Sherry Swanson (Gyllenhaal), a young recovering drug addict just out of prison, longing with needy desperation to begin mothering her young daughter Alexis (Ryan Simpkins).

Yes, Charlize Theron uglied herself up for Monster and Halle Berry went working-class for Monster's Ball. But Sherrybaby isn't Monster Mommy; it's a quiet, painful little portrait with little of the inherent sympathy (or showier ugliness) of those other roles. More to the point, while Theron and Berry rocked the Oscar-friendly reverse-makeover, Gyllenhaal looks more or less as she usually does: moony face, sad eyes, feathery voice. The only physical transformation involves a blond dye-job, trashy heels, and a lot more screen time for her breasts.

Continue reading: Sherrybaby Review

Sherrybaby Review


Good
It struck me while watching Sherrybaby that one of Maggie Gyllenhaal's greatest strengths as an actress is an ability to cross class lines effortlessly and often. There are some great, versatile actresses -- Nicole Kidman, perhaps -- who nonetheless don't seem qualified to play someone like Sherry Swanson (Gyllenhaal), a young recovering drug addict just out of prison, longing with needy desperation to begin mothering her young daughter Alexis (Ryan Simpkins).

Yes, Charlize Theron uglied herself up for Monster and Halle Berry went working-class for Monster's Ball. But Sherrybaby isn't Monster Mommy; it's a quiet, painful little portrait with little of the inherent sympathy (or showier ugliness) of those other roles. More to the point, while Theron and Berry rocked the Oscar-friendly reverse-makeover, Gyllenhaal looks more or less as she usually does: moony face, sad eyes, feathery voice. The only physical transformation involves a blond dye-job, trashy heels, and a lot more screen time for her breasts.

Continue reading: Sherrybaby Review

Ryan Simpkins

Ryan Simpkins Quick Links

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DJ Shadow - The Mountain Will Fall Album Review

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Ryan Simpkins Movies

Surveillance Trailer

Surveillance Trailer

Trailer for Surveillance.Sam Hallaway and Elizabeth Anderson are federal officers at the centre of a...

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Sherrybaby Movie Review

Sherrybaby Movie Review

It struck me while watching Sherrybaby that one of Maggie Gyllenhaal's greatest strengths as an...

Sherrybaby Movie Review

Sherrybaby Movie Review

It struck me while watching Sherrybaby that one of Maggie Gyllenhaal's greatest strengths as an...

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