In 1973, New York nightclub CBGB opened as a venue for Country, BlueGrass and Blues acts led by music entrepreneur Hilly Kristal. However, it soon became clear that that wasn't the way the music scene was going in the city and he soon began to book new rock and punk bands - excluding all cover and tribute bands - to play regular shows there which helped raise the profile of several musical pioneers including Talking Heads, Blondie, The Ramones and the Patti Smith Group. It wasn't the easiest ride for Kristal, however, who suffered many money troubles due to his vision and ambition for the bands that he showcased, as well as much scrutiny over the general poor health and safety of the venue. Nonetheless (and despite its closure in 2006), it will always been known as the kick off point for so many 70s and 80s bands.
Randall Miller ('Nobel Son', 'Bottle Shock', 'Houseguest') directs this music drama alongside his frequent writing partner Jody Savin as it follows the highs and lows of Hilly Kristal's life and ambition to give innovative local bands a chance at success. The movie will premiere at the CBGB Festival over its October 10th-13th weekend; not far off the anniversary of its 2006 official closure.
William Lucking, Theo Rossi and Ryan Hurst - William Lucking, Theo Rossi and Ryan Hurst Los Angeles, California - Season Two Premiere Screening of Fx's 'Sons of Anarchy' at the Paramount Theater Sunday 23rd August 2009
The original Ladykillers pitted Alec Guinness, Peter Sellers, and their band of British crooks against a kindly old landlady in 1955. The Coens shift their action from England to the Deep South, where Tom Hanks wheezes and grins as a genteel criminal mastermind plotting to rob a Mississippi riverboat casino. He and his motley crew take up residence in the home of Marva Munson (Irma P. Hall), a churchgoing Bible Belter with a room to rent near the boat's dock. The men fool Munson into thinking they perform in a musical group, though they're forced to consider devious actions when the old lady discovers their criminal plans.
Continue reading: The Ladykillers (2004) Review
As generic as a message movie can be, "Remember the Titans" is a stirring and gratifying "true story" which nonetheless plays like it was written by a computer and directed by someone consulting an instruction manual before every take.
Based on the life of the man who coached the first integrated high school football team in Virginia, circa 1971, it's a blatantly manipulative feel-good flick that is a virtual encyclopedia of racial strife clichés, sports clichés and unforgivably shopworn warm-fuzzy moments like the ubiquitous Motown-sing-a-long scene in which characters line dance and croon into hairbrushes or other substitute microphones. There's four -- count 'em four -- such scenes in this picture.
The football games are filmed so uncreatively they might as well be stock footage filched from 100 other forgotten big-screen gridiron yarns. Aside from being distinctively black or white, the ensemble of ballplayers are mostly nondescript, interchangeable broad-shouldered lummoxes from central casting.
Continue reading: Remember The Titans Review
The Coen Brothers flopped with last year's comedically clumsy and questionably hammy "Intolerable Cruelty," and now that they have repeated and amplified the same arched-performance mistakes in "The Ladykillers," I am beginning to understand what it is about Joel and Ethan's movies that their detractors dislike so much.
The characters in the Coens' recent comedies have frequently been oblivious to the world beyond their whimsical capers, and in these last two pictures even the protagonists have become objects for audience ridicule, making them poor surrogates for getting us involved in their stories.
Tom Hanks takes that bullet in this loose remake of a 1955 British laffer about a band of crooks inadvertently foiled by the little old landlady who rents them a room. All toothy, affected mannerisms and blabbering balderdash as the endlessly loquacious supposed mastermind of the criminal enterprise, his character is nothing but caricature -- an over-educated, old-fashioned, pocket-watch-and-hankie type Southern gentleman who goes by the tongue-tying moniker of Professor Goldthwait Higginson Dorr, Ph.D.
Continue reading: The Ladykillers Review
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In 1973, New York nightclub CBGB opened as a venue for Country, BlueGrass and Blues...
Joel and Ethan Coen's hot hands finally have cooled with their remake of The Ladykillers,...
As generic as a message movie can be, "Remember the Titans" is a stirring and...
The Coen Brothers flopped with last year's comedically clumsy and questionably hammy "Intolerable Cruelty," and...