Ruth Prawer Jhabvala passes away aged 85
Film world mourns as Oscar Winner Dies. Ruth Prawer Jhabvala passed away after a long illness, her daughter, Firoza Jhabvala confirmed. She penned twenty-two films over an illustrious career, and won two Oscars.
Jhabvala won two Academy Awards for her adaptations of the E.M. Forster novels "Howards End" and "A Room With a View." She was also nominated for adapting 1993's "The Remains of the Day, while three films were in the running for Best Picture. Firoza Jhabvala confirmed to the Associated Press Wednesday (April 3rd) that her mother died in New York after a long illness. "Ruth Prawer Jhabvala has been a beloved member of the Merchant Ivory family since 1960, comprising one-third of our indomitable trifecta that included director James Ivory and the late producer Ismail Merchant," said the company's director of development, Neil Jesuele. "The passing of our two-time Academy Award winning screenwriter is a significant loss to the global film community." But she didn’t just lend her talents to writing for the screen, Jhabvala was also lauded for her work for her fiction.
Continue reading: Oscar Winner Dies - Ruth Prawer Jhabvala Passes After “Long Illness”
Jhabvala won two Academy Awards for screen adaptations of EM Forster's novels
Oscar winner dies aged 85: CBS News have reported that Ruth Prawer Jhabvala, the Merchant Ivory stalwart and Academy Award winning screenwriter died in New York. The news was confirmed by her daughter Firoza Jhabvala.
Ruth Prawer Jhabvala was a long-term member of Merchant Ivory Productions and a prolific contributor to their oeuvre; she wrote 22 movies over four decades and won two Academy Awards for her adaptations of EM Forster’s novels, Howards End and A Room With A View. She also received an Oscar nomination for The Remains of The Day. A statement from Merchant Ivory Productions paid tribute to the late writer: “Ruth Prawer Jhabvala has been a beloved member of the Merchant Ivory family since 1960, comprising one-third of our indomitable trifecta that included director James Ivory and the late producer Ismail Merchant… The passing of our two-time Academy Award winning screenwriter is a significant loss to the global film community.”
Jhabvala was also known as a successful novelist and won the Booker prize for her 1975 novel Heat & Dust and her stories often appeared in The New Yorker magazine, with the most recent one being published last month. She is survived by her husband Cyrus Jhabvala, her daughter Firoza Jhabvala and two other daughters, as well as six grandchildren.
Slow, intricate, and deeply symbolic, Howards End ranks among the top films in their oeuvre. It's a history that, if you look at it closely, really amounts to three greats (End, Room, and The Remains of the Day) and a whole lot of nothing-much-else. But that's a subject for another day.
Continue reading: Howards End Review
The conflict between the Walker and de Persand clans is meant to be only the backdrop for the film's marquee star, Kate Hudson, to strut her naïve self around Paris and fall in lust with Charles-Henri's uncle, the much-older Edgar (Thierry Lhermitte), a suave TV commentator. But it is this familial battleground that quickly becomes the more engaging storyline, especially after Roxy and Isabel's parents (Sam Waterston and Stockard Channing) fly in from California to help out in the negotiations. Waterston and Channing play their roles with effortless grace, establishing that they've been comfortably married for years by using only the slightest of gestures.
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Barely connected, the middle segment is Walken's -- cleverly titled "The Hustle" -- as he plays a gigolo working three different women, each with different needs and different issues. Walken hadn't created his signature speaking cadence yet, and it's shocking not only to hear him deliver lines in a relatively normal voice, but also with such a large pompadour. This is also Walken's first film where his masterful dancing is on display (see also 1981's Pennies from Heaven) -- and fans of "Weapon of Choice" will definitely want to check out a little vintage Walken high step here.
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Unfortunately, that's about all you'll learn, as Merchant-Ivory's latest exercise in excess sheds little light on the great artiste and leaves the viewer with even less of an understanding as to why Picasso was the man he was.
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Probably this is because the story, which concerns an unsuccessful troupe of English Shakespearean actors in post-colonial India, is semi-autobiographical. Several of the actors, most of whom are somehow related (Felicity Kendal is the daughter of Geoffrey Kendal and Laura Liddell in life as well as on screen), were actually members of an English-Indian theatrical troupe who toured India in the 1960s. The film is most interesting as a tour of India when it was still in some ways a British country.
Continue reading: Shakespeare Wallah Review
Rhys -- reinvented here as Isabelle Adjani's wide-eyed Marya Zelli -- found her husband, an illegal art dealer, arrested and thrown into prison. Suddenly broke, she shacked up with a pair of Brits of questionable morality, eventually getting cut loose, whereupon she would become a professional writer.
Continue reading: Quartet Review