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Days And Nights Trailer

Elizabeth (Allison Janney), a young movie star is heading off to spend time with her family over Memorial Day in 1980s rural New England. She brings her partner, Peter (Christian Camargo) to meet her brother, Herb (William Hurt), her son, Eric (Ben Whishaw) and his girlfriend, Eva (Juliet Rylance, and the family doctor, Louis (Jean Reno). Throughout a whirlwind weekend, Stephen (Mark Rylance) tries to keep calm across the land where a majestic bald eagle is trying to raise its young, with the help of his wife, Alex (Katie Holmes). The dysfunctional family battle against each other as they struggle to find true happiness and unity before their personalities tear them apart for good.  

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Born To Be Wild, A Benefit For Africa’s Great Apes (fundraiser For The Sanaga-Yong Chimpanzee Rescue Center In Cameroon, Africa) Held At The Bernheim Estate

Russell Means Thursday 12th July 2007 Born to be Wild, a benefit for Africa’s Great Apes (fundraiser for the Sanaga-Yong Chimpanzee Rescue Center in Cameroon, Africa) held at The Bernheim Estate Beverly Hills, California

Russell Means
Russell Means

Pathfinder Review

The idea that Vikings arrived in America long before Christopher Columbus is a fascinating one. It's easy to envision these bearded warriors, hunkered down in their longboats, stumbling sick and exhausted onto North American shores after a harrowing journey across the wild Atlantic. That's at least what I see. The makers of Pathfinder see something else entirely. The Vikings who wash ashore here are giant-sized brutes and they come complete with veritable armies and practically a herd of horses. It's like they rowed over from Jersey on cruise ships.

And forget every image of Vikings you've ever seen, these guys are less Scandinavian herdsman and more post-Apocalypse titans. Remember Humungous from The Road Warrior ("The Ayatollah of Rock and Rolla!")? Throw a few bear skins on that guy and give him a helmet made of twelve ram's horns and he could play every one of the Viking raiders in Pathfinder. I half expected MasterBlaster to come surging out of the primitive landscape.

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Thomas And The Magic Railroad Review

Bullies suck. "Being useful" is good. Magic is cool. You just can't argue with these irrefutable facts in the world of Thomas and the Magic Railroad, a preschool adventure based on the successful television series about the little tank engine that could. The lessons may be admirable, but creator/director/writer Britt Allcroft has created a scattered children's tale that looks good, but feels messy.

She has done some things right: she's cast big stars, like Alec Baldwin as the Lilliputian Mr. Conductor, and Peter Fonda as the sad grandpa, Burnett Stone; her production designers have continued the show's happy train colors, with bright blues and reds, and have added bonus design touches to the live sets and wardrobe; her script applauds positive thinking, creativity, and foiling the bad guy. It's just that all of this is mired in a clunky set of hole-filled plots, confusing enough to make me want to interrogate the little guy sitting in front of me.

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The Last Of The Mohicans Review

James Fenimore Cooper and Michael Mann together? The Last of the Mohicans represents an unlikely collaboration that didn't seem all that great to me back in 1992, and now, in it's release as a "Director's Expanded Edition," still doesn't seem all that great, nor that expanded. The story of warring English and French in 1750s colonial America, and the culture clash that comes along with that, really isn't quite as timeless as people would like to think. Not to mention, Day-Lewis and Stowe's romance isn't very believable. Still too bland for my tastes.

29 Palms (2002) Review

You're a filmmaker with a quirky cast but no money to actually shoot your movie. What do you do?

Well, you borrow the oldest trick in the book by putting your characters in the desert, where you can pretty much shoot your movie for free!

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Thomas & The Magic Railroad Review


Desperately trying to ride the coattails of pop phenomenon kiddie TV shows that have cashed in at the box office, "Thomas and the Magic Railroad" is an depressing failure.

Little more than a tediously protracted and befuddled episode of "Shining Time Station" -- the very, very low-rent Brit import program featuring a perky little steam engine with self-esteem issues and three facial expressions -- the whole movie rings with the resounding thud of a contrived effort that nobody put their hearts into.

The TV show is simplistic but earnest toddler fare featuring talking miniature trains with wildly rolling eyes on otherwise freeze-framed faces ("animated" by a few different inert expressions swapped on and off the engines' front ends from time to time). One might reasonably expect a feature film version to at least offer a little real animation to give the trains some big-screen personality and distinguish it from the shoestring show. But instead "Thomas" stuck to its paltry production values and minimal storylines, using what budget it had to lure lead actors with faded marquee power.

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