Beau Flynn, Aksel Hennie, Reece Ritchie, Ian McShane, Ingrid Bolso Berdal, Dwayne Johnson, Irina Shayk, Rufus Sewell and Brett Ratner - European premiere of 'Hercules' at CineStar IMAX im Sony Center in Berlin - Arrivals - Berlin, Germany - Thursday 21st August 2014
Far more entertaining than it has any right to be, this is a big, messy blockbuster retelling of the Greek myth that thankfully has a sharp sense of humour and some surprising twists up its sleeve. The cast is also packed with veteran performers who know how to make the most of some eyebrow-raising innuendo, generating intrigue while keeping the audience laughing with them rather than at them.
The premise takes a revisionist approach, grounding the legend of the demigod Hercules (Dwayne Johnson) in real stories that have been exaggerated by his nephew Iolaus (Reece Ritchie), who travels with him as a kind of toga-era marketing expert. Their team of mercenaries includes wryly fatalistic seer Amphiaraus (Ian McShane), quick-witted blade-thrower Autolycus (Rufus Sewell), bow-wielding amazon Atalanta (Ingrid Bolso Berdal) and loyal mute warrior Tydeus (Aksel Hennie). When they're offered a fortune by Lord Cotys (John Hurt) to quell a rebellion, they find themselves in the middle of a massive battle that doesn't go the way they expected. And as events take unforeseen turns, Hercules and his gang have to dig deep to turn the tide in their favour.
Johnson is a natural in the role, so massively pumped up that he looks like he could be popped with a pin. His hulking physique and just enough back-story give the character's reputation some weight, both literally and figuratively, so even if he's not half-god his achievements are still pretty impressive. (There are also plenty of hints that he may turn out to be a god after all.) And the surrounding characters add to this with cleverly written roles that are expertly played by British scene-stealers Hurt, McShane, Sewell, Mullan and Fiennes. McShane is so good that he essentially walks off with the whole movie. But relative newcomers Ritchie, Hennie and Berdal more than hold their own.
Continue reading: Hercules Review
Following his deadly ordeal of being put through the Twelve Labours by his father Zeus and his people, all Hercules wants from life is to rest quietly with a loving family. Unfortunately for him, now is not the time for resting as the gods have delivered another bout of chaos to the world. Being well known by all as a man with all the strength of a god, Hercules is forced to lead a battle against a new menace as the King of Thrace gets him and some like minded warriors to band together as the world's most formidable army. They must defeat a powerful rival general as the vicious descendents of Hades infect the land. It's a deadly mission, the minions of hell being immortal and ruthless, and their defeat can only be accomplished by someone with power above the mortal realm.
Continue: Hercules - Extended Trailer
Max Morden is an art historian who's determined to re-discover his own history following the heart-breaking death of his ill wife. In a bid to re-visit his childhood, he descends upon an idyllic seaside town where he enjoyed much of his summer holidays alongside the Grace family. The boarding house he used to visit is now run by Miss Vavasour and is co-inhabited by a peculiar man named Blunden, and his own daughter is anxiously trying to convince him to return home. Instead, he reflects upon his time as boy, where he found himself infatuated with the dazzling Mrs. Grace and subsequently drew closer to her children, the hypersexual Connie and her brother Myles. He begins to remember significant details from his time there, including an affair between the children's nursemaid Rose and another member of the household, and starts to wonder just how accurate his childhood memories are.
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Hercules is a bitter and haunted demi-god filled with resentment for the people and the gods (including his father Zeus) who put him through the Twelve Labours; a series of arduous tasks that saw him dance with death on a number of occasions. Now, alone and with no family of any kind to turn to, his only comfort in the world is fighting to the death in battle, alongside a group of other like-minded warriors who similarly have nothing left to live for. However, they face a challenge of a more ominous kind when the King of Thrace enlists them to train up as the most formidable army ever created in a bid to overthrow a powerful general. This is a fight of a different kind for Hercules; he may have more strength than the average man, but just how far will that take him?
Dwayne Johnson stars as Hercules in the latest adaptation of the Greco-Roman myth. Based on the graphic novel 'Hercules: The Thracian Wars' by Steve Moore, the movie has been directed by Brett Ratner ('Rush Hour', 'X-Men: The Last Stand', 'Red Dragon') and written by Ryan Condal ('The Sixth Gun') and Evan Spiliotopoulos ('The Nutty Professor', 'Battle for Terra'). 'Hercules' is scheduled for UK cinematic release on August 8th 2014.
Rufus Sewell talks about where he fits in the actors' pecking order.
Rufus Sewell may have moved to LA, but a bulk of his acting work still comes from the UK. The Dark City star has been in the UK for his forthcoming movie All Things To All Men, which is set in a cold grey London. He spoke to The Mirror as he stood standing at a “cold, windswept Battersea Power Station,” which serves as the backdrop for the movie. “It’s a bit cold to be doing this,” he complained, before heading to his caravan for shelter.
He explained that the source of his workload took a perverse turn when he decided to settle down in the States. “Since the moment I decided I'll stay in LA, the interest in England has sparked up. I've actually done more work for the BBC in those four or five years than I had done in the 15 years previously.” When it comes to landing roles, Sewell is also acutely aware of the competition and knows that there’s a pecking order in the acting world, which sometimes means he doesn’t get the roles he wants. “If a film role is still obviously good on page 10 my heart sinks because I know I'm probably out of the running. However, if only I can see how it's a great role, then maybe I'm in there.”
Sewell also explained that he’s not keen on just playing bad guys and is hoping not to get stereotyped. “As far as I’m concerned, the idea of just playing bad guys is really boring… a career that’s just comprised of playing one-note villains is not an interesting career for me.
Sadly, there has been such a glut of gun-packed London crime thrillers, that it simply isn't enough to make one that looks good and has a fierce energy: you need a solidly structured plot that goes somewhere unexpected. And that's where this film struggles. It's slick and atmospheric, with a terrific cast, but the story is so overcomplicated that it's almost impossible for us to maintain any interest in what happens.
At the centre is Detective Parker (Sewell), a shifty cop who's playing a very dangerous game as he tries to crush mobster Corso (Byrne) by undermining his cash-flow and threatening his son (Mascolo). Parker gets help from his rather reluctant partner Sands (Maynard), but rookie Riley (Gregory) is horrified to see the corruption he has wandered into. Then the efficient hitman Riley (Stephens) walks straight into the middle of everything, unaware of what's going on. He hides out with an old friend (Paraky) whose husband was also caught in the crossfire. And none of them realises that they're on a deadly collision course.
Isaac has a superb eye for catching London on-screen, using striking iconic locations and placing the action within the sweeping scale of the city. But his overuse of shoot-outs and car chases makes it feel deeply implausible. And his screenplay makes little concession to the audience, as dialog is peppered with references to earlier events we know nothing about. Clearly there are all kinds of interconnections between these people, but it's impossible to untangle them so that things make sense. Much more interesting is the way everyone gets caught up in the moral ambiguity of each decision they must make.
Continue reading: All Things to All Men Review
Photographers snap famous faces as they arrive outside the 'Hotel Noir' New York premiere. Among them are the movie's stars Rufus Sewell and Carla Gugino, Blondie singer Debbie Harry, fashion designer Marc Jacobs, 'Batman Forever' director Joel Schumacher, 'The Real Housewives of New York City' star Carole Radziwill, the wife of Mick Jones from Foreigner Ann Dexter-Jones, models Iman Abdulmajid and Marcus Schenkenberg and stylists Jay Manuel and June Ambrose.
As a boy, Abraham Lincoln learns from his father, Thomas, that vampires are real. Worse still, it was vampires that took the life of Abe's mother, Nancy, rather than 'milk sickness' as he previously believed. The news, understandably, shocks Abraham, who vows to avenge his mother and hunt down and kill vampires.
Continue: Abraham Lincoln: Vampire Hunter Trailer
Most people wouldn't travel to Venice Italy - considered by many to be one of the most romantic cities in the world - to cure a broken heart, but Frank feels it's just the place he needs to go to heel his. The American's journey begins rather smoothly until he meets a captivating woman on the train. Immediatley Frank feels like he's being watched by some men in the carriage, but he's convinced by his new lady friend, Elise, that all is ok.
Continue: The Tourist Trailer