Li stars as Ling Wei, a member of a religious sect trying to get out of the world of violence. Of course, the sect stumbles upon a war and find themselves embroiled in it, replete with supernatural battles and high-flying choreography.
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Continue reading: Once Upon A Time In China And America Review
Master of just about any kung fu style out there and massive opponent of imperialism, the legendary Wong Fei is pretty much there whenever China needs him, and, when one of China's anti-imperialist generals goes off to resist the French Occupation of Vietnam, Wong Fei is set to train a local militia to ensure that the West doesn't overrun the country while the General is away. Wong, with the help of many a militiaman with a strange-translated nickname (like Porky or Buck Teeth), attempts to do so, but this being a movie, something had to go wrong. In this case, his militia men get involved in a street fight with a local mobster, Leung Fu (Biao Yuen), and just happen to fight their way into Wong Fei-hung's diplomatic dinner with the Americans.
Continue reading: Once Upon A Time In China Review
Unfortunately, former sidekick Sammo Hung is absent this time around, and there are far fewer fights to be had. The cool stuntwork doesn't come out until the final 15 minutes, but by then I was honestly too bored to perk up. The rest of the film is just much less inventive than its predecessor, proving Project A 2 to be a vanity knockoff for Chan, who was busy directing every action film he could get his hands on. Chan would go on to make much better movies with a more impressive sense of humor later, but A 2 qualifies for little better than a C-.
Continue reading: Project A 2 Review
It seems everyone is getting into the act when it comes to Hollywood behind-the-scenes movies these days -- even the Chinese.
After 10 films in the genre just last year (from "Adaptation" to "S1m0ne"), we're barely three weeks into 2003 and here comes "Big Shot's Funeral," a comedy from Beijing about an out-of-work cameraman (Ge You) hired to shoot making-of footage for a big American studio's way-over-budget historical epic.
Despite a nearly insurmountable language barrier, Ge is befriended by the increasingly erratic director of this imitation "Last Emperor" -- a flaky filmmaking legend, played with befitting bewilderment by Donald Sutherland. The big shot thinks Ge understands him inherently, and the crazier he gets, the more he wants Ge around.
Continue reading: Big Shot's Funeral Review
Chris Pratt loved having Kurt Russell as his on-screen dad so much he asked him to take it on as a permanent role.