Rosalind Ayres

Rosalind Ayres

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Martin Jarvis and Rosalind Ayres at the 'Hampstead' Film Premiere - London, United Kingdom - Wednesday 14th June 2017

Martin Jarvis and Rosalind Ayres
Martin Jarvis and Rosalind Ayres
Martin Jarvis and Rosalind Ayres
Martin Jarvis and Rosalind Ayres
Rosalind Ayres
Rosalind Ayres

Christmas In The Clouds Review


Bad
The success of independent films like March of the Penguins, Whale Rider, and My Big Fat Greek Wedding makes you wonder why Hollywood bigshots don't greenlight more projects like them -- modestly budgeted, impassioned movies without all the hubbub and fanfare of celebrity actors and niche marketing strategies. But the ugly truth is, Hollywood bigshots get it right more often than they get it wrong. Most independent films don't merit an audience wider than the festival circuit and the director's living room. They simply aren't good enough. Christmas in the Clouds is such a movie.

Watching it one can't shake a familiar, unpleasant feeling, a sense memory tied to bad TV. Perhaps if you combined the absolute worst episodes of the classic shows Newhart and Northern Exposure, extracted the talent of both ensemble casts, and stretched out the running time to that of a feature-length movie, the remaining dregs would be something like Christmas in the Clouds, a film that commits nearly every sin in the storyteller's handbook. From absurd plot contrivances to long stretches of tedium to a predictable resolution, Christmas in the Clouds nails them all.

Continue reading: Christmas In The Clouds Review

Christmas In The Clouds Review


Bad
The success of independent films like March of the Penguins, Whale Rider, and My Big Fat Greek Wedding makes you wonder why Hollywood bigshots don't greenlight more projects like them -- modestly budgeted, impassioned movies without all the hubbub and fanfare of celebrity actors and niche marketing strategies. But the ugly truth is, Hollywood bigshots get it right more often than they get it wrong. Most independent films don't merit an audience wider than the festival circuit and the director's living room. They simply aren't good enough. Christmas in the Clouds is such a movie.

Watching it one can't shake a familiar, unpleasant feeling, a sense memory tied to bad TV. Perhaps if you combined the absolute worst episodes of the classic shows Newhart and Northern Exposure, extracted the talent of both ensemble casts, and stretched out the running time to that of a feature-length movie, the remaining dregs would be something like Christmas in the Clouds, a film that commits nearly every sin in the storyteller's handbook. From absurd plot contrivances to long stretches of tedium to a predictable resolution, Christmas in the Clouds nails them all.

Continue reading: Christmas In The Clouds Review

Beautiful People Review


Extraordinary
It seems like eight years after Short Cuts, everyone decided to try to one-up Robert Altman's slow-moving masterpiece. In the space of six months, we have seen the releases of three films that have been Short Cuts-esque. First we had Magnolia. Then we had the beautifully photographed yet sluggish 1999 Madeleine. Now we have Beautiful People, a British film about Bosnia.

Somehow packing in the stories of about a dozen major characters into a two-hour running time, Beautiful People has the same bizarre intertwining of characters that Magnolia and Short Cuts did. However, Beautiful People manages to hit harder when all is said and done.

Continue reading: Beautiful People Review

Rosalind Ayres

Rosalind Ayres Quick Links

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Rosalind Ayres Movies

Beautiful People Movie Review

Beautiful People Movie Review

It seems like eight years after Short Cuts, everyone decided to try to one-up Robert...

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