Raised in an cloistered religious community in Utah, Rachel (Garner) has just turned 15 and believes that she's pregnant because she listened to some illicit pop music. Her parents (Watros and Zane) think otherwise, blaming her brother Will (Aiken) for this "immaculate" conception. But instead of face an arranged marriage to a stranger, Rachel runs off with Will to Las Vegas. There they meet Clyde (Culkin), a young rocker who challenges everything they've been taught and changes the way they see the world.
Continue reading: Electrick Children Review
A young girl, Luli, from a small town hitchhikes to Vegas with her father's pistol in an attempt to escape the abuse from her alcoholic parents. On the way, Luli meets Eddie - an unhinged man in a Stetson with dubious intentions - and Glenda, a red-headed druggie on the run. With the simple plan of finding a "sugar daddy", Luli gets into much more hostile situations than she bargained for.
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On the 10th anniversary of the original killings, Sidney (Campbell) returns to Woodsboro, having put the darkness behind her. Although the Stab movies based on her experience have reached number 7. Then a new spree of grisliness starts, and Sheriff Dewey (Arquette) and his journalist wife Gale (Cox) are on the case. Meanwhile, Sidney's cousin Jill (Roberts) and her pals (Pannettiere and Jaffe) are both fascinated and terrified by what's happening. So are the school's movie geeks (Knudsen and Culkin) and Jill's ex (Tortorella).
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Scott (Rory Culkin) is a teen in 1980 Long Island, where his parents (Baldwin and Hennessy) are planning to build a new house while his meathead big brother (Keiran Culkin) is just back from basic training. He has a crush on his neighbour Adriana (Roberts), whose mother (Nixon) is failing to cope with the fact that her husband (Hutton) has Lyme disease. Both families are struggling with social mobility, marital stress and the tensions of the time they live in.
Not to mention some very bad decisions they make.
Continue reading: Lymelife Review
Lyme disease in the Long Island burb is the horror malady of the moment, as constructing new homes smack dab in the middle of the woods may be beautiful but it is also nightmarish. Radio announcers point out that Lyme disease causes psychiatric disturbances and severe mental disorders. Mothers weep at the thought of their kids contracting it and duct-tape the kiddies' clothing together to keep out the ticks. But if Lyme disease is the rampant contagion that all fear, it must have seeped into the residents' skulls and infected their brains. Because the only sensible parental character in Lymelife is Charlie, and he is obviously nuts.
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I will also assume that the episode of Law & Order: Criminal Intent I saw ages ago with this same story - only much juicier, with extortion and murder in that one - was inspired by the same source material, rather than the film being a watered-down version of a crime show franchise.
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Harlan Carruthers is a blissful cowboy, all scuffed boots, aw-shucks mannerisms, and a negligent sort of sensuality. He's lightening-quick with his twin single-shot Colts and loves nothing more than riding his horse to the highest hill around and surveying the beauty of the landscape.
He's also a walking anachronism, because Down in the Valley is a modern-day tale, and the title refers to the overbuilt suburbia that is the San Fernando Valley, the land of crowded freeways and chain stores that marks the northern reaches of Los Angeles. But Harlan, played by Edward Norton, swaggers through, contentedly out of place, until he catches sight of Tobe (Evan Rachel Wood), a teenage nymph who pulls into the service station where Harlan works as she is on the way to the beach with her giggling friends. It's unclear why the group dismisses Harlan as out-of-place instead of in fashion, but Tobe is as instantly taken with him as he is with her, and he quits his job to catch his first sight of the ocean with her.
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A facetious voice-over -- "This was the best of all possible worlds" -- introduces brooding loner Dean Stiffle (Jamie Bell of Billy Elliot), a teen caught between dueling self-helper parents, who's soon to discover his dead friend Troy (Josh Janowicz) behind the house of his party-throwing mother, Carrie (Glenn Close). Weeks later, Dean's best-selling psychiatrist-author father, Bill (William Fichtner), therapy-talks Dean sick about his lack of grief. Dad's cure: More of the same pharmaceuticals Dean's school's already drowning in.
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The Grombergs are typical urban dwellers who confront extramatal temptations, medical dilemmas and general household turmoil on a daily basis. Alex (Michael Douglas) and his wife, Rebecca (Bernadette Peters), hardly have time for each other, let alone for their two children (Cameron Douglas, Rory Culkin) and Alex's parents (Kirk and Diana Douglas). Though largely independent, the group learns to lean on each other to pull through a sees of emotional challenges.
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The single Mom is Sammy (Laura Linney), an organized bank loan officer living in her small-town childhood home. The loner is her scraggly brother Terry (Mark Ruffalo), a troubled wanderer coming back to ask Sammy for cash. And while this seems pretty basic from the outset, Lonergan has some smart ideas up his sleeve.
Continue reading: You Can Count On Me Review