Ron Perlman - Premiere Of Lionsgate Films' "The Expendables 3" held at TCL Chinese Theatre. The Expendables 3 has vast cast of action stars, a high quality version was reportedly leaked on the internet - Hollywood, California, United States - Tuesday 12th August 2014
Ron Perlman, Charlie Hunnam, Kim Coates, Katey Sagal and Kurt Sutter - FX's "Sons Of Anarchy" Season 6 Premiere Screening Held at Dolby Theatre - Arrivals - Hollywood, California, United States - Saturday 7th September 2013
Paul Reiser, Joe Mantegna, Ed Begley, Jr, Dabney Coleman, Dick Van Dyke, Ron Perlman, Kevin Pollack, Kevin Dobson, D.B. Sweeney and Guests - The late Peter Falk is honoured with a star on the Hollywood Walk of Fame - Hollywood, California, United States - Thursday 25th July 2013
Marmaduke is perhaps the world's most famous Great Dane, he was originally brought to life in a newspaper comic strip drawn in the 1950's by Brad Anderson. Now Marmaduke is set to make his motion picture debut. When the Winslow family (along with Marmaduke and their cat Carlos) make a move to LA, Marmaduke pictures the perfect life from now on, after all - LA is home to some of the best dog parks in the world! However, when he arrives, the parks are great but how could any dog from outside LA deal with all the rivalry between Mutts vs. Pedigrees! It might take Marmaduke a little longer to find his 'pawing' than he first thought.
Continue: Marmaduke Trailer
When a giant ship of humans arrives at an isolated planet, they don't really understand that the residents are living in peace with nature and others. So they launch an all-out attack on the world they have named Terra. But a feisty local named Mala (Wood) stands up to them, teaming up with crash-landed earthling Stanton (Wilson) and his robot sidekick (Cross). And earth's General Hemmer (Cox) is more than happy to indulge in annihilation top get his hands on this planet.
Continue reading: Battle For Terra Review
And God is she getting dull.
Continue reading: Mutant Chronicles Review
On his way back to his home planet on a funereal mission, extraterrestrial Kainan (James Caviezel) discovers a deadly alien beast known as a Moorwen onboard his ship. It causes the vessel to crash land in Norway circa the 7th century. After getting his bearings and sending a distress signal, Kainan begins to explore the area. He is soon trapped by warrior Wulfric (Jack Huston) and taken to the fortified stronghold of King Rothgar (John Hurt) and his wild, unwieldy daughter Freya (Sophia Myles).
Continue reading: Outlander Review
Hellboy II takes the fantastic make-up artistry, creature creation, and set design that we grew fond of in Pan's Labyrinth and combines all of these elements with mindblowing CGI and stunning choreography. The script this time around is sharp and witty; you'll be laughing for most of this movie (which is good, because Hellboy II would look silly if it took itself too seriously). Most importantly, the movie contains some of the best (i.e., least-fake-looking) action sequences I've ever seen in a comic-book movie, and lots of them, too, which makes it even better than Iron Man, its biggest summer contender next to the upcoming Dark Knight.
Continue reading: Hellboy II: The Golden Army Review
The story is a little scattered, but the main narrative strand involves a chiseled chump named Farmer (Jason Statham), who vows vengeance on the evil Krugs for destroying his family. Along with pal Norick (Ron Pearlman) and brother-in-law Bastian (Will Sanderson), they defy King Konreid (Burt Reynolds; yes, you read that right) and head out looking for payback. Along the way, they confront the mud-dog creatures led by wicked wizard Gallian (Ray Liotta; yes, you read that right as well). Our malevolent magic maker has been literally sucking the power out of his rival Merick's (John Rhys-Davis) daughter Muriella (Leelee Sobieski; so here's where she went!), and with the help of the ruler's inelegant nephew Fallow (Matthew Lillard), he plans to overthrow the court and use the Krug as his new army. On the way to a final confrontation between Farmer and Gallian, we get lots of pseudo-spectacle swordplay, some bad CGI vistas, and a visit from Cirque de Soleil in the form of acrobatic tree-dwellers whose leader (Kristanna Loken) hates humans.
Continue reading: In The Name Of The King: A Dungeon Siege Tale Review
Clearly drawing heavily on films like John Carpenter's The Thing as inspiration, Fessenden builds his characters from the ground up before hurling them to the wolves. He's helped by a cast that's sharp as a tack, particularly the roaring and bear-like Ron Perlman as Ed Pollack, an oil company operative gung-ho on getting machinery up to their station as quick as possible, by any means necessary, and screw the environment. Facing him are a couple of "green flags" -- one of whom is the gloomy notebook scribbler, scientist James Hoffman, played close to the vest by the always reliable James LeGros -- environmental do-gooders hired by the company as sort of eco-fig leaves whom they want to pressure to sign off on impact statements so the drilling can begin. In between are Abby Sellers (Connie Britton), a tough-as-nails type caught in a love triangle, the dazed and confused mechanic Motor (Kevin Corrigan, nailing it), and their Native American cook Dawn Russell (singer Joanne Shenandoah).
Continue reading: The Last Winter Review
The standard repertoire of confrontation, hope, and tragedy all fall into place. Arturo thinks one of his boys doesn't have the makings of a champion, but maybe he isn't looking hard enough. Another son (Jon Seda, Selena) wants to get married, but settling down could ruin his shot at the big title. Familiar archetypes emerge and follow their routes to a traditional grand finale.
Continue reading: Price Of Glory Review
In a career of so-so horror movies (Mimic, Blade II), Guillermo del Toro made his biggest impression with Cronos, an alternately sweet, funny, and creepy horrorshow the likes of which we don't often see.
Continue reading: Cronos Review
You might also consider that if you decide to watch a movie with a title like The Shaft, that's exactly what you'll get... the shaft.
Continue reading: The Shaft Review
A twist on the typical fairy tale, The City of Lost Children is the story of an evil genius named Krank (Daniel Emilfork) and his henchmen of mechanically-enhanced Cyclops, six identical Clones (all played by Dominique Pinon), the tiny and bossy Miss Bismuth (Mireille Mosse), and a disembodied brain (voiced by Jean-Louis Trintignant) which provides the philosophical foundation for the group. The band of genetically-engineered characters live on a man-made island off shores of a coastal city, and it is from this city that Krank's thugs kidnap children. Why? Because Krank is unable to dream, he attempts to steal them from the children's minds.
Continue reading: The City Of Lost Children Review
Robert Urich stars as a space pirate in the far future, when there's no more water in the galaxy, and pirates work the shipping lanes of open space to steal what ice there is left. Urich's Jason winds up in a plot involving a kidnapped princess, an evil empire, and a visit to "the seventh world," which includes time travel,
Continue reading: The Ice Pirates Review
First, and foremost, because of its screenplay. Director Jean-Jacques Annaud (Seven Years in Tibet, The Bear) and partner Alain Godard take a horrific true tale and sap it of its energy, irony, and tension. It starts off impressively enough: Russian soliders are immediately gunned down as they arrive in Stalingrad -- if not by the enemy, then by their own officers, who kill the boys when they retreat in terror. Vassily Zaitsev (Jude Law) becomes an instant hero when he plays dead, and in sniper fashion, shoots a number of unsuspecting Nazis.
Continue reading: Enemy At The Gates Review
Matt Damon's voice stars as Cale, an eager-beaver twentysomething in the year 3028 who would be just like any other next-millennium Gen X-er if not for one thing: A race of evil beings called the Drej -- made of pure energy, natch -- have blown up the earth.
Continue reading: Titan A.E. Review
Exploding from the pages of Marvel Comics, Blade, born half-man, half vampire after a bloodsucker attacked his pregnant mother, vowed to protect humanity from the dark, secret world of evil vampires. Armed with an arsenal of lead and garlic, Blade continues to fight the never-ending war between the living and the undead.
Continue reading: Blade II Review
This coming-of-age story follows just what we'd expect: a boy and his dog in 1950s middle America (and a true story, at that). Old Drum is the dog, and Bobby Edner is the kid (a kid who looks like that kid in all these movies). And of course, the dog's amazing: He even pulls him out of a lake after his raft falls apart and conks him unconscious. And when a pack of wild dogs attack, Drum single-handedly kills them all, taking serious wounds in the process. (He recovers, of course, to become the town hero -- those wild dogs are killing the local sheep!)
Continue reading: The Trial Of Old Drum Review
What you feel about Hellboy the movie is an altogether different topic.
Continue reading: Hellboy Review
Sigourney Weaver's Ellen Ripley died in Alien3, the movie that was supposed to put the nail in the Alien coffin, but thanks to the miracles of next-millennium cloning, she's back, and full of alien DNA to boot (thus making her invincible, giving her acid for blood, and generally a pretty creepy chick). This new twist has great potential, as Ripley's alien side gives her a strange kinship with the creatures... creatures that once again are loosed by idiot scientists trying to tame them.
Continue reading: Alien: Resurrection Review
Based on Umberto Eco's dense and demanding bestseller, The Name of the Rose, is basically a love letter to Sir Arthur Conan Doyle. Unfortunately, the film version never passes up an opportunity to remind us of that fact.
Continue reading: The Name Of The Rose Review
"Star Trek" films have always faced considerable scrutiny from their detail-oriented fans, so one would think by the 10th big screen outing the shepherds of the series would know better than to make a movie full of flubs.
Yet while "Star Trek: Nemesis" is a formidable, dignified sci-fi adventure when sticking to the substance of its story -- about a baneful young clone of Capt. Picard leading enemy aliens in battle against the starship Enterprise -- the picture grows decidedly flimsier with its many out-sized, out of character and logically porous action set pieces.
Take, for example, the silly dune buggy sequence in which Picard (Patrick Stewart), android Lt. Commander Data (Brent Spiner) and Klingon Lt. Commander Worf (Michael Dorn) go conspicuously gallivanting around the planet of a pre-warp civilization (a violation of Star Fleet's Prime Directive that goes completely unaddressed), being shot at by locals and staging daredevil stunts, a la "XXX."
Continue reading: Star Trek: Nemesis Review
"Happy, Texas" wins this years award for dumbest plot in an enjoyable movie.
A ridiculous yarn about two escaped cons posing as gay beauty pageant directors while they hole up in a small town, most of the comedy here is barely above sketch caliber, but the movie's fantastic cast takes it to another level.
Steve Zahn (the dimwit stoner in "Out of Sight") and Jeremy Northam (from "An Ideal Husband" and "The Winslow Boy," but sounding all-American here) star as the convicts, who escape a west Texas chain gang and hijack an RV that, unbeknownst to them, belongs to the real gay pageant directors.
Continue reading: Happy, Texas Review
Save its ambitious, eye-popping computer-generated space battle effects, 20th Century Fox's second run at Disney's animation crown is little more than another threadbare cartoon orphan story ("Dinosaur," "Anastasia," "The Lion King," etc.) dressed up in wannabe-anime style and targeted at 11-year-old boys with a toy-friendly, sci-fi storyline and a bad, bad, bad guitar rock soundtrack.
Taking place in a distant future when the Earth has been destroyed and the remnants of mankind are adrift in the galaxy, "Titan AE" follows handsome, cocky, cusp-of-manhood Cale (voice of Matt Damon), the son of a valiant military martyr in our planet's brief defense against a race of energy beings called the Drej.
The Drej blew up Earth with their giant crystalline space ship in an expensive-looking CGI sequence when Cale was just a boy, and now they're hunting what's left of humanity as we flee through the stars. What, exactly, the Drej have against us, the movie doesn't bother to explain. The fact that they look like a lava lamp versions the Terminator's skeleton signals they're bad news, so who needs to bother with, you know, motive?
Continue reading: Titan Ae Review
The origin of the mutants in "X-Men" is a concept based on evolution that requires only a little suspension of disbelief. But a whole lot of supernatural B-movie overkill goes into the birth of the title character in "Hellboy" -- including occultish Nazis, a resurrected Rasputin, and the opening of an intergalactic wormhole meant to unleash the "seven gods of chaos" (whatever they are) upon the Earth.
The pre-credits sequence of this effects-heavy summer's-come-early superhero action flick -- based on Mike Mignola's cult comic of the same name -- is a real eye-roller, especially since a battalion of G.I. Joes sent expressly to stop this fascist-black-magic conspiracy just sits on its collective hands doing nothing until the whole shebang is already underway.
But once writer-director Guillermo del Toro ("Blade II," "The Devil's Backbone") moves into the modern day -- where the demon-like spawn of that evil experiment has paradoxically grown into a muscle-bound, horn-headed, red-skinned and stone-fisted, paranormal, crime-fighting anti-hero called Hellboy -- the film settles into a distinctively sharp, sardonic rhythm full of character and imagination.
Continue reading: Hellboy Review
There's nothing more satisfying as a movie critic than going into a screening with low expectations and coming out tickled pink and grinning ear to ear, which is exactly what happened to me when I saw "Looney Tunes: Back in Action."
Fully anticipating another gimmick-driven shoulder-shrug of a live-action/cartoon hybrid like 1996's "Space Jam," I hadn't put enough faith in director Joe Dante ("Gremlins," "Small Soldiers"), who has been a rabid aficionado of Warner Bros. cartoons his whole life, and who poured every ounce of that enthusiasm into this screwball flick.
Although it gets off to a weak start with a studio board meeting where the humans are worse actors than the cartoons (and interact with them unconvincingly), after it sluffs off its clumsy plot establishing -- in which Daffy Duck is fired by the suits -- it becomes as truly looney-tooney as a fan of classic Warner shorts could ever dream of.
Continue reading: Looney Tunes: Back In Action Review
The first half-hour of "Enemy at the Gates" is a cinematically stunning, hyper-realistic battlefield nightmare that transports the viewer right into the heart of the Nazis' yearlong siege of Stalingrad during World War II.
"Autumn, 1942," deplores the period-style voiceover as a shadow creeps across an illustrative map in an updated homage to old-timey war pictures. "Europe lies crushed under the Nazi jackboot..."
German planes dive-bomb troop transports in an incredible attack sequence. Sweeping shots the color of mud and blood take in the scale of the besieged city's cold, yet smoldering ruins while Red Army officers recite threatening propaganda to masses of soldiers who would rather flee.
Continue reading: Enemy At The Gates Review
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