Ron Perlman attending the World Premiere of 'Fantastic Beasts and Where To Find Them', held at Alice Tully Hall in the Lincoln Center for the Performing Arts, New York City, United States - Friday 11th November 2016
Newt Scamander is a wizard who's always had an interest in monsters and wild, unworldly creatures. Newt inspects as many different species of Beast that he can and keeps some of the rarest ones in order to preserve them and keep them from harm's way whilst also ensuring they themselves don't cause any of the chaos they could so easily cause.
It's 1926 and the wizarding community is under threat. Whilst most muggles (No Maj's) don't have any idea that wizards and witches actually exist, a small yet powerful few are all too aware of them and their powers.
The New Salem Philanthropic Society is headed by a tough woman named Mary Lou Barebone who wants to make sure that all wizarding kind is exterminated.
Danny Winters is a young man in 1969, who becomes disenfranchised from the marginalisation and discrimination of some members of society. His radical opinions cause his parents to kick him out of their Kansas home, and so he takes the opportunity to travel to New York where he meets a group of liberal and flamboyant youths who shelter him and bring him to a discreet gay club run by the mafia known as The Stonewall Inn. Unfortunately, this is a place frequently raided by cops, who are less than liberal in their way of thinking. Tired of the constant social threats and alienation, Danny leads an army with members of the gay, trans and cross-dressing community to fight against the corrupt police with a full scale riot.
Continue: Stonewall Trailer
This dark thriller is so relentlessly stylish that it's distracting. Refusing to settle down to focus on its intriguing central story, filmmaker Greg Francis whirls around through a series of whizzy flashbacks that layer in all kinds of subtext and interest. But it's so fragmented that the film never quite builds any suspense, instead becoming a grotesque horror movie featuring a slasher who tortures and kills with Saw-like maniacal glee.
It centres on young rookie Detective Jeter (Beau Mirchoff), whose recent bust has elevated him to the ranks of the elite cops (Ron Perlman, Titus Welliver, Giancarlo Esposito, Ron Eldard and Corey Large) who meet for a weekly poker game. At his first night with them, each recounts his most iconic case, and afterwards Jeter staggers out a bit tipsy, running into his underaged girlfriend Amy (Halston Sage) who is being menaced by a man (Michael Eklund) in a terrifying mask. Next thing Jeter knows, he's drugged, tied up and being held by this self-proclaimed paedophile who clearly has some sort of agenda here. Jeter can hear Amy in the next room, but every time he tries to escape their captor seems to be one step ahead of him.
All of this plays out of sequence, constantly interrupted by the other five cops' stories and even the masked man's own past, all played out in with flashy visuals and a clever integration of Jeter into past events as he watches them unfold. Sometimes the film also goes into his mind as he plays out a scene hypothetically. All of these fragments weave into the central story in some way, but filmmaker Francis never quite brings it into any sense of focus. It's so hyperactive that all the audience can do is sit back and enjoy the inventive visuals and up-for-it cast, while being horrified and/or entertained by the brutal violence.
Continue reading: Poker Night Review
Manolo has a lot of pressure forced upon him from his family regarding his future, but all he wants to do is marry the woman of his dreams, Maria. However, he is not the only person who wants to make Maria his wife and he is in serious competition with her charming and handsome suitor (and his own best friend) Joaquin. Meanwhile, two spirits of The Land of the Remembered named La Muerte and Xibalba look upon the scene in fascination during the Day of the Dead; a time when spirits are able to effect the the land of the living as they pass between worlds. They decide to make a bonding wager on who will win Maria's affection, with La Muerte betting on Manolo being the victor. When it looks like she might be right, Xibalba has him killed by a snake and taken over to the Land of the Remembered where he is forced to face his biggest fears in order to see his beloved once again.
Continue: The Book Of Life - International Trailer
When Thunder is abandoned into the street by his owner as a kitten during a house move, he finds himself in the home of an eccentric aged magician named Lawrence and his family of friendly mechanical toys on a stormy night which gives him his name. Lawrence takes him on tour performing at parties but it soon becomes clear that he's much more popular than the magician's old pet rabbit, Jack - a fact that doesn't sit well with either Jack or the magician's mouse Maggie. However, the furry team must unite for the sake of Lawrence when trouble arises in the form of his nefarious nephew, who is attempting to sell the large house while Lawrence is away at hospital. Thunder and his new friends decide to try and convince him that the house is actually haunted, with Thunder at the forefront of the ploy. The question is, do Lawrence's unusual family have it in them to save his livelihood?
Continue: The House Of Magic Trailer
In Mexico, two best friends Manolo (Diego Luna) and Joaquin (Channing Tatum) fall in love with the same girl, Maria (Zoe Saldana and so both face each other for her love. Two spirits passing through the world, La Muerte (Kate del Castillo) and Xibalba (Ron Perlman), make a bet over who will triumph out of the two. Muerte on Manolo and Xibalba on Joaquin. When the Xibalba feels the odds are against him, he brings Manolo into The Land Of The Remembered.
The Book Of Life sees Manolo setting out on an exciting, but dangerous journey across three majestic worlds where he will face his greatest challenges, in order to return to Mexico and win over Maria once and for all.
From producer Guillermo Del Toro, The Book Of Life is an animated comedy film directed by Jorge Gutierrez and written by Gutierrez and Doug Langdale (Aladdin: The Return of Jafar). The Book Of Life sees Gutierrez attempt a Nightmare Before Christmas esque Tim Burton style, with jovially dark animation. With exceptional visuals and a story of fortitude, The Book Of Life should be a loveable film for all.
Even if the premise is tired, this grim thriller holds the attention by focussing on the raw intensity of the characters' personal lives. It's also grisly enough to work as a bone-dry black comedy about a hapless guy who will do whatever it takes to protect his loved ones. But just a little more complexity in the story and characters would have helped a lot.
The film opens as nice guy Elliot (Mark Webber) is sacked from his New Orleans job at exactly the wrong time. Not only is he planning his wedding with his pregnant fiancee Shelby (Rutina Wesley), but he also helps support his retirement-age dad (Tom Bower) and mentally disabled brother (Graye). So when a stranger phones to offer him a place in a cash-bonanza game, he doesn't mind that the 13 tasks are increasingly deranged. It starts with killing a fly, but soon escalates to making a child cry, starting a fire in a church and desecrating a dead body. But if he wins, his worries will be over. Then he realises that he's not the only contestant.
Without a hint of subtlety in the script, we never have any questions about what is happening, what the moral implications are and where the story's going next. So there's no way to join in with Elliot's disorienting dilemma. Instead, there's nothing to do but sit back and watch. In another actor's hands, Elliot might have come across as an idiot who deserves whatever's coming, but Webber has a vulnerability that makes us care what happens, even as he does one stupid thing after another. His family seem eerily oblivious, but Ron Perlman adds some deadpan humour as a detective following Elliot's trail. And Pruitt Taylor Vince is on hand as his usual bug-eyed, shifty nerd who knows more than anyone else.
Continue reading: 13 Sins Review
Katey Sagal discusses the portrayal of domestic violence on 'Sons of Anarchy' and her character, Gemma's, development over the upcoming season.
Katey Sagal who stars in Sons of Anarchy as Gemma discussed the issues raised by the season four episode 'Hands'.
Katey Sagal at the L.A. premiere of Pacific Rim.
The episode shocked many viewers who saw the show depict domestic violence between Gemma (Sagal) and Clay (Ron Perlman). The brutal scene which saw Clay beat his wife Gemma left many viewers wondering if the couple should get back together and if this would encourage those in violent relationships to do the same.
The intriguing actor talks Pacific Rim.
Apart from the epic set pieces, which saw huge robots fighting huge monsters from the deep, one of the best things about Pacific Rim were Charlie Day and Ron Perlman’s exchanges. Day - an eccentric scientist whose brilliance is only hampered by his own shortcomings – and Perlman – an imperious black-market oligarch with the gold-tipped shoes and outlandish outfit to match – enjoy possibly the best-scripted scenes in the film, so much so that they’re featured heavily in the trailer.
Perlman at the Pacific Rim premiere
"I got the impression that that character was supposed to be played by someone of a different ethnicity," says Perlman on the role to The Guardian, "and when Guillermo took over, he thought how about if we went with a completely oversized Jew from New York who dressed like PT Barnum, a purveyor of all things materialistic? It took a character that's completely full of shit to start with, then added a whole other layer of full of shit-ness, a double dose."
Continue reading: Ron Perlman Opens Up On His 'Pacific Rim' Cameo
The best thing about this massive blockbuster is the way it updates the classic Japanese monster movie to the 21st century, with a first-rate cast and staggeringly good effects. Sadly, the script isn't up to scratch, throwing in enjoyable comedy and corny melodrama while maintaining such a formulaic structure that there isn't a single moment of actual suspense. We never doubt for a second how all of this is going to end or who will survive.
It all begins in the present day, as gigantic creatures called kaiju appear through a temporal rift in the Pacific Ocean floor near Hong Kong. They start attacking cities (inexplicably starting with San Francisco), and humanity takes years to fight back, building massive robots called jaegers that are piloted by two-man teams. Over even more years of fighting, the monsters learn how to stop the jaegers, so military leader Pentecost (Elba) assembles his best jaeger pilots in Hong Kong, including the haunted Becket (Hunnam) and father-son Aussie duo Herc and Chuck (Martini and Kazinsky). And as they plan their assault, the scientist Newt (Day) makes a startling discovery about the kaiju.
Most of the film is played as a massively over-serious action movie in which manly, muscly heroes set out to save the planet. The relational melodrama always feels like a distraction, including Pentecost's assistant (Kikuchi), who wants to be a pilot and carries a torch for Becket. There's also a dose of bromance as Newt tries to loosen up his so-British sidekick (Gorman). And to help spice things up, we also get some comic relief from Perlman, who is hilarious as a swaggering black-market dealer. None of these characters is very complicated, but the gifted actors all do what they can with the roles.
Continue reading: Pacific Rim Review
The time is drawing ever closer to the release of Fantastic Beasts And Where to...
Newt Scamander is a wizard who's always had an interest in monsters and wild, unworldly...
Long before Harry Potter - or his parents - took up residence at Hogwarts, there...
Long before the time of Harry Potter, wizards and witches still lived their lives in...
Danny Winters is a young man in 1969, who becomes disenfranchised from the marginalisation and...
This dark thriller is so relentlessly stylish that it's distracting. Refusing to settle down to...
Manolo has a lot of pressure forced upon him from his family regarding his future,...