Dash Mihok, Ron Livingston, Michelle Monaghan, Claudia Myers, Emmanuelle Chriqui, Freddy Rodriguez, John Sullivan, Adam Silver and John Savage - Stars attended a special screening of new war drama movie 'Fort Bliss' at the Director's Guild of America Theater - Los Angeles, California, United States - Thursday 11th September 2014
After a couple of gimmicky transgressive comedies (Humpday and Your Sister's Sister), writer-director Lynn Shelton takes a more observant approach this time. So even if, as before, the script never quite fills in the gaps in the story, it at least knowingly recreates relational awkwardness in a remarkably sensitive way. And the characters are almost eerily easy to identify with.
The centre of the story is Abby (Rosemarie DeWitt), who is debating whether she should move in with her rebound boyfriend (Scoot McNairy). This sparks her to think about her whole life, and she ends up recoiling at the idea of touching human flesh. Which is a problem since she's a massage therapist. By contrast, her dentist brother Paul (Josh Pais) believes he might have the ability to heal his patients, so he consults Abby's reiki-practitioner colleague (Alison Janney) for advice. Meanwhile, Paul's daughter Jenny (Ellen Page) is terrified to tell her father that she hates working as his assistant. And she's even more afraid to admit that she has a crush on her aunt's boyfriend.
Along the way, Abby, Paul and Jenny are all pushed into a turning point in their lives by an unexpected change in circumstances, which of course feels a bit contrived. But the film's real strength is in the messy connection between family members who have issues with themselves and each other, all of which are expressed through clumsy conversations and uncomfortable physicality. As insecure siblings, DeWitt and Pais are terrific in complex roles that draw on the actors' nervous energy. But only Pais and McNairy are genuinely likeable: men who haven't a clue what to do. By contrast, the always terrific Page and Janney have much less-developed roles.
Continue reading: Touchy Feely Review
Ron Livingston - Ashley Greene shows off her beach body in a vintage-inspired bathing suit on the set of 'The Shangri-La Suite' shooting on location in Redondo Beach. The actress, who is depicting Priscilla Presley in the movie, was joined by co-star Emily Browning who took a dip in the ocean during a scene. Ron Livingston, who plays Elvis, was also on hand, as well as child actress Alyvia Alyn Lind, who plays the role of a young Lisa Marie Presley. - Redondo Beach, California, United States - Friday 7th March 2014
This starry drama has documentary realism going for it, although without a single well-developed character it never finds any resonance. By recounting JFK's assassination from a variety of previously unseen angles, we learn some new things about that fateful day in November 1963. Oddly, the script doesn't even focus on the hospital that gives the film its name. That might have helped give the film some focus.
We watch the shooting in Dallas through the eyes of Abraham Zapruder (Giamatti), famously the only person to capture the event on film. He is immediately contacted by a Secret Service agent (Thornton), who helps him process the film and make copies. Meanwhile at Parkland Hospital, two residents (Efron and Hanks) and a tenacious nurse (Harden) are working against the odds to save Kennedy's life. And elsewhere, an FBI agent (Livingston) is following the trail of the shooter, whose brother and mother (Dale and Weaver) have very different reactions to what has just happened.
Writer-director Landesman jumps straight into the events without properly establishing the characters. But it's impossible to feel emotion when we don't know anything about the people we're watching, and we can't feel suspense when we know what's going to happen. So we're left to soak up the details, which are often fascinating (ever wonder how to get a coffin into a plane?). And while the actors are good enough to play the intensity of each scene for all it's worth, the only ones who register with us are Giamatti and Dale, because what their characters go through is more complex than we expect.
Continue reading: Parkland Review
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