Ron Leibman

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Jessica Walter and Ron Leibman Monday 14th March 2011 Jessica Walter and Ron Leibman Roundabout Theatre Company's 2011 Spring Gala honoring Alec Baldwin held at Roseland Ballroom - Arrivals. New York City, USA

Jessica Walter and Ron Leibman
Jessica Walter
Jessica Walter
Jessica Walter
Jessica Walter
Jessica Walter

Auto Focus Review


OK
Making stories about celebrities who mess up their lives has become a kind of cottage industry these days. Tabloid magazines have thrived on it for years. The E! True Hollywood Story and Behind the Music have extended celeb-thrashing to TV.

Finally the big screen has embraced such tales, but Auto Focus proves, once again, there's too little tale in these stories to merit more than 15 minutes with Barbara Walters.

Continue reading: Auto Focus Review

Dummy Review


Excellent
Just before Adrien Brody delivered his Oscar-winning performance as an isolated and frightened Holocaust survivor in The Pianist, he played a whole different kind of isolated and frightened. As Steven, a lonely underachiever in Greg Pritikin's fantastic indie comedy Dummy, Brody finds solace not in piano music, but in the twisted art of ventriloquism.

It's an offbeat concept that might fit in a chop-'em-up horror movie or a sad, pathetic character study -- yet writer/director Pritikin finds his own niche with the idea, producing a creatively eclectic tale. Dummy is full of exciting surprising laughs, true heart, and enough dysfunctional characters to fill a Wes Anderson film.

Continue reading: Dummy Review

Norma Rae Review


Very Good
Sally Field made us like her, really like her, as the scrappy, titular star of this unionization drama, the true story of a poor textile worker who rallies the troops to vote in the union at her plant. Now awfully dated and more than a little one-sided, Norma Rae is a fine showcase for Field's prodigious acting talents, but it's hardly the classic it's often surmised to be.

Auto Focus Review


OK
Making stories about celebrities who mess up their lives has become a kind of cottage industry these days. Tabloid magazines have thrived on it for years. The E! True Hollywood Story and Behind the Music have extended celeb-thrashing to TV.

Finally the big screen has embraced such tales, but Auto Focus proves, once again, there's too little tale in these stories to merit more than 15 minutes with Barbara Walters.

Continue reading: Auto Focus Review

Just The Ticket Review


Weak
Hey, next Friday night, why not try a 2-hour tragicomedy about the wild and wacky world of ticket scalping? With Andy Garcia and Andie MacDowell!? Yow. "Ill-advised" is certainly a term that comes to mind. But Just the Ticket is basically humorless and so overly contrived (electronics saleswoman really wants to have her own restaurant) that it's overall just a waste of time for everyone involved. Even cameos from the likes of Joe Frazier can't elevate this film above a one-note joke.

Slaughterhouse-Five Review


Very Good
There are certain authors that simply do not lend themselves towards adaptation. The reason for this makes perfect sense: when one reads a book, they are forced by the book to envision the world that the author creates. When one is part of the visual medium of film, the world looks more like reality. Since the world looks more like reality, we are prone to question it in greater detail.

That is why successfully adapting a Vonnegut is one of the Holy Grails of film adaptation.

Continue reading: Slaughterhouse-Five Review

Personal Velocity Review


Good

Comprised of three frank and psychologically resounding stories of women at crossroads in their relationships with men, writer-director Rebecca Miller's "Personal Velocity" creates a visceral sense of its characters' lives and conflicted emotions that carries it far above and beyond what could have been a melodramatic, Lifetime Channel-style anthology, had it fallen into the wrong hands.

Miller is the daughter of playwright Arthur Miller, and she's learned a thing or two about delving into the human psyche and building an empathetic relationship between characters and audience from her dad's works like "The Crucible" and "Death of a Salesman." Her stories are profound and penetrating on a small, personal scale, and succinct without seeming like allegorical models of modern women's adversity.

Tied loosely together by each character hearing a news report of a hit-and-run accident, the film's three segments follow an abused wife (Kyra Sedgwick) who is finally ready to run away from her husband but has nowhere to go, a yuppie Manhattan book editor (Parker Posey) whose career is taking off just as she's falling out of love with her fiancé and hating herself for it, and an already troubled young punkette (Fairuza Balk) whose direct connection to the hit-and-run has shaken her faith in her relationship barometer just as she's learned she's pregnant.

Continue reading: Personal Velocity Review

Ron Leibman

Ron Leibman Quick Links

Pictures Film RSS
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Ron Leibman Movies

Auto Focus Movie Review

Auto Focus Movie Review

Making stories about celebrities who mess up their lives has become a kind of cottage...

Dummy Movie Review

Dummy Movie Review

Just before Adrien Brody delivered his Oscar-winning performance as an isolated and frightened Holocaust survivor...

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Auto Focus Movie Review

Auto Focus Movie Review

Making stories about celebrities who mess up their lives has become a kind of cottage...

Personal Velocity Movie Review

Personal Velocity Movie Review

Comprised of three frank and psychologically resounding stories of women at crossroads in their relationships...

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